VH1 Classic Presents Seven Ages of Rock

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“Seven Ages of Rock,” a VH1 Classic co-production with the BBC, will make its U.S. debut on VH1 Classic Monday, December 17 and will air through Sunday, December 23 at 9:00 PM. Dennis Hopper narrates this 7-part series which showcases the various genres of rock music that impacted and shaped pop culture. Additionally, each episode will launch on VH1Classic.com simultaneously with its on-air premiere and will be archived for on-demand viewing. Also, watch music playlists for each age with videos from the featured artist only online.

From the birth of rock to metal to alternative rock – there is a genre for every music fan. This exclusive series will delve into what made each of these genres of music resonate with fans across the world.

Each of the seven episodes will take a deeper look into the individual ages of rock by evaluating the music itself -- breaking down key tracks, getting behind the songs and composing ideas, as well as looking into the social influences of the time and the social context that influenced the progression of the music. Throughout each episode viewers will hear from some of rock music’s biggest icons including Keith Richards, David Bowie, Roger Waters, Lou Reed, Ozzy Osbourne, James Hetfield, Deborah Harry, Gene Simmons, Damon Albarn, Stewart Copeland, Bruce Springsteen, Steven Van Zandt, Michael Stipe, Henry Rollins, Dave Grohl, Kim Deal, Noel Gallagher and many more.

Episode 1: “My Generation: The Birth of Rock” – Rock music emerges in the late 60’s as a fresh branch of rock ‘n’ roll. Becoming popular through artists like The Who, Cream, and The Rolling Stones, rock groups exemplified this era of protest through a tone of seriousness in their music. Premiering on Monday, December 17 at 9:00 PM.

Episode 2: “White Light, White Heat: Art Rock” – As rock music made a name for itself, upcoming rock artists began to experiment with their sounds. Groups including The Velvet Underground, David Bowie, Pink Floyd and Genesis were all a part of this innovative and varied sound. Premiering on Tuesday, December 18 at 9:00 PM.

Episode 3: “Blank Generation: Punk Rock” – Continuing with the evolution of the sound of rock, a genre of music emerged in the 1970s that can best be described as anti-establishment. Demonstrated by bands including The Sex Pistols, The Clash and Television, these artists created music that went hand-in-hand with the rebellion of youth, often containing lyrics that incorporated political outrage and a “do-it-yourself” attitude. Premiering on Wednesday, December 19 at 9:00 PM.

Episode 4: “Never Say Die: Heavy Metal” – A new sound that emerged from the UK, heavy metal conveyed an intense and powerful resonance. Artists like Black Sabbath and Judas Priest paved the way by establishing the heavy sound while artists like Metallica and Motley Crue added their own rock ’n’ roll twist. Premiering on Thursday, December 20 at 9:00 PM.

Episode 5: “We Are The Champions: Stadium Rock” – Rock music became more dominant in mainstream pop culture in the 80s allowing artists such as Queen, The Police, Bruce Springsteen, and U2 to sell out stadium-sized venues. Premiering on Friday, December 21 at 9:00 PM.

Episode 6: “Left of the Dial: American Alternative” – Influenced by punk, bands including Nirvana, REM, Sonic Youth, and Pearl Jam shunned the traditions of the music industry and signed with independent record labels. Despite their deviance from traditional mainstream success, many alternative bands became commercially successful. Premiering on Saturday, December 22 at 9:00 PM.

Episode 7: “What the World is Waiting For: British Indie” – Growing out of the UK punk scene, bands such as The Smiths, Oasis, and the Stone Roses possessed an independent spirit that embraced their artistic power and financial control. These groups created music that provided a strong and sometimes arrogant counterpoint to the pop sounds dominating the charts. Premiering on Sunday, December 23 at 9:00 PM.

Source: www.pluginmusic.com

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Liam Gallagher Has Words For Amy Winehouse

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In the mid-90s, Oasis' Gallagher brothers became British tabloid fixtures thanks to their brotherly bust ups, their famous girlfriends and rumors of rampant drug use. These days, younger brother Liam and older brother Noel still regularly garner column inches, though it's more to do with marriage rumors, babies and ghost hauntings than the salacious stories of years before.

Liam was a little younger than Amy Winehouse when he first became front page fodder, so when Spinner caught up with the Oasis frontman during some promotion for Oasis' new DVD, 'Lord Don't Slow Me Down,' we asked if had any empathy for the travails of the 24-year-old pop-soul singer.

"No, nope, no," he told Spinner rather firmly. "I'm sure she's a big girl and she f***ing knows what she's doing. I couldn't give a f*** mate about any of them. I'm sure they couldn't give a f*** about me, so no. She plays with fire, you get burnt. That's the way it goes. That's what happened with me. I'm in a f***ing great place at the moment, so I don't think it does you any harm."
While plenty of rock stars, including Rolling Stones singer, Mick Jagger, have been quoted saying they'd like to help the troubled chanteuse, Liam suggested Winehouse will garner wisdom and find less trouble, with age.

"If she's knows what she's doing's f***ing not good, then she needs to sort of back up a bit," he said. "But she's young so I'd be probably doing the same thing, except for twice the drugs. I'm sure she'll grow out of it."

As for what she does, while Liam hasn't been shy of putting down plenty of ensembles over the years, he's rather kind when it comes to Winehouse's music. "It's alright," he said. "I like that 'Rehab.' I've not heard [the record], man. I've just heard what I heard on TV. She's good."

Source: www.spinner.com

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On This Day In Oasis History...

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Stop the Clocks is an album by British rock band Oasis made up of Oasis' favourite songs and moments of their career so far and was released on November 20 2006. “Unlike most albums of this nature, Oasis have sat down and undertaken the almost impossible job of picking what they consider to be their finest moments ever. So 'Stop The Clocks' is imbued with the sort of willfulness that has helped make Oasis the favourite band of millions of people worldwide and its running order will no doubt provoke equal parts adulation and bar discussions from the millions of Oasis fans worldwide. Could it ever be any other way?” . It released in November 2006. The "retrospective collection" is an 18-track double album with the featured songs chosen by Noel Gallagher. It went 3x platinum in the UK with sales as good as any album there since Be Here Now.

