Preview Of Beady Eye's 'Hitlist Italia' Interview

Preview of an interview which is set to be aired this week on Hitlist Italia.

Thanks to frjdoasis2

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Beady Eye Forthcoming TV/Radio Appearances

21/02/2011 - The Xfm Manchester Breakfast Show with Tim Cocker, XFM Manchester, Manchester, England [Interview]

21/02/2011 - Steve Lamacq, BBC 6 Music, England [Interview]

22/02/2011 - 90.3 KEXP, Seattle, USA [Live session + interview]

23/02/2011 - Zane Lowe, BBC Radio 1, London, England [Pre-recorded live Session]

28/02/2011 - Freshly Squeezed, Channel 4, England ['Performance', probably advance track from Abbey Road session]

28/02/2011 - Live From Abbey Road, Abbey Road Studios, Channel 4 & Q TV, London, England [Pre-recorded live performance/interview]

01/03/2011 - Christian O'Connell Breakfast Show, Absolute Radio, London, England [Liam interview]

2011-xx-xx - Dave Berry/John Kennedy XFM, London, England [Liam interviews]
2011-xx-xx - Capital, London, England [Interview?]

I will post a reminder for each one on the day of broadcast with times and links.

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Beady Eye's Two Of A Kind Available From iTunes Now!

Beady Eye's B-side to The Roller, Two Of A Kind is now available to buy from iTunes UK.

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Noel Gallagher On talkSPORT Tonight

Noel Gallagher will be on Andy Goldstein's Sports Bar on talkSPORT that starts at 9PM (UK TIME).

Listen online by clicking here.

Thanks to Mr Monobrow

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Beady Eye On The Cover Of Crossbeat Magazine

A few pictures from Crossbeat Magazine that is currenly on sale in Japan.

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On This Day In Oasis History...

On February 20th 1998, Oasis played a third night at the Budokan, Tokyo, Japan.

Above are a few videos from the gig.

Tickets to all three shows sold out within days of going on sale, with over ninety percent selling on the first day.

During the afternoon of the second show, Liam was forced to cut short a shopping trip when he was mobbed by an enthusiastic crowd of over two hundred fans, in Shibuya in central Tokyo.

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Tickets For Beady Eye's First Japanese Tour On Sale Today

Tickets go on sale today for Beady Eye's first Japanese tour.

The band - whose album 'Different Gear, Still Speeding' is released in Japan on February 23rd through Beady Eye Records / Sony Music Japan - are set to play the below five dates.

FRIDAY 6th MAY
OSAKA: Zepp Osaka
Doors open: 6pm / Show start: 7pm
Ticket: ¥6,500 (tax incl. / 1F: Standing / 2F: Seats / Plus 1 drink charge)
INFO: 06-6535-5569 (SMASH WEST) / MEDIA: FM 802

SATURDAY 7th MAY
NAGOYA: Zepp Nagoya
Doors open: 6pm / Show start: 7pm
Ticket: ¥6,500(tax incl. / 1F: Standing / 2F: Seats / Plus 1 drink charge)
INFO:052-936-6041 (JAILHOUSE) / MEDIA:ZIP FM

MONDAY 9th, TUESDAY 10th & THURSDAY 12nd MAY
TOKYO: Zepp Tokyo
Doors open: 6pm / Show start: 7pm
Ticket: ¥6,500 (tax incl. / 1F: Standing / 2F: Seats / Plus 1 drink charge)
INFO: 03-3444-6751 (SMASH) / MEDIA: J-WAVE

BOX OFFICE:
Promoter Pre Sale: 12:00 (noon) Tuesday 1st February until 12:00 (noon) Friday 4th February
Tickets go on sale 10:00am SATURDAY 19th FEBRUARY
TICKET PIA / LAWSON TICKET / e+
smash-jpn.com
smash-mobile.com

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Beady Eye Interview From MTV Japan

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On This Day In Oasis History...

"Don't Look Back in Anger" is a song by the British rock band Oasis, written by the band's guitarist, Noel Gallagher. Released as the fourth single from their hit second album (What's the Story) Morning Glory?, on February 19th 1996.

