This Year I'll Ride The Snake Like A Soccer Shaman

We may need a revolution to sort out society's problems, but leave football alone and let's enjoy the new season.

Today I am going to watch West Ham v Man City for the first game of the new calendar. The season's commencement feels all fresh, lovely and new. We've rinsed away the horror and regret of last season; I suppose that's another of the sublime delights entailed within the game - a terminable, manageable existence within defined parameters. Regardless of how spectacular or drab your term has been it'll all begin again next August. That's comforting. Better than actual life where if you hijack a bus and drive it into old folks home yawping slogans and hurling fireworks the consequences will haunt you to your grave.

I shall make my way to Upton Park all virginal and brimming with innocent expectation with a couple of chums, perhaps singing "three little maids from school are we" from the Mikado. Noel Gallagher will be there in his capacity as a City fan elevating further the jeopardy for this already thrilling encounter as football kindly provides a context for good-natured banter and playful threats - again within defined parameters.

I shall enjoy this year's football; I'll ride the snake, like Jim Morrisson as a soccer-ball shaman. I'm not going to focus on the incremental erosion of the essence of the beautiful game because it is symptomatic of a much larger problem. I'd like to suggest that we enjoy the football then come late May, in the un-season, instead of watching the to-ing and fro-ing and the "I'd rather not go-ing" we unite under one glorious banner march down Whitehall and kick off a proper revolution.

Source: Russell Brand's Blog For The Guardian

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Happy Birthday Andy Bell...

Andrew Piran Bell (born 11 August 1970 in Cardiff, Wales) is a Welsh musician, and former member of the early 1990s shoegazing band, Ride, and later, Hurricane #1. He currently plays bass guitar and is a songwriter for Oasis. However, on latest albums, the band have taken less clearly defined roles and Bell was able to contribute guitar on his tunes.

Ride

Bell formed Ride with Mark Gardener (guitarist), who he met at Cheney School in Oxford and Laurence Colbert (drummer) and Steve Queralt (bassist), who he met doing Foundation Studies in Art and Design at Banbury in 1988. While still at Banbury the band produced a tape demo including the tracks "Chelsea Girl" and "Drive Blind". In February 1989 "Ride" were asked to stand in for a cancelled student union gig at Oxford Poly that brought them to the attention of Alan McGee. After supporting The Soup Dragons in 1989 McGee signed them to Creation Records.

With Ride, Bell released three EPs between January and September 1990, entitled "Ride", "Play" and "Fall". While the EP's were not chart successes, enough critical praise was received to make Ride the "darlings" of music journalists. The first two EPs were eventually released together as Smile in 1992, while the "Fall" EP was incorporated into their first LP, Nowhere, released in October 1990, which was hailed as a critical success and the media dubbed Ride "The brightest hope" for 1991. This was followed in March 1992 with Going Blank Again. The twin rhythm guitars of Bell and Gardener, both distorted, both using Wah-wah pedals and both feeding back on each other was seen as the highlight of the album's critical and chart success.

Despite having a solid fanbase and some mainstream success, the lack of a breakthrough contributed to inter-band tension, especially between Gardener and Bell. Their third LP, Carnival of Light, was released in 1994, after shoegazing had given way to Britpop. Carnival of Light was oriented towards this new sound, but sales were sluggish and the shift in musical tastes devastated much of their original audience. The band were joined at Creation Records by Oasis, who shot to fame in 1994 with their groundbreaking debut Definitely Maybe. As label mates, Bell came to know the bands Gallagher brothers quite well and often shared in their partying, if not their success.

1995 saw the dissolution of the band while recording fourth album Tarantula due to creative and personal tensions between Gardener and Bell. The track listing of Carnival of Light gives an indication of the tension that was mounting between the two guitarists, with the first half of the album being songs written by Gardener and the last half of the album being songs written by Bell - one or both had refused to let their songs be interspersed with pieces written by the other. Bell penned most of the songs for Tarantula, one of which - "Castle on the Hill" - was a lament for the band's situation and contains references to Gardener's self imposed exile from the group. The album was withdrawn from sales one week after release.