The album has come about due to the end of Oasis' recording contract with Sony BMG Music Entertainment. Noel Gallagher has gone on record before on numerous occasions saying that Oasis wouldn't release a greatest hits album unless the band were about to split up. However, in an interview with news.com.au in December 2005, he hinted that Sony were planning to release one anyway, and that despite his misgivings, he would have to get involved with it otherwise it'd be "shit". This was clarified in September 2006, when he told the NME that when he made it clear to Sony that the band were not going to re-sign to them, the record label decided to release a greatest hits album. Gallagher then explained that he insisted that it had to be a 'best-of' because he felt a compilation of the best singles, album tracks and b-sides would produce a stronger album than a compilation of singles.

To address some fans' concerns that the release of a greatest hits album was a sign that the band were about to finish, based on some of Noel Gallagher's previous comments, the press release for the album confirmed that they are merely taking "a well earned sabbatical prior to starting work on new material, destined for similar levels of success in the future. As such, this is not a full stop, but merely a time out; a dream set list, and a chance for the world to review the immense contribution that Oasis have made and continue to make to rock 'n' roll."

To celebrate the release of the album, the band will be unveiling their first full-length film - Lord Don't Slow Me Down, shot during the Don't Believe the Truth world tour, from May 2005 to March 2006, the film was shown in November 2006 around the world in selected picture houses, theatres and cinemas to winners of fans competitions and the press. It was also broadcasted on Channel 4 in the UK.

The album debuted at #2 in the UK charts selling over 50,000 copies in its first day of release and 216,000 in its first week of release, surprisingly not selling enough to knock off the top spot to The Love Album, by the boy-band Westlife. It also debuted at #89 on the U.S. Billboard 200, starting with 18,000 units sold. It did however enter the Japanese Oricon album charts at #1, selling 87,462 copies in its first week.

In Japan, a box set was also released of all their singles to coincide with the album.

The Songs

Stop the Clocks focuses heavily on the band's most popular albums, Definitely Maybe and (What's the Story) Morning Glory?, with each contributing five tracks, plus four B-sides (also included on the band's other compilation album The Masterplan) from this era. Only two tracks appear from Don't Believe the Truth, and one track each from Standing on the Shoulder of Giants and Heathen Chemistry, whilst Be Here Now is overlooked completely.

When the release of Stop the Clocks was first announced in July 2006, speculation was rife that the unreleased song of the same name would be included on the record as a bonus track. However, Noel Gallagher told fans at a Q&A session that the song was considered for inclusion, but they weren't happy with any of the many versions they have recorded.

Gallagher also confirmed that the title was chosen to sum up what was described in the initial press release as being "merely a time out; a chance for the world to review the immense contribution that Oasis have made and continue to make to rock 'n' roll." Noel Gallagher revealed in an interview in April 2005 that 'Stop the Clocks' was the original title for the band's early recorded material in early 2004, which turned eventually into Don't Believe the Truth.

Gallagher revealed to Billboard that he was approached about including some new songs on the album as well, but that he opted not to "because it takes the focus away from what you're actually trying to say with a retrospective."

Gallagher told the NME in September 2006 that he picked the tracks on the album, and there were about eight songs that "should be on there, but aren't". He explained that his original vision was for a 12-track album on one CD, but, after whittling down from an initial 30+ tracks, the track-listing was finalised. He admitted that he's had arguments with people about the tracklisting but that "someone has to pick the tracklisting, and I've picked it and that's the end of it. But that must mean we're pretty good, if people are arguing about what's not on it, it's brilliant!"

During an interview on Radio 1 in October 2006, and later during a question and answer session with The Sun, Liam Gallagher, who got a songwriting credit with his "Songbird", claimed that he was happy with the tracks Noel had selected for the album, although he said that he would have liked "Rockin' Chair" and "D'You Know What I Mean?" to be included. Noel, however, admitted that "D'You Know What I Mean?" was to be included on the album up until the moment it was being mastered, explaining that the length of the song "upset the flow of the album".

In the special boxed-edition of 'Stop the Clocks' at the end of the 'Lock the Box' interview, when Liam was told 'Whatever' was not on the track-listing he said "Thank fuck for that".

Track listing

All songs written by Noel Gallagher except "Songbird", written by Liam Gallagher

Disc one
"Rock 'n' Roll Star" (from Definitely Maybe)
"Some Might Say" (from (What's the Story) Morning Glory?)
"Talk Tonight" (from The Masterplan)
"Lyla" (from Don't Believe the Truth)
"The Importance of Being Idle" (from Don't Believe the Truth)
"Wonderwall" (from (What's the Story) Morning Glory?)
"Slide Away" (from Definitely Maybe)
"Cigarettes & Alcohol" (from Definitely Maybe)
"The Masterplan" (from The Masterplan)

Disc two
"Live Forever" (from Definitely Maybe)
"Acquiesce" (from The Masterplan)
"Supersonic" (from Definitely Maybe)
"Half the World Away" (from The Masterplan)
"Go Let It Out" (from Standing on the Shoulder of Giants)
"Songbird" (from Heathen Chemistry)
"Morning Glory" (from (What's the Story) Morning Glory?)
"Champagne Supernova" (from (What's the Story) Morning Glory?)
"Don't Look Back in Anger" (from (What's the Story) Morning Glory?)

Cover

The cover was designed by Sir Peter Blake, best known for his design of the sleeve for The Beatles' album Sgt. Pepper's Lonely Hearts Club Band, but also well recognized within the genre for his work on the cover of Paul Weller's Stanley Road album.

According to Blake, he chose all of the objects in the picture at random, but the sleeves of Sgt. Pepper's and Definitely Maybe were in the back of his mind. He claims, "It's using the mystery of Definitely Maybe and running away with it." Familiar cultural icons which can be seen on the cover include Dorothy from Wizard of Oz, Michael Caine (replacing the original image of Marilyn Monroe, which couldn't be used for legal reasons) and the seven dwarfs from Snow White And The Seven Dwarfs.

Blake also revealed that the final cover wasn't the original one. That design featured an image of the shop 'Granny Takes A Trip' on the Kings Road in Chelsea, London.

Source: Wikipedia

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Competition! Win Tickets To The Versus Cancer 08 Show

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To mark the announcement of our next concert at the MEN Arena in Manchester on 23 Feb 08, Versus Cancer has joined up with Myspace to give you the chance to win….