The song became the band's second single to reach #1 in the United Kingdom charts, where it also went platinum. "Don't Look Back in Anger" was also the first Oasis single to feature Noel on lead vocals instead of his brother, Liam Gallagher. The title is perhaps a play on the song "Look Back in Anger", from David Bowie's Lodger album or on the play, Look Back in Anger by John Osborne, from which Bowie's song took inspiration.



Music video

The video for the song, directed by Nigel Dick, features Patrick Macnee, the actor who played John Steed in the 1960s television series The Avengers, apparently a favourite of the band. While filming the video, drummer Alan White met future wife Liz Atkins. They were married 13 August 1997 at Studley Priory Hotel, Oxfordshire but later divorced. Macnee has no recollection of the filming of the video.

History

Noel said of the song, "[It] reminds me of a cross between All the Young Dudes and summat the Beatles might've done." Of the character "Sally" referred to in the song he commented, "I don't actually know anybody called Sally. It's just a word that fitted, y'know, might as well throw a girl's name in there. It's gotta guarantee somebody a shag off a bird called Sally, hasn't it?". Noel claims that the character "Lyla", from Oasis' 2005 single is the sister of Sally. In the interview on the DVD released with the special edition of Stop the Clocks, Noel also revealed that a girl approached him and asked him if Sally was the same girl as in The Stone Roses' track "Sally Cinnamon". Noel replied that he'd never thought of that, but thought it was good anyway.

Noel admits that certain lines from the song are lifted from John Lennon: "I got this tape in the United States that had apparently been burgled from the Dakota Hotel and someone had found these cassettes. Lennon was starting to record his memoirs on tape. He's going on about 'trying to start a revolution from me bed, because they said the brains I had went to my head.' I thought 'Thank you, I'll take that'!" "Revolution from me bed" most likely refers to Lennon's infamous bed-ins in 1969, both in the quote and in the song. The piano during the intro of the song highly resembles Lennon's "Imagine". Like many other popular songs,the chord progression for both the verse and the chorus are based on the classical piece Canon in D by Johann Pachelbel. The songs only differ slightly at the end of each phrase. Gallagher also admits that he was under the influence of substances when he wrote the song, and to this day he claims he does not know what it means.

The song has become a favourite at Oasis' live performances. Noel encourages the crowd to sing along and often keeps quiet during the chorus, allowing the fans instead to sing along while he focuses on his guitar playing. The volume of crowd noise that usually descends on the chorus at concerts is easily audible on the rendition of "Don't Look Back in Anger" on Familiar to Millions. During the Dig Out Your Soul Tour the song has been played acoustically at a slower rate by Noel. Which surprised some fans, but it is still sung by all the fans.

In a 2006 radio interview, Liam Gallagher said that it was he who came up with the line "so Sally can wait" as Noel was struggling with that particular line at the time. Noel confirms this on the bonus DVD, entitled Lock the Box, released with the Stop the Clocks retrospective album. In the interview with Colin Murray, Noel admits, "I was doing it in the sound check and the so Sally bit, I wasn't singing that...and he [Liam] says, 'Are you singing so Sally can wait?' and I said, 'No.' and he said, 'Well you should do.'"

Noel was so excited of the potential of the song when he first wrote it, he used an acoustic set to perform a work-in progress version, without the second verse and a few other slight lyrical differences to the finished version, at an Oasis concert at the Sheffield Arena on April 22, 1995, saying before playing that he'd only written it the previous Tuesday (April 18, 1995) and that he didn't even have a title for it.