Since the break-up, both Bell and Gardener have been able to be more reflective on the reasons why the group disintegrated, with Bell especially admitting his own part in the process. It appears that they had just been too young and too stubborn and had no real idea of where the band was heading when they changed their style.

Hurricane #1

Bell returned in 1997 with Hurricane #1, another Creation signing. Aware of his own vocal fragility, Bell had drafted in a more gutsy singer, Alex Lowe, who would sing the songs Bell wrote for him. The same year, they released their first album, also called Hurricane #1. Their first single, "Step Into My World", number 29 in the UK charts (a re-mix of reached number 19 that year), and other less successful singles "Just Another Illusion" and "Chain Reaction".

Their second album, Only The Strongest Will Survive, was released in 1998 and the title track was released as a single reaching number 19.

Hurricane #1 drew criticism, bordering on ridicule, for their similarity to Oasis. Bell himself said "Hurricane #1 is not so much influenced by Oasis, it's inspired by Oasis". Ill-advisedly, they let one of their songs be used on a TV ad campaign for The Sun. Their albums did not sell well and in 1999 Bell took time out to tour as guitarist with the band Gay Dad.

Oasis

Bell has been good friends with Magnus Carlson, the lead singer in Swedish band, Weeping Willows. Together they have embarked on some musical projects. The two run and DJ at the club, Bangers ’n’ Mash. During the autumn of 2006 Carlson and Bell teamed up (with Janne Schaffer) and performed at an event dedicated to the late 1970s singer-songwriter, Ted Gärdestad.

The Weeping Willows released their fifth studio album Fear & Love with Bell as producer in February 2007. Bell played a number of instruments on eight of the album's twelve tracks ranging from glockenspiel, piano and guitar. Weeping Willows has always drawn upon early Roy Orbison and The Smiths as their main influences. On Fear & Love Bell brought some English folk music influences, and a some 1960s styled British Invasion sounds. The album was more or less recorded live in the studio, by playing the songs until the band got them right with minimal digital post production. Weeping Willows last two albums relied on a lot of post-production and remix styled studio techniques. Scandinavian music critics have given the album a warm welcome and compared some songs to The Verve, Talk Talk and Oasis.

In 2003 Bell collaborated with the Stockholm based Irish-Swedish electronica/acid house duo, DK7, on the tracks “Heart Like a Demon” and “White Shadow” for their Disarmed album.

He has also performed solo gigs at smaller Swedish summer festivals.

Source: Wikipedia

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Oasis: World Exclusive Announcement Coming

NME.COM gets the latest update on Gallagher and co

Oasis are set to make a world exclusive announcement on NME.COM on Monday (August 13).

The band are ready to break their silence about their future plans.

Despite the fact that they recently covered 'Within You Without You' for the BBC Radio 2 re-recording of The Beatles 'Sgt. Pepper's Lonely Hearts Club Band', Oasis have been comparatively silent.

The band's last release was last year's 'Stop The Clocks' double CD 'Best Of' compilation.

Be sure to check back to NME.COM at midday and we'll have the full lowdown.

Source: www.nme.com

Vote For Us At The BT Digital Music Awards 2007

The annual BT Digital Music Awards 2007, this year held in association with Packard Bell And Yahoo Music, will take place at London's Roundhouse on October 2, 2007.

The ceremony will again be broadcast on Channel 4 in early October – the natural home for the only awards designed to reward cutting-edge music entertainment delivered using the latest digital technology.

The People's Choice award is now open. It's your chance to nominate the best music fan sites on the web in the past year.

You can support stopcryingyourheartout.com and cast your vote for the site by clicking Here or on the BT Music Awards banners around the site.

Thanks for all your continued support, and every vote is appreciated.