• 2 VIP tickets to the Concert
• 2 VIP tickets to the Aftershow
• Return train Tickets
• Accomodation
• An Exclusive SIGNED piece Ian Brown artwork by Artist Simon Mound. (Take a look at our Slideshow for a picture of the piece)

All you have to do to enter is to be there Myspace friend, and to leave a comment on there page telling us who you'd most like to see play the next concert.

We'll pick one friend at random from all comments left. The competition closes at 20:00 on the 10th December 2007.

Visit the myspace page here.

For more information and how to get hold of tickets, visit the Versus Cancer website here

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Top 10 Selling Music DVDs In The UK

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01. Westlife - Back Home DVD - (S)
02. Daniel O'Donnell - Can You Feel The Love - (Rosette)
03. Various Artists - Concert For Diana - (Universal)
04. Cast Recording High School Musical - The Concert - (Walt Disney)
05. Elvis Presley - The King Of Rock 'n' Roll - (RCA)
06. Oasis - Lord Don't Slow Me Down - (Big Brother)
07. Queen - Rock Montreal - (Eagle Vision)
08. AC/DC - Plug Me In - (Columbia)
09. Paul McCartney - The McCartney Years - (Warner Music Ent)
10. Amy Winehouse - I Told You I Was Trouble - Live (Island)

Source: www.bbc.co.uk

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Oasis Still Hold The Record For The Fastest Selling British Album

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Singer Leona Lewis has set a British record for the fastest-selling debut album with Spirit.

Sprit sold more than 375,000 copies in seven days, some 12,000 more than the Arctic Monkeys' 2006 release Whatever People Say I Am, That's What I'm Not.

But Oasis still have the overall record for the fastest selling British album, selling 813,000 copies in 1997.

Spirit is now the fourth fastest-selling album of all time, beneath Be Here Now, Coldplay's X&Y, and Dido's Life For Rent.

Fastest-Selling Albums
01. Be Here Now - Oasis (1997)
02. X&Y Coldplay - (2005)
03. Life For Rent - Dido (2003)
04. Spirit - Leona Lewis (2007)
05. Intensive - Care Robbie Williams (2005)
06. Whatever People Say... - Arctic Monkeys (2006)
07. Rattle & Hum - U2 (1988)
08. Bad - Michael Jackson (1987)
09. (What's The Story) Morning Glory - Oasis (1995)
10. The Immaculate Collection - Madonna (1990)

Source: www.bbc.co.uk

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The Brit Box: U.K. Indie, Shoegaze And Brit-Pop Gems Of The Last Millenium

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The British are coming in a big way as Rhino presents the first-ever comprehensive survey of U.K. indie music with the king's ransom-sized, 4-CD THE BRIT BOX: U.K. INDIE, SHOEGAZE, AND BRIT-POP GEMS OF THE LAST MILLENNIUM. It gathers 78 key tastemaker recordings from U.K. performers spanning the last 15 years of the 20th century, chronologically sequenced over four packed discs. This celebration of cool Britannia is housed in bloody awesome box shaped like a classic red U.K. telephone booth -with working lights - and comes with a matching phone kiosk-shaped collectible keychain!

While many of these acts claimed superstar status in Mother England, only a select few seriously impacted the U.S. charts - but their stylistic imprint and collective hip factor clearly steered the course of contemporary music as the last millennium wound down. With the respect given the earlier '60s-era British Invasion in so many other compilations, the THE BRIT BOX is the first collection to hail Britannia with a wealth of music previously available only to those combing through the import bins at their local record stores. These artists didn't so much reject mainstream musical sensibilities as spin them in their own fashion for tracks that remain the essence of cool.

Disc 1, the first of THE BRIT BOX's four chronologically ordered CDs, roughly spans 1984-1990. Seminal U.K. artists including The Smiths, Jesus & Mary Chain and The Stone Roses take timeless guitar-pop and freshly reinvent it, while groups including Happy Mondays and Primal Scream borrow gleefully from hip-hop to give birth to acid house.

Disc 2, spanning '90 to '93, explores bands that came to be known in the British press as “shoegazers,” acts that spent more time looking at their feet than making eye contact with their audiences. Featuring tracks by Ride, My Bloody Valentine, The Telescopes and others, the music courses through a sonic space comprised of introspective soundscapes, hazy guitars and dense production.

Disc 3, focusing heavily on '94-'95, opens with Suede's “Metal Mickey.” Throughout, the song sequence heralds the arrival of Brit-pop, and hugely popular bands including Oasis, Blur, Pulp, and Elastica.

Disc 4, THE BRIT BOX's final CD, shows that even latecomers to the party like Ash, Super Furry Animals, Mansun, The Verve, and Placebo had some smashing songs in them.

Totaling over five hours of music, THE BRIT BOX: U.K. INDIE, SHOEGAZE, AND BRIT-POP GEMS OF THE LAST MILLENNIUM also features an 80 page booklet with interviews, memories and essays from Creation Records founder Alan McGee, seminal producers Stephen Street and Alan Moulder and an assortment of artists.

Release Date - 11/20/2007

Click here for more information on the Brit Box.

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The Rockstar Radios Charity Auction Raises £15205.09

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Thank you to everyone who bid for contributing to such a good cause.
In total £15205.09 was raised for Nordorff Robbins Music Therapy, registered charity number 280960.

Donations to Nordoff Robbins can still be made here

Eric Clapton - £623.93/- Inc Vat
Hawkwind - £566.35/- Inc Vat
Nick Mason - £528.75/- Inc Vat
Gary Moore - £507.60/- Inc Vat
Dave Grohl - £500.55/- Inc Vat
Ian Anderson - £495.85/- Inc Vat
Ronnie Wood - £473.53/- Inc Vat
Jim Marshall - £472.35/- Inc Vat
Ray Manzarek - £445.33/- Inc Vat
Bruce Dickinson - £414.78/- Inc Vat
Ronnie James - £413.60/- Inc Vat
Mike Rutherford - £401.85/- Inc Vat
Alice Cooper - £388.93/- Inc Vat
Thunder - £354.85/- Inc Vat
Paul Weller - £331.35/- Inc Vat
Pete Doherty - £324.30/- Inc Vat
Satus Quo - £324.30/- Inc Vat
Noel Gallagher - £252.00/- Inc Vat
Liam Gallagher - £221.00/- Inc Vat

Source: www.rockstarradios.com

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Liam Gallagher's Complete Reuters Interview Transcript

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Special thanks to Dean Goodman for sending L4E the full transcript of his recent interview.