Track listing

CD CRESCD 221 (re-issued as RKISCD 018)
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
"Underneath the Sky" - 3:20
"Cum on Feel the Noize" - 5:09

7" CRE 221
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40

12" CRE 221T
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
"Underneath the Sky" - 3:20

Cassette CRECS 221
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40

CD re-issue (US) 34K78356
"Don't Look Back in Anger" - 4:48
"Cum On Feel The Noize" - 5:09

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Beady Eye 'Different Gear, Still Speeding' Album Review

Considering that Noel Gallagher wrote the majority of Oasis’ songs, best or otherwise, and that Liam’s role throughout their chequered history was to be the charismatic bit of rough, and bearing in mind that the latter’s contributions to the Oasis canon were hardly propitious, it’s actually quite staggering that Beady Eye’s debut album is anything less than abysmal. In fact, it’s pretty fine, really good in places, with moments that eclipse most Oasis material since (What’s The Story) Morning Glory. There isn’t a Beatles comparison that springs to mind, but it does strike one as being a little like The Who making a decent record without Pete Townshend.

Different Gear, Still Speeding has the energy, if not the invention, of a classic Who album. Hardly surprisingly, however, it’s the Lennon and McCartney (and Jagger-Richards) songbooks, as well as the retro Merseybeat of The La’s, that prove the main inspiration – there’s even a track called Beatles and Stones. What did you expect? An album influenced by Burial and Ramadanman? Produced by Steve Lillywhite over 12 weeks in London’s RAK Studios during summer 2010, Different Gear... finds Liam, with Gem Archer on guitar, Andy Bell on bass and Chris Sharrock on drums, sharing songwriting duties and a commitment to upholding eternal verities: big riffs, pounding drums, and basslines that prop up simple melodies.

That said, the songs here are less oikish, more nimble and nuanced, than a lot of Oasis’ ponderous later music. Four Letter Word is a strong opener, powerfully surging orchestral rock providing an effective showcase for Gallagher’s appealingly coarse bellow, which as ever serves to invest the banal lyrics ("Nothing lasts forever," apparently) with, if not meaning, then at least menace. Millionaire is a curious hybrid of folky Led Zep and Wings. Beatles and Stones sounds like The Rutles doing 19th Nervous Breakdown. The Beat Goes On captures some of the lysergic whimsy of Sgt Pepper's-era Lennon while Wigwam hints at what St John might be doing today had he lived. That’s a criticism of Lennon, by the way, but high praise indeed for Gallagher. The Morning Son is the epic closer that grows from an acoustic start towards a cloudburst of psychedelic colour and baroque instrumentation. It’s superb.

Who’d have believed it? No one, that’s who. Well, apart from Liam.

Source: www.bbc.co.uk

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Liam Gallagher Interview On 'XFM Manchester' Monday

XFM Manchester will broadcast an interview with Liam Gallagher on Monday 21st at February on the Breakfast Show.

The show is broadcast between 6am - 10am (UK Time)

A snippet of the interview can be heard here.

You can listen live to the show by clicking here.

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Beady Eye On The Front Cover Of German Rolling Stone Magazine

Inside this month's German 'Rolling Stone' magazine is a free 7in copy of 'The Roller', fans from outide Germany can order it from here.

For a closer look at the vinyl click here.

The magazine is on sale from February 24th.

It is being reported on several German sites that Beady Eye will play the following dates in Germany later in the year.

28.5. HAMBURG - Große Freiheit
31.5. OFFENBACH - Capitol

01.6. MÜNCHEN - Tonhalle
03.6 NÜRNBERG - Rock im Park Festival
04.6 NÜRBURGRING RACE COURSE - Rock am Ring Festival

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Listen To Beady Eye's Radio One Session On Wednesday

Radio 1 session with Zane Lowe will be broadcast on Wednesday 23rd February 7pm (UK Time)

Listen live here.

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Liam Gallagher Lets Rip

He’s back and this time Liam Gallagher is keeping a Beady Eye on business, he tells Eamon Sweeney, as he lifts the lid on his feud with brother Noel

It's a mild midweek afternoon with a tantalising hint of spring in the air, but there's a tornado about to go off in a small back room in north west London in the building that houses Ignition Management, a company that used to take care of business for Oasis.

Their latest charges are basically the same band, minus a certain Noel Gallagher. His little brother -- yes, that tornado -- is in top form, explaining why he has christened his new band Beady Eye.