Oasis Biography

The rock annals are so full of myth and invention that every now and again when the real deal shows up, it takes a while to recognise it for what it is.

Noel Gallagher's memories of his first Glastonbury Festival appearance in 1994 are episodic and intimate, like outtakes from a movie he'd wandered into. They're of things like taking possession of a backstage caravan from the band he'd once worked for as a roadie, and coming offstage to be told that Oasis's second UK single, Shakermaker, had climbed to number eleven in the chart; of someone from Creation Records being disappointed to fall short of the top ten while the band, having just heard their music soaring towards a horizon for the first time, now knew there would be no space they couldn't fill, were individually thrilled. Noel recalls having the astonishing intimation that the band's dreams were about to become true. Oasis were at the forefront of a new generation of British guitar groups who stepped out of the shadow of native dance culture and American grunge, with eyes fixed on the mainstream in a way that would have been unthinkable a few years before. 60,000 people went away from that first Glastonbury performance and told a million others about the thrill of what they'd seen: about this band who were the absolute primal essence of rock and roll, refined and distilled to ragged perfection - the impact of whose music, then as now, was so bafflingly much greater than the sum of its parts. We all went away knowing we'd seen something great and that the acts who followed Oasis that afternoon might as well not have bothered.

Talk to the Gallagher brothers about how they made it to Glastonbury and you get no romanticisation, because while their tale might read like a fairy story now, that's not how it began, and you don't have to delve far to find echoes of rock's origins in the Delta. The details of their early lives in the tough Manchester district of Burnage are well documented, but fortunately there were compensations in the form of an old guitar their father brought home one day - in which Noel found refuge for hours at a time - and regular trips to Maine Road Stadium to watch Manchester City play football. In the case of the latter, what fascinated the boys was not so much the action on the pitch, but the 'stands full of crowds singing together, something you never saw (and still seldom see) anywhere else. And what they sang was so uplifting. Noel had been born three days before the release of The Beatles' Sergeant Pepper, but football provided his first real experience of music and it may be coincidence that songs like Don't Look Back in Anger and Champagne Supernova seem to come fully alive in a stadium; that Oasis are one of the few bands you'd rather see in that environment than in a sweaty club. But there again, it may not. Critics who dismiss Oasis's songs as populist fail to recognise the core emotion behind them, which is yearning.

So in their different ways, the songs are mostly about transcendence and it's arguable that what we have here is a form of English soul music… which also explains the uniquely intimate relationship between Oasis and their fans - why their audience not only remains constant, but constantly renews itself, regardless of whatever vogues are playing elsewhere.

Liam formed the band. Noel never played in one until he came home from roadying for Inspiral Carpets and managed to persuade the four friends from the original lineup that he should join forces with them. Liam appears to have been born to his destiny as a rock star – his mother tells a story of him covering dropped lines in a nativity play with a spontaneous impression of Elvis – but Noel expected to be a builder like his dad. None of his mates were into music, but a first sighting of local boys The Smiths in 1984 turned his world upside down, with Liam equally besotted by The Stone Roses' legendary early Manchester shows, setting the seal on the brothers' musical ambitions a few years later.

We often assume the rise of Oasis to have been instant and unchallenged, but it wasn't: the first review in Britain's NME was noncommittal and the second scathing. Nevertheless, by the time that blistering debut album Definitely Maybe arrived, most observers had no trouble recognising it as a stone cold classic. The instinctive theme was the band's dream of escaping the life they'd been born to, but where a song like Rock 'n' Roll Star, with its chorus of 'Tonight...I'm a rock 'n' roll star!' could seem aloof in other hands, this song wasn't about being a rock star, it was about feeling like one; about that fleeting sense of immortality you got when you stalked into a bar at the age of 18 knowing you looked great, felt great, were the very essence and summation of being – the sense that existence could never, ever have more to offer than this. No one has ever captured this precarious thrill better than Noel, while Liam seems its perpetual embodiment. The singer's six-syllable phrasing of the word 'imagination' in the first line of Cigarettes & Alcohol makes it easily the most iconic song line of the 1990s.