I've been swearing like a sailor ever since our chat. His management patched me through to Liam at 10 a.m. PST on Tuesday, Nov. 13, for an interview to talk about the new Oasis DVD, Lord Don't Slow Me Down. It was supposed to be much earlier, but I balked because it takes a lot to get me out of bed. (I xx'ed the 130-odd naughty words, not because I'm churlish, but because they might be blocked by some people's browsers.)

HOW HAS YOUR OPINION OF THE DVD CHANGED SINCE YOU FIRST SAW IT?

It's not changed one bit, man.

SO WHAT IS YOUR OPINION?

It's all right. It's just us on the road, man, doing our thing ... It captured most bits, but there are certain bits you can't be putting on there. And there are certain bits I wouldn't want on there because I've got f--kin' kids that go to school and stuff. But yeah, man, I thought it was all right for a bunch of 35-year-olds. It was certainly never gonna be like f--kin' Guns N' Roses or anything like that. Shit like being lunatics. I've kinda calmed down a bit. I've got more important things to be doing. It beats the shit out of f--kin' Radiohead and anything they've ever put out. We're just having a laugh and a giggle, do you Know what I mean? And doing some tunes, man.

IT'S GOOD TO HAVE THAT DOCUMENT

Yeah, I like it. I've seen it, like, twice. I'm not sitting analyzing it. It's done. Over.

SOME STUFF WAS TAKEN OUT?

No, just things that were never allowed, really: You're not coming here, and filming that, man.

WHAT SORT OF THINGS?

I'm not gonna tell you. You have to use your imagination, won't ya? Just things.

SURE. GUY THINGS, THAT'S FINE

Yeah. F--kin' hell, me knitting!

WHAT ABOUT THAT SCENE WHERE YOU'RE DANCING ALONE?

I was just winding the c--ts up, man. They make out I do a f--kin' dance every night before I go on. I don't dance. I was just f--kin' about.

WHERE WILL THIS RANK INTHE PANTHEON OF ROCK TOUR DOCUMENTARIES

I really don't know. I don't really care. We didn't go into it for that, to get up a ladder or be put in a f--kin' category. I really don't care. I don't know why we did it, and I don't know whether we should have done it, or whether it's any good or not. I don't mind it. I like the way it's shot. It shows us not miserable, or whatever. I'm arsed if it comes in at No. 100 or No. f--kin' 10. I don't care. I'm not bothered.

PEOPLE MIGHT WONDER IF THIS IS REALLY AN ACCURATE DEPICTION OF AN OASIS TOUR. THEY'VE HEARD OF ALL THE HIJINKS-

-The music, we're doing plenty of f--kin' gigs, for a start, we're playing sold-out gigs. That's accurate. I'm there, we're there. That's accurate, to me. Whatever went on there was pretty much the real deal. In fact, it was the real deal. Every time there's a camera on me, it's real. We don't f--k around. We don't lie or fake it. If anything, we had to kinda chill it a bit, for our personal reasons. If they wanted a f--kin' mentalist (?) then they're about 10 years too late. And I'm not gonna fake it. If people don't get what we are now, they never will.

I GUESS PEOPLE DO LIVE VICARIOUSLY THROUGH THE BAND-
-Well, they know what we're like, and that's been well-documented on numerous occasions. If they don't get it, they don't f--kin' get it. I'm not a filmmaker. I don't give a f--k. I'm more interested in making music.

THAT'S WHY I WAS BIT SURPRISED THAT YOU DID THE DVD
We just wanted someone to follow us around because we hadn't done it before. That was it, really. We didn't sit there and f--kin' rehearse ... It's just the way it is.

SO NICOLE WASN'T VERY HAPPY WHEN YOUR TONGUE DROPPED TO THE FLOOR WHEN THE GIRLS ALOUD GIRLS CAME IN?
Did it drop to the floor?

WELL YOU KINDA RUSHED OVER TO THEM AT GREAT SPEED
Nah, nah. I heard noises, man. I don't rush around for no f--kin' one. I don't rush over. I sorta swaggered over, like I always do. I was wanting to know what was going on, why they were in my room.

YEAH, IT LOOKED LIKE A RANDOM BUMP-INTO

I rang 'em up, actually, and told 'em to come down. Because the filming was going really boring.

WHAT'S THE DEAL WITH CHARLOTTE CHURCH. DID SHE SIGN OFF ON HER FOOTAGE BEING USED?

I don't know, man. I really don't know much about this documentary. I know it was done, and it's been put out, I don't know the ins and outs. I can't give a f--k whether she was on it or not, to tell you the truth. She was there, we had a laugh.

YOU WERE VERY NICE TO HER. SHE WAS BORDERING ON OBNOXIOUS

Yeah, I think ... I don't know why she ... I don't care. Who cares? I don't care.

THAT WAS AN INTERESTING SCENE AT THE RESTAURANT IN JAPAN WHERE YOU'RE ARGUING WITH NOEL

It was all to do with the NME thing. These f--kers, we're on their cover once a f--kin' month. And then they f--kin' review your song and they slag it off. And it's, What are you putting us on your cover for? If you don't like us and you don't like what we f--kin' stand for, f--k yourself. And Noel was f--kin', Oh we're doing the cover. Another f--kin' cover for the NME? Have you read the reviews that they give your f--kin' songs? They're always slagging them off, so why are you on the f--kin' cover all the time? It was that kind of thing. I still stand to this day: they ain't getting no cover off me for a long, long f--kin' time. If people don't like our music, I'm not going on your f--kin' cover. See you later. There's other magazines. It's not like, You better give me a f--kin' good review until I go on your magazine. I'm on that f--kin' cover once a month. You can f--kin' suck my cock. I'm arsed if I'm on it, or not. But if I'm gonna be on it, you'd better be f--kin' nice about my music, or just both go our f--kin' separate ways, full-stop. And that was it, basically.

I GUESS THE ISSUE WAS THAT YOU SAID, "HAVE SOME F--KIN' RESPECT FOR THE BAND"-

-Exactly, exactly. That's what I mean. If someone turned around to me and said would you go on the f--kin' NME cover, I'd tell 'em to f--k right off, man, because I read the f--kin' review of half of our f--kin' records, and it's just like, What's the f--kin' point? You don't dig us, we don't dig you. F--k you, you're not gonna make loads of money out of me. But Our Kid seems to think we need to be on the f--kin' cover of NME to get anywhere. I don't need to be on no cover of no f--kin' magazine to get anywhere these days. We f--kin' make a record, we put it out, we f--kin' sell the tours, and that's where we've gotta be good is when we're playing live, or the music's gotta be good. I don't read their reviews, so f--k 'em. That was my point.