"You've got to keep your eye on things, d'you know what I mean?" he begins in his inimitable Mancunian drawl. "You'd think that should be a natural thing, but with Oasis it wasn't. Noel was the guy doing all that. You'd be looking out the window and you'd see a picture of us [Oasis] laughing our tits off or blinking and him looking all super cool. And you'd think, 'What fucker approved that picture?' And then you click and go, 'Fuck, it was that twat!' No wonder he was in the office all the time."

In 2007, when Day & Night met Noel Gallagher, he said to me, "I'm here working all day from 11 in the morning until 11 at night doing promo and fuck knows what else, while he [Liam] is poncing around in stupid clothes getting pissed."

As I'm telling Liam this quote, his face darkens. "Yeah, it's called fucking living mate," he interrupts. "Stupid clothes. Really? Was he fucking wearing his Adidas trainers trying to be 18 again? Grow up mate. As for me growing up, he's the one hanging out with Russell Brand. A shit comedian. He needs to grow up. Fucking hell. I am grown up. I am getting my shit together."

Indeed, Liam has been busy. Against all the odds, his first post-Noel album is a revelation, the polar opposite to the car crash that even their staunchest fans feared. While I've been instructed not to talk about the past, Liam is the first to mention the N word. Before Christmas, he declared that Beady Eye's Different Gear, Still Speeding was better than Oasis' stellar debut Definitely Maybe. He also remarked that when he hears it, Noel would come crawling back. Really?

"Nah, I was only joking man," he replies. "Noel is a very stubborn lad. He's the one that left the band. He wanted to do his thing and he is and he'll be happy. But what I will say is that he'll miss us before we miss him -- believe you me. Us four know each other for years and it's very comfortable and nice. I'd hate to be Noel Gallagher, mate, going out with a load of new people, firing them because he doesn't get his own way. That's no way to be getting on. We've all got utmost respect for each other."

Liam is flanked by Andy Bell, the guitarist of the remarkable shoegazing quartet Ride, responsible for one the best British albums of the 90s, Nowhere. Bell remarks that recording with Beady Eye last year during the World Cup reminded him of doing Nowhere in 1990. "He's obsessed with that fucking Ride album," Liam interjects. "Like it's good and all, but it's not as good as this." Did England's pathetic performance impact on band morale? "Well, we played a blinder mate!"

As surprisingly good as Different Gear, Still Speeding is, Oasis' gigantic fan base will want to know if the quibbling brothers will ever bury the hatchet and reform. They imploded spectacularly in Paris on August 28, 2009, a detail I'll always remember, as it was my birthday.

"Ha ha ha!" Liam cackles. "If you really hated us, you'd have been out on the piss that night going, 'Thank fuck! Best birthday present ever!' Only a fool says never, but I can't fucking see it mate. That's it. Done. We're so into this thing, I don't really think about Oasis anymore."

Have you spoken to Noel since Oasis split? "I haven't seen him since that night," he answers. "I've got nothing to say to him. It's done. That's it, man. I'm sure it's vice versa."

I'm sure many fans will be screaming for Oasis songs on the forthcoming Beady Eye tour. "That's fine," Liam says. "They can scream all they want. I'll be screaming right back at them going, 'No!' I've got a microphone and a big fucking PA, so they'll soon get bored. It would be schizophrenic and a bit weird for both parties to play Oasis songs. You've got to draw a line and move on and we definitely have."

He's getting increasingly animated and the Gallagher swagger is in full swing, but nothing can prepare me for the mesmerising spectacle of Liam in full flight. "I sometimes leave the room with a, 'John Lennon was an idiot', just to watch the explosion," Noel once said about how to stir up his brother. And it's about to detonate in front of my very eyes, as the conversation turns to last year's Brit Awards. Liam accepted an award for Best British Album of the past 30 years, which he proceeded to lob into the crowd. Presenter Peter Kay branded him a "knob head".