Everything which followed was built on this ecstatic foundation. The second album, (What's The Story) Morning Glory?, went over the top when Wonderwall became a world-wide anthem of 1995, while Oasis became part of the national narrative in the UK - and don't we have the memories to prove it. There were the Maine Road and Knebworth mega shows; the sibling feuds and Liam's leery and often hilarious misdemeanours at a time when London was swinging in a way that it hadn't since the Sixties.

Then there was the insanity surrounding the release of the band's third album, Be Here Now, in 1997, of a type not visited upon the British Isles since Beatlemania and which no album could hope to live up to. Notwithstanding its author's retrospective belief that Be Here Now was rushed, it springs a lot of surprises when listened to with fresh ears at this remove: at the very least, it looks like the most perfect expression of its time; of New Labour's victory and Diana's death and the blizzard of cocaine on the city streets, all of which seemed to feed the inevitable post-millennial comedown, and a sense of disorientation which found focus in Standing on the Shoulder of Giants, the album made just before the sudden departure of founder members Bonehead and Guigs. All the same, a period of rebuilding both band and the brothers' personal lives – all reported as news of national significance because, in a funny sort of way, it was - culminated in 2002's Heathen Chemistry, which combined the band's best collection of songs since Morning Glory with the fresh drive provided by new members Gem Archer and Andy Bell.
The interesting thing about the story so far is that, throughout, the group's live audience continued to grow on a world-wide scale, perhaps because the brothers' triumphs and travails seemed to reflect our own as individuals. Just as they are a part of our story, we feel ourselves to be a part of theirs and perhaps the most revealing thing Noel Gallagher has ever said about the band came in response to a question concerning their lack of razzmatazz live, to which he replied simply that 'if you take the emphasis away from razzmatazz, the audience gets more involved with itself.'

And now we seem to have entered a second phase. Their most recent album, Don't Believe The Truth, rightly heralded as a triumphant return, differs from its predecessors in that the writing is shared amongst the band. Liam continues to blossom and mature as a songwriter, while Gem Archer and Andy Bell have stepped forward with telling contributions and are making it increasingly hard to remember a time when they weren't around. Meanwhile, Noel's own tunes seem to be engaging with the world in a more direct way, almost as wry Information Age protest songs in some cases. Where this might lead, it's impossible to know, but anyone who saw 2005/06's world tour will have found Oasis looking and sounding as vital as at any time since '94.

Andrew Smith 2006

Source: www.myspace.com/oasis

Fan Gallery Winners

We’d like to thank the thousands of fans who sent in pictures and mobile clips from the Manchester shows in July ‘05 for possible inclusion in the fan gallery on the forthcoming Oasis DVD.

We received so many that we couldn’t include all of them, but you could be one of 140 lucky fans whose photos or clips will appear on the release for posterity!

As promised we will be choosing 10 winners of an advance copy of the DVD, signed by the band. The winners will be notified on or before 9th September ‘07, and will also be listed on the website.

Keep an eye on oasisinet early next week for more news on the release!

Source: www.oasisinet.com

411mania.com Top 100 Albums

Number 62
Chart History:
Album:Billboard 200: #58

Singles:

"Live Forever" Mainstream Rock: #10 Modern Rock: #2
"Supersonic" Modern Rock: #11
"Rock ‘N' Roll Star" Modern Rock: #36

Rutherford: Many words have been written about this band over the past decade and only a small portion has been about the music. Which is a pity because during the early part of their career they produced some classic moments, most of which can be found here. There is a swagger and defiance about the way Oasis went about their business and whether it was the cocky exclamations of "Rock 'N' Roll Star" or the plaintive ballad "Live Forever" it always had a definite "British" attitude.