SO YOU SEE YOURSELF AS THE MOST PROTECTIVE MEMBER OF THE BAND, IN TERMS OF PRESERVING ITS LEGACY?

I can be. I know when the wool's getting pulled over our eyes. People think I'm away with the f--kin' fairies half the time, but not at all. I know when someone's f--kin' having a pop.

THAT'S A COOL COVER TO HAVE: PEOPLE THINK YOU'RE CRAZY, BUT THE REALITY IS THAT YOU FULLY AWARE-

-I tell you what. When someone f--kin' rubs your ego all the f--kin' time, that's the worst f--kin' sleepy world (?) to be in. That's the sleepiest world (??) to be in. Everyone's going, "You're f--kin' great! You're great!" I'd rather be out on my f--kin' arse than be in that world.

YOU DON'T SEE MUCH OF THAT IN THE DOCUMENTARY

Yeah, well it kinda got swerved, didn't it?

AS THE SOLE FOUNDING MEMBER, I GUESS YOU'RE THE ONE MOST INTERESTED IN PRESERVING ITS INTEGRITY?

Well yeah, I'd say. Yeah. Go on. Why not, eh?

I'LL STOKE YOUR EGO! WHY NOT?

I'm falling asleep, already.

I JUST GOT UP, MYSELF! SO ERGO YOU'D BE THE LEAST LIKELY TO DO A SOLO ALBUM

No, no. That doesn't interest me one bit. The minute you start doing things like that, man, it's just Clapton-esque, innit? Music is to preserve me. It keeps me as young as I can. The minute you start sitting on f--kin' stools, to me, you're in that f--kin old-man f--kin' brigade. You know what I mean? It's not for me, man. I need to be standing up when I'm f--kin' singing, not sitting down. And I don't appreciate people f--kin' sitting down watching me either. You f--kin' pay attention and stand up. I'm f--kin' standing up, so you f--kin' stand up. I'm not into all that sitting down and keeping it ... Our kid's obviously into it, but not me, man. Nah! Ugh!

SO HOW ARE SESSIONS GOING ON THE NEW RECORD?

We're fine, man. Doin' really well, man. Really good.

ARE YOU IN THE PROCESS OF WRITING SONGS?

All the songs are wrote, man. We don't f--k about, man. We don't do that sh-t, paying 1,500 pound a day for the studio to f--kin' write songs? Nah, we're not U2, and we're not Metallica either. We've got our sh-t sorted, man. We've just gotta come in, pick the song, f--kin' amplify it, electrify it and see whether it sits with the one that we've just before or not. Because this record's gonna be f--kin' rockin'. There's no acoustic on it, man.

HOW MANY SONGS DID EACH OF YOU BRING INTO THE STUDIO?

Well, we rehearsed about 10 tunes before coming in. Three are mine. Some are Noel's, some are Gem's, some are Andy's. We're there for a long time, so we just keep pickin' em off the tree, man. Some are sounding really f--king heavy, and then we're picking some out, and you go, 'Well that doesn't sit with that, right.' So we just keep moving about. We've got plenty of songs. We're not gonna go bored. We've got six weeks there, seven weeks. We'll have it done by then, without a doubt.

WHAT ARE THE NAMES OF YOUR SONGS?

Not telling ya.

IS THERE A THEME TO THE SONGS?

They're just basically just, F--kin', let's have it, you c--ts.

WHO ARE THE C--TS?

The people who've got their back turned to me, man.

WHO'S PRODUCING IT?

Dave Sardy. Yeah, no, it's going good, man. It's really good, man. We're really excited about it.

WHEN DO YOU THINK IT WILL BE FINISHED?

It'll be done by Christmas. We've got six weeks there. It'll be done by the 15th of December, if everything goes well. Then we'll have Christmas off, and we'll go to L.A., mix it and maybe do a bit more over there. But not too much.

WHEN WOULD YOU HOPE TO HAVE IT IN STORES?

August, maybe, next year.

YOU'RE NOT ON EPIC/CREATION ANYMORE?

We're the biggest band in the world, unsigned, man. I kinda like it like that.

WHAT DO YOU THINK YOU'LL DO?

Don't know, mate. I leave that up to the manager, man.

DO YOU THINK YOU'LL DO THAT RADIOHEAD THING, PUT IT ON THE WEB AND LET PEOPLE PAY WHAT THEY WANT FOR IT?!

Nah, over my f--kin' dead body, mate. You're getting your f--kin' money for me, man. Do you think I'm coming here (into the studio), f--kin' graftin' my balls off, paying out my own f--kin' money, for some little f--kin' student to get it for nothing? I can't see the sense in that. And then slagging it off. F--k that, mate. You're getting your f--kin' wedge (money) out. And then you can f--kin' say what you want about it. As long as I have whatever it f--kin' costs to f--kin' pay for CDs today, then you say what you want, you can do what you want with it, you can stick it up your arse, your mam's arse, your f--kin' granddad's arse. I'll have had the wedge off you, so f--k you.

THIS IS YOUR SEVENTH ALBUM. THE BEATLES' SEVENTH (U.K.) ALBUM WAS "REVOLVER" AND THE STONES' WAS "BEGGARS BANQUET." DO YOU THINK YOU'RE UP TO THAT LEVEL?

Oh yeah. Without a doubt. This has got lots of things going on, man. It's a f--kin' great, cool f--kin' sound. It's sounding cool already. There's lots going on. It's not your normal straight trashed-out f--kin' Oasis songs. There's lots of cool parts, man. Really, we're throwing everything at it. It's gonna be cool, man.

WOULD IT BE FAIR TO SAY THAT YOU'VE BEEN TREADING WATER A BIT WITH YOUR LAST FEW ALBUMS?

We're still learning how to f--kin' plug the thing in. I think the songs have always been cool. We're sorta still getting the grasp of the studio, because we spend so much f--kin' time out of it. We're always on the road. Maybe. You could say that. You could say that. You can say what you want. You could say that. I've always thought we've made decent records. Sometimes we've got it right, and sometimes we haven't got it right. But that's life, you know what I mean? Without a doubt, we've always f--kin' tried our best, man. We've never gone into it halfheartedly. We're getting better, man, all the time. That's all I can say, man.