"He called me a knob head, which is fine, but if you're going to do that, then say it to my face, you fucking idiot," Liam spits. "I'll see that fucking clown on my travels mate, believe you me. We'll see what he's got to say then. He got that wrong. People went, 'You threw an award at fans'. No I didn't. If I threw it, you'd know about it because it would have stuck in someone's fucking head. I don't have beef with fans. It was my last gesture as Oasis, but people got it wrong as per usual."

As he delivers this broadside, he's standing in the middle of the room, acting out how he gave the award to the audience. The way he's illustrating it reminds me of Jose Mourinho famously tossing his Premiership medal into the crowd at Stamford Bridge. "Exactly mate!" Liam says with a triumphant clap of the hands.

This Special One isn't finished yet. "A knob head! And you call yourself a comedian?" he continues. "You're meant to be fucking funny and best you can come up with is calling me a knob head! Surely you can come up with something better than that you fat fool, c'mon mate! Bolton is a great city man, but there are clowns everywhere ... [starts singing a snippet of Stuck in the Middle With You] and jokers to the right of me ... Fuck him anyway, Peter Kay. He's not even funny. I'm funnier than half of them comedians. It's a good job that I'm in a fucking band because I'd put all them out of business. That's my next fucking thing. Stand up."

Liam is now actually standing up. I'm completely in stitches. In an age when feuds appear to be chiefly conducted over Twitter, it's a reminder of the halcyon days of Blur versus Oasis, fuelled by the Gallaghers' outrageous bile.

"Music needs it man," Liam insists. "Otherwise it becomes like fucking Coldplay, and I'm not having a pop. It just becomes four musicians making music. You need characters in bands. You need characters in life. I don't feel part of the music industry anymore, not that I ever did. We're in a band and that's as far as it goes. Too many kids today know about the business and it interferes with creativity. You can be a rock star one week and a movie star the next week and a politician the fucking week after that. You can be all sorts in a month."

Rock star might be Liam's fulltime job, but he's also assuming another role with the opening of his clothes shop, Pretty Green in Carnaby Street. Liam is the perfect poster boy. He's remarkably handsome in the flesh and possesses unexpectedly clear and radiant skin.

"I was asked in the 90s to do a bit of it, but I was in the fucking pub most of time and I wasn't arsed," he explains. "I'm into clothes, man. We're all into it. It's important to look good in a band. You look at Eddie Vedder. He's like a tree. Scruffy little bastard, and he's not even cool looking scruffy, 'cos I can go with that too. The Beatles, The Stones, The Kinks, Weller, even the Pistols looked fucking smart. Kasabian have got a bit of look sometimes. The Arctic Monkeys singer looks pretty cool and so does Miles Kane. The Strokes sometimes, but then I see pictures of the singer and he's dyed his hair red and got a biker's jacket on and you're like, 'What the fuck is going on there?'"

The best part of an hour in Liam's hilarious company whizzes by in a flash. Liam swaggers out of the room with a firm handshake and a cheeky smile. Even if you consider him to be nothing more than a loudmouth with a touch of Tourettes who ended up fronting the biggest pub rock band in the world, there's no denying the fact he's one of those rare characters that he's just eulogised. The last bona fide rock star left on the planet has left the building, but the next chapter in his hell-raising career is only just beginning.

Different Gear, Still Speeding is out next Friday. Beady Eye play the Olympia, Dublin, on April 14 and 15

- Eamon Sweeney

Source: www.independent.ie

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Beady Eye 'Different Gear, Still Speeding' iTunes Trailer

Beady Eye's 'Different Gear, Still Speeding' is available now to pre-order on special iTunes LP format. The LP album comes with all 13 album tracks, exclusive track 'Man Of Misery' plus 'Sons Of The Stage'.

When you pre-order the iTunes LP you will receive 'Sons Of The Stage' straight away!To show you what you'll get with the LP Beady Eye Records have made a trailer that is now available to view on their Ping profile.

It is the first time the album booklet artwork has been available to view, so check it out HERE!

Pre-order the LP NOW!...

Keep checking back to the Beady Eye website for some exciting Ping news next week.