O'Sullivan: Anyone who says that Morning Glory is a better album is a cretin and a loser. Okay, so that's perhaps a tad harsh, but that sentiment of Oasis' sophomore album being their finest work has always annoyed me. This was their peak, and the start of their superstardom in Europe. Commercially, it didn't hit as hard as Morning Glory, but that's beyond irrelevant. Creatively, this was gold. Indie rock and roll at its finest. "Cigarettes and Alcohol", "Live Forever", "Slide Away"……pure class.

Tollah: The album that grabbed Britpop by the scruff of the neck and made it something. A true classic. The lyrics are meaningless for the most part and the musicianship is nothing special at all (kind of like Nirvana), but (unlike Nirvana) this album has so much raw energy and attitude that it just mesmerised all of us teenagers growing up in Britain in the mid-90s

Click here for the countdown so far...

Source: www.411mania.com

Noel Gallagher On The Russell Brand Podcast Yet Again...

Russell and Matt are back in London. They're joined by the voice of Zippy from Rainbow, the body of David Walliams from Little Britain, and a cardboard cut-out of Noel Gallagher from Oasis.

Noel Joins Russell by phone for a chat and the usual fun.

Duration: 72mins File Size: 33Mb

Click here to download the podcast

Source: www.bbc.co.uk

Oasis Set To Bloc Horns

The Chemical Brothers will play peacemakers when they unite indie adversaries Oasis and Bloc Party on stage.

The veteran dance duo are set to perform at the BBC's Electric Proms in October.

it will be the first time they have had all their guest vocalists - including Noel Gallagher, 40 and Kele Okereke, 25 - with them.

The war of words began in 2005 when Oasis dismissed Bloc Party as "a band off University Challenge".

Kele retaliated earlier this year, calling the Gallaghers "repetitive Luddities" who "made stupidity hip"

My well-placed referee said: "There's bound to be some friction backstage."

Should be some party.

Source: Daily Star

Buying John Lennon's Vision

John Lennon’s famous orange-tinted “granny” spectacles are to be auctioned by musical memorabilia website 991.com, with the winning bid expected to reach £1million.

The glasses themselves were given by the iconic Beatle to his interpreter Junishi Yore at the end of a tour of Japan in 1966. Expect Liam Gallagher to lead the bidding.

Source: www.kerching.tv

Oasis In Profile

Wednesday, August 8
ITV1 (UK Only)
4:35am

Retrospective trawl through the popular band's career, tracing their rise to prominence and musical development from 1994, when their debut single Supersonic came out on the Creation label, to the release of 2005 album Don't Believe the Truth

Source: www.itv.com

Noel's Charity Trek

Noel Gallagher, Johnny Borrell and Klaxons have donated signed memorabilia in aid of Trekstock, a charity festival raising money for Teenage Cancer Trust.

On September 1, Klaxons, David Ford and 28 Costumes play Trekstock at the 500-capacity London Industry. Tickets are £8 from seetickets.com or 08712 200260.

The eBay auction also features signed clothing and instruments from Kings Of Leon, BRMC, Happy Mondays and Art Brut.

Source: www.teletext.co.uk

Mad Fer The City

New Manchester City owner Thaksin Shinatra has an unusual list of showbiz stars he is inviting to games as guests of honour.

Blues fanatics and Oasis rockers Liam and Noel Gallagher are obvious targets and on the list.

But the guests at the Manchester derby this month will be more unusual. Cheesy TV pair Richard Madeley and Judy Finnigan have been invited to the City Of Manchester Stadium for the fixture.

Ex-Thai PM Thaksin — who likes to be called Sinatra after the legendary crooner — has been watching their show to get up to speed on British pop culture.

He invited them when he learned Judy was from Manchester.

Let’s just hope she’s not a United fan . . .

Source: www.thesun.co.uk

Liam Gallagher Attends Holly Willoughby's Wedding

Dancing On Ice host Holly Willoughby yesterday married her TV producer fiance in a star-studded ceremony.