BOB DYLAN RECENTLY SAID THERE'S A HUGE DIFFERENCE BETWEEN WHAT HE HEARS IN THE STUDIO COMPARED TO WHAT HE HEARS ON THE CD. YOU JUST LOSE SO MUCH, NO MATTER WHO THE PRODUCER IS, NO MATTER WHAT SORT OF RECORDING EQUIPMENT YOU'VE GOT.

Yeah, well. A lot of our demos sound f--kin' great. We should have put them out half of the time because it's the first couple of takes. It just depends, mate. If you dick around with a record, you're gonna lose it. If you just f--kin' take it easy and just bang it out. Don't wrap it up in cotton wool, just bang it out and let's f--kin' go, man, you know what I mean? Hopefully that's what we'll try to do with this one. The last one, we did dick about with it, a lot. We recorded it f--kin' a hundred times. Hopefully our kid's learned his lesson, and we can just get in and f--kin' belt it out. It shouldn't be hard making music. we've been doing it long enough.

WHAT'S THE VIBE LIKE BETWEEN THE BROTHERS?

Yeah, cool, man. We don't really speak that much. We just do what we do, you know what I mean?

YOU'RE PROBABLY THERE AT DIFFERENT TIMES?

No. I'm in all the time. Last week we were laying the tracks down, so I was in there every day. Today, yesterday, I was singing. So I'm sorta just easing into it with the voice. I've not sang for a couple of months. I'm just doing it easy, man. It's going good, man.

IT'S BEEN A QUIET YEAR FOR YOU GUYS. WHAT HAVE YOU BEEN UP TO?
I've been sitting about with the kids, man, focusing on my children, just having a laugh, getting all that time, a lot of important time with my family before I hit the road, and do this album.

DO YOU FORESEE YOUSELF HITTING THE ROAD FOR ANOTHER 18-MONTH WORLD TOUR?

Yeah, man. Why not, eh? Wherever they want us, I'll f--kin' play it, man. I've got no problem with doing long tours. Wherever, they'll 'ave us.

AFTER WATCHING THE DVD, I WANT TO COME WITH YOU AND PLAY BOARD GAMES
You won't be winning that board game, mate.

I CAN CHEAT, THAT'S OK. NOEL DOES COMMENT ON THE DVD THAT HE'S SICK OF THE TOURING GRIND.

Well, listen, that man changes his f--kin' mind every f--kin' day, so who knows, you know what I mean? That's fair. If that's what he don't want to do, then fine. But I think he'll be doing it. He's just full of sh-t, innee? He's starting to sound like Thom Yorke, already. Ugh!

DO YOU THINK YOU GUYS COULD BECOME MORE OF A TOURING BAND THAN A RECORDING BAND?

No, I think we'll equally balance it out beautifully, you know what I mean? You've got to make new music, or there's no point going on the f--kin' road. I couldn't go on the road in six months' time and just play all them songs that we've got. I want to f--kin' bring new ones to the table, man. If that's the way it is, then I'd blow me head off, mate. I couldn't do that. I couldn't just f--kin' go out and play on your back catalog. You've got to have new songs. That's what we do, man.

THAT'S WHY YOU SEEMED UNENTHUSIASTIC ON THE SOUTH AMERICAN TOUR LAST YEAR BECAUSE THE NEW RECORD WAS PRETTY OLD BY THEN?

I can't remember, man. I don't know, man. At the end of every tour, you're always a bit f--ked, you know what I mean? You can come across a bit 'ready to go home' I suppose, you know what I mean?

WILL THE SONG "LORD DON'T SLOW ME DOWN" BE ON THE NEW RECORD?

Not sure, man. I hope so. We'll see. We don't know, man. There's lots of tunes to pick from.

IN THE DVD, YOU'RE ON THE WAR PATH AGAINST BLOC PARTY AND FRANZ FERDINAND-

-To me, it's not British rock 'n' roll music. It's just f--kin' indie, f--kin' nonsense. But they may not like us. I'm sure they don't. So each to their f--kin' own. I don't want anything bad to happen. I'm not f--kin' wishing them f--kin' death, or anything. But I'm not interested in talking about them. It's just like whatever.

IT SEEMS TO BE EASIER THESE DAYS FOR BRITISH ACTS TO BREAK THROUGH IN AMERICA. DO YOU THINK YOU HELPED MAKE THAT POSSIBLE?

We didn't f--kin' break it there. We don't sell any records. All we do is just go there and tour. We do nice tours there, and I'm enjoying it more as we get older. But I wouldn't say if that's the f--kin' case. We didn't really happen there. Can't have it all.

IT'S NOT THAT YOU DIDN'T HAPPEN. PEOPLE KNOW WHO YOU ARE

Yeah, fair play to them if that's what it is. But I'd rather go there and behave the way we do, and write the music we do, than write f--kin' sh-t like James Blunt. And have a f--kin' No. 1 or be big or whatever the sh-t Coldplay or whoever we were talking about. But yeah, man, fair play to them. I'll never change the way we do it. Did it.

IT SEEMS YOU'RE COMFORTABLE IN AMERICA AND AMERICANS ARE COMFORTABLE WITH YOU?

I like it. The more I go there, the last tour we did there was amazing. I really like it. I've calmed down a bit, so maybe I'm just not going f--kin' looking for it. I was looking for just parties every f--kin' night when I first went there. It can f--kin' do you in, you know what I mean? This time, I party enough before I even get there, and I'm enjoying it, man. The cards (?) are cool, and all the fans are cool.

Copyright; Dean Goodman 2007.

Click here to enter a competition to win some exclusive artwork.

The Contents Of Noel Gallagher's Notebook

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These exclusive pages from Noel Gallagher's Diary have been unearthed by live4ever & stopcryingyourheartout.com and are on sale from 991.com for £5'995.

For more information on all the contents of Noel's Notebook, visit Mr Monobrow's excellent page here.

I have forwarded the webmaster on the scans, so he should have full size ones on his page soon.

Click here to enter a competition to win some exclusive artwork.

Win An Exclusive Oasis Prize

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We have been lucky enough to receive two exclusive prints taken from the book Celebrity Handprints, to give away as a prize on the site by Celebrity Handprints.