Beady Eye have also announced they will be headlining the iTunes Festival on 5th July. To be in with a chance of winning a pair of tickets, click HERE!

Source: www.beadyeyemusic.com

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

After Oasis, Beady Eye Begin Their Journey

Liam Gallagher might have parted angrily from his brother, but Beady Eye assure Chris Salmon the "big spirit" of Oasis lives on in their new music.

"Me and our kid were to blame for the split of Oasis," says Liam Gallagher. "Not me. Not him. And it certainly wasn't these guys." These guys are Gallagher's bandmates in Beady Eye: guitarists Andy Bell and Gem Archer, and drummer Chris Sharrock. Until summer 2009, the four of them, plus Gallagher's older brother Noel, made up Oasis, the biggest British rock'n'roll band of their generation. Then, on 28 August 2009, following a final, tumultuous slanging match between Noel and Liam – and shortly before Oasis were due to perform at a Paris festival – the older Gallagher decided he'd had enough.

The day after Noel left the band, he posted a statement on Oasis's website. The parts bemoaning the "verbal and violent intimidation" from Liam were no shock: the two had been at loggerheads for years. More surprising was Noel's complaint about "the lack of support and understanding" from his bandmates.

Liam almost explodes at the mention of that line. "Absolute fucking bollocks. That's the thing that makes me want to throw up. I just look at him now and think, 'You're a fucking fake.' It's like, if you want to fucking leave the band, leave the band. If you want to stay at home with your kids, stay at home with your kids. If you wanna have five years off, have five years off. We'll sit down as a band and talk about it. But don't start going, 'I was bullied out of the band.' Fucking shite."

Archer sighs. "That statement was surreal as fuck."

To the outsider, I say, it read like Liam and Noel had a huge row, and Noel was hurt that the others didn't back him up.

"Noel doesn't need backing," says Archer.

"Back him in what?" snorts Gallagher.

What, then, do they think he meant?

"I think he wrote it on the spur of the moment," says Bell, ever the peacemaker. "He's probably mortified now."

"Not that mortified, cos he's still got it up on the fucking website, which I've tried to take down," spits Gallagher.

"Has he?" asks Archer.

"It's been two fucking years," says Gallagher, sounding increasingly angry and hurt. "Take the fucking statement down. It's over. We're all grown up. We've all moved on."

They've moved on in many ways. There are broken televisions lying on the pavement outside the expensive London hotel where we meet; inside the hotel's boardroom the talk is of uppers and downers. Fifteen years ago, you'd have put money on the TV sets having been thrown from one of the hotel's upper windows, and the uppers and downers being amphetamines and barbiturates. In fact, the televisions have been left for collection by an engineer, and Beady Eye's members are discussing not drugs but coffee and hot chocolate.

It took alcohol, though, to give them the bravado to make the decision, immediately after Noel's departure, that they would continue as a band.

They could, you'd imagine, have played it safe and soldiered on as Oasis. After all, Liam chose the band's name back in 1991, before his brother even joined. And Noel's exit announcement did say he'd "quit" Oasis, rather than disbanding them. But today, gathered around the boardroom table of the Landmark hotel, sipping their hot chocolates, the members of Beady Eye insist continuing Oasis wasn't an option.

"Going around playing someone else's songs?" says Gallagher. "That's not cool, is it?"

"Oasis is an entity that is to do with Liam and Noel," agrees Bell, the mild-mannered former Ride guitarist who, like Archer, joined Oasis in 1999. "It was much better to go, 'Right – new band, new songs.'"

After a summer spent recording with producer Steve Lillywhite, the result is Beady Eye's debut album, Different Gear, Still Speeding. It is, predictably enough, a rock'n'roll album in thrall to the Stones, the La's – an old band of Sharrock's – and, of course, the Beatles. What's more surprising, given that Noel Gallagher was widely regarded as Oasis's only songwriting talent (and then as a diminishing one), is that it's quite good.

