Liam Gallagher says he's not really worried about whether or not faithful fans of Oasis will follow the singer's latest venture, Beady Eye.
The new band features three of the four members of Oasis, excluding just Noel Gallagher, the U.K. quartet's guitarist and principal songwriter. He quit Oasis amid another public slanging match with his brother in 2009.
But the reliably outspoken Liam Gallagher says he's not concerned with whether Oasis devotees welcome his new outfit with open arms or not.
"I'll tell you what mate, they've got no ... choice in the matter 'cause we're doing it," Gallagher said in a telephone interview, punctuating the sentence with a choice profanity.
"We hope people get onboard and enjoy it as much as we do, and we understand if it's not their cup of tea at all ... but we're going to do it regardless, whether they like it or not, know what I mean?"
And yet, it's unlikely Oasis fans will take issue with Beady Eye's debut disc, "Different Gear, Still Speeding," since it picks up almost exactly where Oasis left off.
All the typical Oasis hallmarks are here: stadium-sized riffs drenched in reverb, passages that could have been plagiarized from '60s Britpop (one tune is even called "Beatles and Stones"), and throwaway lyrics that are meant to be chanted, not analyzed.
The record does sound more sure-handed and fleet-footed than some of Oasis's bloated later work. First single "The Roller" ambles along winningly on a simple melody, shimmying rocker "Standing on the Edge of the Noise" is a throwback to in-their-prime Oasis, and "Four Letter Word" opens the album with an invigorating blast of stadium bombast.
In other words, little of "Different Gear" could be considered a departure for these guys.
"It's not like we sat long and hard about trying to get a new sound or anything," Gallagher said.
"That's what's in us, and that's what was in us 10 years ago. This is the kind of (stuff) we like, you know what I mean?
"We haven't had a makeover, where we go, 'Right, now let's go and try to sound like Jerry Lee Lewis.'
"We're just glad to be making music again, man — this is what we like to do.... We like to perform, not making music again was horrific."
There were other reasons the past few years might have felt so "horrific."
In 2009, Noel Gallagher quit the band suddenly following the cancellation of a couple of important gigs and another high-profile fight between the brawling brothers.
At the time, Gallagher released a statement announcing the split saying that he was sick of the "verbal and violent intimidation towards me, my family, friends and comrades." He also felt that he didn't receive enough support from his bandmates.
On this day, however, Beady Eye guitarist Andy Bell (who played bass with Oasis) did have Noel Gallagher's back when asked about his former bandmate.
"I have absolutely no problem with Noel — he's cool," Bell said. "I hope he likes (the album). I haven't spoke to him, but I hope he likes it. I'm sure he will. It's good."
While Liam Gallagher kept quiet then, he couldn't resist taking a shot at his brother a little later in the interview.
Bell mentioned that the band's last visit to Toronto was "horrific," referring to their 2008 gig at the Virgin Festival, when a man jumped onstage and attacked Noel Gallagher during their performance.
Daniel Sullivan pleaded guilty to assault causing bodily harm and was sentenced to 12 months house arrest. Gallagher, in a statement read aloud in court, described the impact of the hit as akin to being "hit by a bus."
But during this interview, Liam Gallagher snorted when the incident was referred to as an "assault."
"It's a big word, 'assault,'" Gallagher said. "I think (Noel) milked it a bit."
Liam Gallagher has already gone on record declaring that Oasis won't reunite. Similarly, he has no interest in performing his old band's tunes during Beady Eye's upcoming tours.
"Going and nicking about and playing Oasis songs is just ridiculous," Gallagher said. "(Our) set is absolutely storming. We're just going to do what we do, that feels natural.
"I'm very happy with what we've got, man, and I think we can give people a really good time."
Many of the early reviews have been positive, though some of the critics have actually seemed a little surprised that they like Beady Eye. One BBC critic wrote, "It's actually quite staggering that Beady Eye's debut album is anything less than abysmal."
That skepticism is largely the result of two factors.
First, the last Oasis album to generate much critical goodwill was 1997's "Be Here Now," and even that record was coolly received in many corners.
And secondly, the low expectations for Beady Eye could also have something to do with the fact that Noel Gallagher was always credited as Oasis's mastermind, the one who penned nearly all of the band's biggest hits on his own.
But Bell says such thinking does a disservice to the rest of the group's members.
"I never felt underrated ... (but) it is kind of surprising when people assume that you'd just be useless," he said.