Noel Gallagher Limited Edition Handprint number 1/500
Liam Gallagher Limited Edition Handprint number 1/500

These high quality giclee Limited Edition Handprints are produced on archive quality hot pressed, water colour paper. The size of each print is 9" x 11" and is supplied with a professional 5" x 7" photograph for you to frame. This Print is NOT supplied framed and can be purchased for £50 each by clicking in the above links.

The prints are from James Preston who has spent the past two years travelling the UK and the world compiling an amazing collection of ink handprints and accompanying photographs from over 100 of our most famous names in film, television, music and sport.

In the book (In stores December 1st) you'll find 42 unique expressions of identity for you to examine. Enjoy comparing each one and then your own palm to those of David Beckham, Johnny Depp or Keira Knightley.

These actual size handprints provide a fascinating insight into the personality of the contributing celebrities through their kindness and the creativity of the project.

Now discover what makes a handprint such a symbol of achievement and success in CELEBRITY HANDPRINTS!

Celebrity Handprints is to be published on December 1 and is Available from AMAZON and Most book stores. ALL profits from the sale of the book 'Celebrity Handprints' by James Preston will be equally given to the UK charities BBC Children in Need and Great Ormond Street Hospital Children's Charity.

In addition to ALL profit from the book being given to charity, Celebrity Handprints is donating 30% from the sale of EACH Limited Edition Handprint to the same two charites.

Click here to look at the other handprints, or to place a order for the book or prints.

All you have to do to enter the competition is Email in the correct answer to the following question.

On what Oasis track did Johnny Depp play Slide Guitar?

The first name drawn out of the hat will win the Noel print, and the second name will get the Liam print.

Deadline - All Entries must be received by 01 December 2007.
Send all entries to scyhodotcom@gmail.com
When sending your entry please title your email as 'Oasis Print'
Please include your name and where you are from in your email.
Items will be posted worldwide
The winner will be announced on 02 December

Special thanks to Liz Stainton Editor of Celebrity Handprints for the prize

Source: www.celebrityhandprints.org

Noel Gallagher's Guitar Up For Sale

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A Guitar once owned by rocker Noel Gallagher and autographed by a host of pop stars is up for sale - for just £795.

The Takamine electro-acoustic guitar bears the signatures of the Oasis songwriter, Coldplay's frontman Chris Martin and lots of other top artists like members of rock group Idlewild, Ms Dynamite and Lou Rhodes.

All the artists signed the guitar after appearing alongside Manchester rock band Oasis at the Oxfam Make Trade Fair concert in October 2002.

The guitar was auctioned on behalf of the charity Oxfam after the gig and was bought by internet-based music memorabilia specialist 991.com. Now the company is selling it.

Apart from the autographs on the front of the guitar, the reverse bears a unique backstage pass from the Oxfam gig.

The instrument, which usually costs about £300, also comes complete with a letter confirming authenticity from Oxfam and a Certificate of Authenticity.

A spokesman for 991.com said: "It was originally at a higher price but we wanted it to be more accessible to fans so brought the price down. We think the person who buys this is likely to use it as a display piece rather than play it so the price reflects that too."

When Noel's former Oasis bandmate Paul `Bonehead' Arthurs put some of his guitars up for sale at legendary Manchester guitar store Johnny Roadhouse in 2005 one of them fetched almost £25,000.

Source: www.manchestereveningnews.co.uk

Liam & Noel Gallagher Limited Edition Handprints For Sale

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This unique series of just 500 Limited Edition Handprints has been printed from an original ink handprint given by Oasis stars Liam & Noel Gallagher at the V Festival in Staffordshire, UK in August 2005.








Celebrity Handprints is proud to announce that ALL profits from the sale of the book 'Celebrity Handprints' by James Preston will be equally given to the UK charities BBC Children in Need and Great Ormond Street Hospital Children's Charity.

Benefiting Charity with our Limited Editon Handprints

In addition to ALL profit from the book being given to charity, Celebrity Handprints is donating 30% from the sale of EACH Limited Edition Handprint to the same two charites.

Click here for more information, on how to order.

Source: www.celebrityhandprints.org

NME In Alternative Christmas Giveaway

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Rocking around the Christmas tree will take on a new meaning for IPC this Christmas as its high profile music magazine NME launches a double CD of the year's biggest alternative hits.

NME Presents: The Essential Bands 2007/08 will hit shelves next Monday (19 Nov), released in association with Universal Music TV.

The 40-track album features music from Amy Winehouse, Razorlight, Lily Allen, Klaxons, Bloc Party, and Kate Nash. It also features an exclusive track from Oasis.

The CD is the fourth in the NME Presents series, which has so far sold nearly 1m copies. It is also the latest in a string of brand extensions for NME, including several concert series and awards promoting UK artists.

Simon King, Universal Music TV product manager said the NME compilation proved that the UK music industry was still ‘vibrant and diverse’ and predicted the album would be a best seller over the Christmas period.

Source: www.brandrepublic.com

Dwarves, Acid, Andre And Me

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Liam Gallagher never makes much sense at the best of times, and in this new footage he’s at his ranting best.

The Oasis frontman, known for his fondness for a drink or two, reminisces about one wild birthday party that saw him take LSD while dwarves sang Duran Duran songs.

The rocker, despite having millions in the bank, reveals he owns a modest Pay As You Go mobile phone. “Going in the petrol station to top it up keeps your feet on the ground,” he explains.

And elsewhere during the interview, conducted by Nicole Appleton and Melanie Blatt, hapless Peter Andre gets on the receiving end of a vintage Gallagher tongue-lashing.

Click here to watch the video

Source: www.thesun.co.uk

ITV Unveils Made-For-Mobile Show

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ITV has announced its first made-for-mobile production, a celebrity interview show fronted by two former All Saints members and two presenters from Channel 4's T4.

Nicole Appleton and Melanie Blatt will star in The Hot Desk alongside Dave Berry and Emma Griffiths from music show T4, interviewing celebrity friends and contacts at movie premieres, parties, launches and backstage at gigs.

Every two-minute "mobisode" will be based around a sturdy office desk inspired by TFI Friday. The show is produced by Chris Gillett of UMTV who worked with Chris Evans on his Virgin Radio breakfast show.

The Hot Desk will be free to viewers and funded through sponsorship. Sponsors have not yet been confirmed, but are believed to include a handset manufacturer.