That's not to say it's a masterpiece. There are moments of toe-curling banality, but there are some fresh and impressive songs, too. If you didn't like Oasis, Different Gear, Still Speeding won't convert you. But if you found anything to enjoy in their last few records, it will be a treat.

If it had been an Oasis record, that band's fiercely loyal fanbase would presumably have already done the preordering necessary to have made it their eighth consecutive No 1 album. But success for Beady Eye isn't so assured. The band's first proper single, The Roller, stumbled into the charts at No 31 last month – not the ideal result for a singer who enjoyed 22 consecutive top 10 hits with Oasis.

"You'd prefer it to go in at No 1, wouldn't you?" shrugs Gallagher. "But it didn't happen."

His bandmates gamely begin to explain that the posters for the single haven't gone up yet and that the 7-inch is still to be released, but Gallagher interrupts them.

"Look, as far as we're concerned, that fucking tune is shit hot," he bristles. "Production-wise, singing, playing, the words – the lot. We couldn't have done any fucking better. That's the kind of music we like. If that's not what's fucking hip at the moment, then listen, we don't change our style. We'd like to be No 1 and everyone to be on the same page, but it's not gonna happen, is it? You ask George Bush that, do you know what I mean?"

Um, not exactly, no. But it is abundantly clear throughout our interview that although Gallagher is calmer and friendlier than he was when I first met him more than a decade ago, he's hardly averse to proclaiming his own greatness.

"Look, there's a big fucking spirit up there," says Gallagher, glancing skywards. "It was in Oasis and now it's in Beady Eye. And it said, 'If you think you're having a year off, you little fucking prick, you're tripping. Get out there!' And thank fuck for it. We used to speak about Oasis wanting to be the best band in the world. Well, that's how we feel in this. We wanna go round the world. We wanna inspire kids. We wanna play some great fucking gigs."

Beady Eye will play their first ever show at Glasgow's Barrowland on 3 March. When they do, they'll blast through their album, a B-side and a cover of a track by the early-90s Manchester band World of Twist. But they won't play any Oasis material. "That's where it's really gonna happen," says Gallagher with certainty, record sales be damned.

I happened to be in the audience the last time the four bandmates (and Noel) shared a stage. That was seven days before the Paris showdown, when Oasis headlined the Staffordshire leg of the 2009 V festival. Before them, a vast crowd bellowed, embraced and air-punched their way through the set. It's hard to imagine the Glasgow crowd will match that.

"It's a big ask," agrees Archer. "It could be Elvis fronting the Beatles up there, but if it's all brand-new songs … " He trails off. "It's gonna be a challenge."

"They're gonna fucking love it, mate," insists Gallagher. "I know what they like. We've got the same DNA. They're gonna dig it, cos we're gonna be on form, man. That's why we're rehearsing like fuck."

And if people do shout for Oasis songs?

"I've got a microphone, we've got guitars, we'll drown them out," says Gallagher. "They can shout what they fucking want."

It does, I say, seem a bit sad that he'll never sing those songs again.

"I did the whole Knebworth set in the shower earlier," Gallagher fires back. "It was fucking great."

Not for the first time today, all four members of Beady Eye fall about laughing. Without his older brother around to push his buttons, Gallagher seems steadied and contented, talking proudly about his kids, his fashion label and, of course, the new band. "We're having the time of our lives, mate," he says, to general agreement. It seems unlikely they'd have said the same in the final days of Oasis.

"I kind of felt it was winding up, man," says Gallagher of those last months. "There was loads of little things going on. Noel was removing himself from the band, travelling separately, even though they [the media] were saying I was. And you couldn't speak to the fucker. Minute you brought something up, it was just a stony-faced: 'What are you gonna do about it?' But it's my band as much as his. I had to have my say. And he didn't like people standing up to him. So he grabs the ball and does a fucking runner."

Never one to concede weakness, Liam insists the Oasis breakup didn't hit him hard. "No, because, like I said, I'd seen it coming. I weren't ever really that close with Noel anyway. I'd only see him on stage. Gem would see him more than me."