The TV beauty, 26, exchanged vows with Dan Baldwin at St Michael's Church, in the grounds of romantic 900-year-old Amberley Castle, West Sussex.

But the blushing bride, who wore a white gown, kept herself hidden behind security guards holding umbrellas after selling rights to the big day to a glossy magazine. One onlooker, who managed to catch a glimpse of the former model, said: "She looked stunning. Dan is a lucky man."

Showbiz pals at the £50,000 bash included ex-EastEnder Tamzin Outhwaite, Oasis singer Liam Gallagher, ex-XFactor host Kate Thornton and her replacement Dermot O'Leary.

Source: www.sundaymirror.co.uk

Q Awards 2007 Are Coming

U2, The Rolling Stones, Oasis, Coldplay, Radiohead, The Who, Arctic Monkeys and more have all attended the annual Q Awards , one of the most legendary events in the music calendar. A megastar line up is guaranteed, as is plenty of controversy.

Whether it’s Elton John having a pop at Madonna , Liam Gallagher rucking with Robbie Williams, Liam Gallagher calling Chris Martin a “plant pot”or Liam Gallagher starting a fight in an empty room, there’s sure to be aggro. And the biggest names in music.

The Q Awards 2007 takes place on 8 October at the Grosvenor, Park Lane, London. Q magazine’s awards special is on sale 1 November.

Click here to watch highlights from past events; Including Liam Gallagher V Robbie Williams from 2000 and much more.

Source: www.q4music.com

Nominate Oasis At The 2007 Vodafone Live Music Awards

When? 19 September, 2007. Where? London. Why? To celebrate the best bands, the craziest festivals, and the most mental gigs of the year.

Nominate your favourites in the categories. When you've all had your say, we'll ask you to vote for the winners from a short-list in each category to decide who walks away with a Vodafone Live Music Award.

Noel Gallagher & Gem Archer could be nominated for the outstanding acoustic tour, they did earlier this year in a number of categories.

Best Live Act
Tour of The Year
Greatest Live Impact in 2007
Tour of The Year

Oasis could also be nominated in the Freddie Mercury Lifetime Achievement Award, Best Live Return and Best Live Act.

Click here to nominate your favourites, you have to sign up to vote.

Source: www.vodafonemusic.co.uk

The Coral - Roots And Echoes

The motto for the Scousers' latest outing is "keep it real". So all songs are drawn from real experiences and they have parked their penchant for sonic experimentation at the studio door, opining that every song should be capable of standing up to be being played just on acoustic guitar.

The job of getting this simpler material down was helped by none other than Noel Gallagher, who offered his Wheeler End studio in Bucks, along with the kind of venerable music-making technology which suits The Coral's retro style.

The result is a jangly period piece with unassuming yet hooky songs like Jacqueline jostling with Mersey lounge ballads such as Fireflies and a succession of easy, sixties-style pop nuggets.

Released on August 6.

Source: www.manchestereveningnews.co.uk

Inside This Months Uncut Magazine

Liam Gallagher On Recording 'Carnation'

'The Jam are alright, but I was to young for them. I Like Weller now. Oasis were in Sweeden, I think, with Ocean Colour Scene, and we were pissed speaking about The Jam and Mods, so I went 'Carnation' is the best tune," and Steve Craddock goes, 'Oh, Id love to do a cover of it one day". So he went away and done his version and sent me the tape.'

He goes 'Do you want to sing on that?" I was going 'Oh,Fuck that," So I kept ignoring his calls and Patsy is going 'Ring him back'

"Im going, "No I can't sing with anyone else, I've never done it before." I got My shit together and I went Down to Primal Screams studio and we done it in the afternoon.

"I was gonna do Top Of The Pops and all that, cos I thought "Why Not?" And then I thought , It's a good song, Im well happy with it's better than anything else around at the moment."

If it had gone in at No 1, great, but I get No 1's with Oasis... I'd have Been disapointed if it had'nt got in the Top 10

Source: Uncut

The song got to #6 in the UK charts on it's release, click here to watch the video for the track.