The ITV head of mobile, Melissa Goodwin, said the series was a way of "bringing music and entertainment to the masses" in a unique format by offering bite-sized chunks of entertainment on the move.

Broadcasters and publishers are increasingly exploring mobile content formats to reach younger viewers and find ways of making money from the format, which has deeper market penetration than computers.

The first Hot Desk interviews, made available on the ITV mobile site today, include an interview with Liam Gallagher on Hampstead Heath, along with interviews with Stereophonics, The Twang and Fightstar.

Sugababes, Girls Aloud, Johnny Vegas and more than 140 new interviews are also lined up, with new shows being filmed through the Christmas party season and up to the music festivals in Summer 2008.

Users are sent a link to the site by texting DESK to 83339.

ITV's other mobile content offerings have been built around existing shows such as I'm a Celebrity and The X Factor, which offered video clips, ringtones and wallpapers.

The broadcaster also operates TV on mobile services with several operators and mobile games services

Source: www.guardian.co.uk

Noel Gallagher's Secret Diary For Sale

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Take a peak into the Oasis leader's masterplans, as his notebook from 1993 goes up for sale

A rare insight into Oasis' evolution and songs that would eventually make up debut 'Definitely Maybe' has emerged. Noel Gallagher's notebook from 1993 has been found and is being sold by www.911.com for £5'995. It is believed the guitarist lost the book in 1993 when he was thrown out of a Manchester hotel. Although the book has been sold at auction before, this is the first time it's contents have been seen, and it offers a unique look at Oasis' plans
just as the band were signing their first record deal.

Contained within it's neatly written pages are lyrics and a bunch of songs that never made it. There are also various song lists and album concepts, including
embryonic Oasis ideas and tracks organised in potential album order with B-sides. Here we cast an eye over Noel's secrets...

Source: NME Magazine

More Information

OASIS/NOEL GALLAGHER Students Note Book (1993 UK ring bound A4 note book with a unique collection of lyrics, song lists & album concepts in Noel's own hand. The inside cover has a list of 35 songs, some by other artists, that the band had presumably worked through. There are then 11 pages of lyrics [two separate], with the back cover having another list of songs, this time organised into potential album running order & single B-side lists. The outer front cover has two logostickers as used on their 1st demo tape)

This unique collection is a true piece of Oasis history & gives an interesting insight into Noel's ideas for the band & their first releases ...

It would appear, from the inside front cover, that the band were familiar with & also prepared to cover songs by The Faces, T.Rex, The Beatles [no surprise there!] & Joy Division.

The outer cover stickers were designed by Tony French & also used to label their demo tapes recorded in the Spring of 1993, nicely dating the notebook.

Contents :-

1. ONLY MY PRIDE lyric - page is marked '2'
2. TAKE ME AWAY lyric - page is marked '3'
3. LOST AGAIN lyric - page is marked '4' - This song is completely UNRELEASED
4. BLUE - page is marked '6' - The only existing four lines of this UNRELEASED song
5. I AM ALWAYS RIGHT!! - page is marked '10' - This song is completely UNRELEASED
6. A SHELTER FROM THE FALL - page is marked '11'
7. SONG IN A SUITCASE - page is marked '12' - This song is completely UNRELEASED
8. RAZORBARB - page is marked '13'
9. An Unreleased verse bridge & chorus for 'I Would Live In Hell' [?]
10. A loose sheet with four lines of an unknown verse
11. A complete separate sheet in a poly sheath with the lyrics to CHILL - This song is completely UNRELEASED

The rear inside cover, once again is covered with song lists. Unlike the inside front, these appear to be potential album listing with the demo tracks already highlighted. The pre-planning here even goes to the extent of having four songs listed B1-4 at the bottom of the page as potential B-sides!

The back of the book has some random jottings by Noel including a couple of address & phone contacts.

An incredible item - Unique & irreplaceable.

This is a once in a lifetime opportunity to enhance your collection with the true jewel in the crown - A personally owned item of Noel's that is about as close to the music source, apart from perhaps the instruments & the band themselves, that it is possible to get - The original song lyrics, as written in those pre-deal days !

View the item here

Source: 991.com

Oasis: Show Us The Money

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Oasis won’t do a Radiohead by allowing fans to choose how much they pay for their next album.

The Wonderwall lads, currently recording their seventh LP, are now free from major label shackles and will release it themselves but Liam Gallagher, 35, said it would be over his “dead body” before he let their hard work go for nothing.

He reckons the collection, due out in August, will compare to the Beatles’ and Stones’ seventh albums.

He said: “There’s lots of cool parts, man. Really, we’re throwing everything at it.”

And Liam admitted their last album suffered from 40-year-old Noel’s over-tinkering. He said: “Hopefully our kid’s learnt his lesson. It should not be hard making music.”

Source: www.dailystar.co.uk

Liam Gallagher Can Still Roll With It

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Liam Gallagher can still Roll With It when it comes to foul-mouthed insults. The Oasis frontman really let rip during an interview for The Hot Desk on ITV Mobile, conducted by his missus Nicole Appleton and Melanie Blatt.

Liam, 35, was given three names and he had to say who he would like to collaborate with, who he'd text back and who he would ignore.

He replied: "I'd call Trevor McDonald, I'd text Peter Andre and I'd ignore Dolly Parton. The only reason I'd text Peter Andre is to say, 'What the f*** are you on about man? Where'd you get my f***ing number from, you f***ing pikey c***?'" Charming!

Source: www.mirror.co.uk

Liam Gallagher: 'We'll Never Do A Radiohead'

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Liam Gallagher has said his band Oasis will never allow fans to pay what they think their albums are worth, following the recent actions of Radiohead and their latest long-player In Rainbows.

Oasis are currently without a record deal, but speaking to Reuters Gallagher said it would be over his dead body to go into a studio to work hard on an album that fans can technically buy for absolutely free.

Speaking of their seventh studio album (the follow-up to 2005's Don't Believe The Truth), Liam said: "There's lots of cool parts, man. Really, we're throwing everything at it. It's gonna be cool, man."

He also went on to say brother Noel Gallagher was being less fussy with the new songs: "Hopefully our kid's learned his lesson. It shouldn't be hard making music. We've been doing it long enough."

As we recently reported, Oasis have begun work on the currently untitled album and are recording it at Abbey Road studios.

Sourec: www.angryape.com
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