Archer, Bell and Sharrock were all personally recruited to Oasis by Noel. But Archer was his closest friend and ally. "Noel was a massive part of my life," he says.

For now, though, Noel has disappeared, and neither camp shows much interest in making overtures to the other. "I'm in no rush to get on me hands and knees, and I'm sure he's fucking not," says Gallagher.

After everything they've been through, it would, I suggest, be a pity if they went to their graves without putting it right.

"That's well heavy," says Gallagher, his tone immediately softening. "Look, if I found out something was going on, I'd definitely send him a postcard, do you know what I mean?"

They will, he insists, eventually settle their differences. "Without a doubt. But I suppose I've got to grow up a little bit, and I suppose he has. People think I'm just a fucking lunatic, but Noel can be a little bitch, too. Maybe the pair of us have to sort ourselves out before we do that. But not just yet." His scowl gives way to a smile. "But thanks for your concern. I didn't know it meant that much to people."

The legions of Oasis fans for whom it means the most shouldn't get too excited by Gallagher's notional olive branch. He is convinced Beady Eye are here to stay, talking excitedly about the soundtrack they are set to record for the film about Apple Records his production company are making. "That can open a mad door for the next couple of Beady Eye records."

Inspired by the music Neil Young and Paul Weller have made well beyond their 40th birthdays, the 38-year-old is fired up about his future as a musician. But an Oasis reunion, Gallagher insists, simply isn't going to happen.

"Never," he says firmly. "This is not a stopgap until me and Noel come to our senses and start Oasis again. That is well and truly done."

"And now we're working on tomorrow's nostalgia," says Archer, brightly.

The band's press officer arrives to call time on the interview. Rising to head for a cigarette, Gallagher delivers his blunt, bullish and not inaccurate summing up. "We split up, we started a new band. Some people will hate the album, some people will like it. Some people will slag the gigs off, some people will love them. End of fucking story."

Source: www.guardian.co.uk

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Beady Eye Up For 'Best New Band' Award

NME Awards 2011 voting closes tomorrow (Feb 18)

Beady Eye are in the running for 'Best New Band' at this year's NME Awards.

The other four acts up for the award are Everything Everything, Hurts, The Drums and Two Door Cinema Club.

Liam has also been nominated in the 'Most Stylish' award competing against Brandon Flowers, Hayley Williams, Lady Gaga and Noel Fielding.Votes can be cast at NME.com HERE.

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

KEXP Presents An In-Studio Session With Beady Eye

KEXP will air an exclusive interview and live performance with Beady Eye on The Midday Show with Cheryl Waters.

The show is on Tuesday, February 22nd at 12pm Local Time (8pm UK Time)

The show will be broadcast on 90.3 FM in Seattle and streaming worldwide at KEXP.ORG

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Beady Eye To Headline At iTunes Festival

Beady Eye are pleased to announce they will be headlining at this year's iTunes Festival.

The band will play on Tuesday 5th July at London's legendary venue The Roundhouse.

Tickets for the gig are only available through prize draw.

To be in with a chance of winning a pair you can enter the draw HERE!

Source: www.beadyeyemusic.com

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Win A Pair Of Tickets To 'Upside Down: The Creation Records Story' Glasgow Premiere

'Upside Down: The Creation Records Story' will get it Scottish premiere at the 'Glasgow Film Festival' on Tuesday 22nd February, and we are lucky enough to be giving away a pair of tickets to the event.

The film is being shown at the Glasgow Film Theatre at 21:00.

The prize also includes an invite to a private after party at King Tuts with guest DJ!s including Mark Gardener from Ride. 11pm - 1am.

All you have to do to enter the competition is sign up to the Upside Down mailing list here and answer the following question:

What date is 'Upside Down: The Creation Records Story' being released on DVD?

Send all entries to scyhodotcom@gmail.com
When sending your entry please title your email as 'Upside Down'
Please include your name in your email
The competition ends at Midnight GMT on the 19th February 2011.
The winner will be picked at random on the 20th February 2011.

Please note: In order to enter the competition you MUST sign up to the mailing list.

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.