Blur Star: Liam Looks Like Kevin Keegan

Blur's Alex James has taken a swipe at Oasis and their bad haircuts.

Alex told this week's NME magazine: "I'd never have a haircut like Liam Gallagher.

"He's starting to look a bit like Kevin Keegan and I'd never have any Eighties cut.

"It was truly a tragic time for hair."

Source: www.mirrror.co.uk

The Beatles Legendary Club To Release CD

Oasis and Arctic Monkeys also help Cavern celebrate 50th anniversary

Liverpool club The Cavern, one of the first venues The Beatles played, is to celebrate its 50th anniversary with the release of a compilation album.

To mark its half century the band are set to release 'The Cavern - The Most Famous Club In The World' on August 20.

The tracklisting features both The Beatles and The Rolling Stones, along with the likes of Oasis, The Kinks, Queen plus an unreleased version of the Arctic Monkeys' 'The View From The Afternoon'.

The three-CD tracklisting is:

CD 1

1. The Beatles - 'Please Please Me'
2. Chuck Berry - 'No Particular Place To Go'
3. The Shadows- 'Apache'
4. The Spencer Davis Group - 'Keep On Running'
5. Johnny Kidd & The Pirates - 'Shakin' All Over'
6. Cilla Black - 'Anyone Who Had A Heart'
7. The Hollies - 'I'm Alive'
8. Gene Vincent - 'Be Bop A Lula'
9. Lonnie Donegan - 'Cumberland Gap'
10. The Fourmost - 'Hello Little Girl'
11. The Searchers - 'Sweets For My Sweet'
12. Manfred Mann - 'Do Wah Diddy Diddy'
13. Chris Farlowe - 'Out Of Time'
14. Wilson Pickett - 'In The Midnight Hour'
15. Ben E. King - 'Stand By Me'
16. Stevie Wonder - 'I Was Made To Love Her'

CD 2
1. Queen - 'Killer Queen'
2. Paul McCartney - 'All Shook Up' (Live at The Cavern)
3. The Kinks - 'You Really Got Me'
4. The Big Three - 'Some Other Guy'
5. The Animals - 'The House Of The Rising Sun'
6. Hermans Hermits - 'I'm Into Something Good'
7. The Moody Blues - 'Go Now'
8. Gerry & The Pacemakers - 'Ferry Cross The Mersey'
9. The Zombies - 'She's Not There'
10. The Swinging Blue Jeans - 'Hippy Hippy Shake'
11. Little Eva - 'The Locomotion'
12. Cliff Bennett & The Rebel Rousers - 'Got To Get You Into My Life'
13. Billy J Kramer & The Dakotas - 'Little Children'
14. The Merseybeats - 'I Think Of You'
15. The Flowerpot Men - 'Let's Go To San Francisco'
16. Elton John - 'Border Song'

CD 3
1. The Rolling Stones - 'It's All Over Now'
2. The Who - 'My Generation'
3. Oasis - 'Part Of The Queue'
4. The Yardbirds - 'For Your Love'
5. Donovan - 'Sunshine Superman'
6. Wishbone Ash - 'Blowin' Free'
7. Georgie Fame - 'Yeh Yeh
8. Bo Diddley - 'Bo Diddley'
9. Status Quo - 'Down Down'
10. Tom Robinson - '2-4-6-8 Motorway'
11. Edwin Starr - 'War'
12. Thin Lizzy - 'Whiskey In The Jar'
13. Rod Stewart - 'Handbags And Gladrags'
14. Embrace - 'All You Good Good People'
15. Kt Tunstall - 'Black Horse & The Cherry Tree'
16. Travis - 'Why Does It Always Rain On Me'
17. The Coral - 'In The Morning'
18. Arctic Monkeys - 'The View From The Afternoon' (live - previously unreleased version)

Source: www.nme.com