"Say, for example, I was a Stone Roses fan, and three of the Stone Roses started a new band — I'd probably think I'd expect to like that band."
Whether fans warm to the new group or not, Bell and Gallagher say Beady Eye is here to stay.
They're clear that this isn't a side project, nor a temporary arrangement meant to kill time before the Gallagher brothers finally announce a truce.
"We're extremely happy with the album, we made it the way we wanted to make it, we knew that it would probably get slated in some quarters, and hopefully praised in other quarters," Bell said.
"Really, we're a little bit older, so it's not all about the impact of it right now — it's 20 years down the line. We wanted to make a timeless album."
Added Gallagher: "We can't wait to get on the stage, with a load of people, and do what we've been doing in the rehearsal room but better, and just see what the reaction is. We want to make people smile, man, and make people jump up and down and have a good time."
And after that?
"We want to make great music all the time," Gallagher said.
"So yeah, we'll tour this album, come back ... and then back in the studio."
Beady Eye AKA Liam Gallagher, Gem Archer, Andy Bell and Chris Sharrock, perform 'Four Letter Word' in session for Zane Lowe at the BBC's legendary Maida Vale Studios
Speaking to Xfm on the eve of the release of his new band Beady Eye's debut album, 'Different Gear Still Speeding', Liam Gallagher claimed that brother Noel had been working on his own record for some time, despite claims that he was too busy.
"I reckon he's written it, man," said Liam. "He's probably going down that Radiohead thing - it's probably out already! He's definitely written it, he's been in the studio for ages. So I don't know what he's talking about. I'll be interested to hear it, see if I'm on it... In the background somewhere..."
Gallagher then indicated his Beady Eye band mates Gem Archer and Andy Bell, adding: "These two are on it!"
Archer was not so sure. "We'll see won't we?" he replied. "It was weird... Noel's a top songwriter, so when you're hearing whatever he was coming up with... well, that's that. But now [with Beady Eye] it's all brand new."
You can hear the whole interview on the Xfm Breakfast Show with Dave Berry on Xfm London 104.9 or online on Friday February 25 from 8am (UK TIME).
Liam Gallagher has teamed up with former Oasis band mates Andy Bell, Chris Sharrock and Gem Archer to form Beady Eye and they're coming to Ireland.
Ahead of the release of their debut album 'Different Gear, Still Speeding' and their two Olympia gigs, Beady Eye spoke to RTÉ TEN.
Given his Irish roots when asked how Gallagher felt about playing here again, he said: "I love Ireland, Ireland is top. I love going there and having a good time and that.
"I can't wait to get back there and play some gigs and having the craic!"
When asked if the line 'Life is too short not to forgive' in new track 'Kill for a Dream' is a little throw-back to the rift between brothers Liam and Noel that ultimately led to the dissolution of Oasis, Bell said: "It's a true line, whatever situation it came out of, it still applies to a lot of situations, that's what I was getting at."
Noel wrote most of Oasis's songs and the spotlight is now on Liam since he has picked up the pen alongside Gem and Andy.
There were reports recently that he told a curious fan who asked about his lyrics that he'd no idea what they meant.
He said: "Well I know I haven't got a clue what I'm on about. I think Andy knows what he's talking about but believe you me, I have no idea what I'm on about. I am winging it, big style."
Read the full interview in next week's RTÉ Guide, which is available from Monday 28 February.
'Different Gear, Still Speeding' is released on Friday 25 February ahead of their concerts in the Olympia on Thursday 14 and Friday 15 April.
Taken from an interview with Alan Mcgee, read the full interview here.
It’s impossible to interview Alan McGee and not bring up the subject of Oasis, although he was keen to point out that he only agreed to the making of Upside Down if it wasn’t some backhanded way of making an Oasis doc, but nevertheless, he gave his thoughts on Liam Gallagher’s new band, Beady Eye.
“I’ve ordered the album, what more can I say. I’m big mates with Andy (Bell) obviously.
“I thought they were unfairly criticised for that first song Bring the Light, I thought it was pretty good. I am dying to hear the album.”
Since the infamous Oasis / Gallagher brothers split, has McGee taken sides?
“I am told I am in Noel’s camp. I am in nobody’s camp. I am in the music camp.
“I am not in Liam’s camp or Noel’s camp I want them both to be great.”
So will he be heading along to RockNess this summer to support his beloved Glasvegas or see Liam and Beady Eye in action at T in the Park?
“I hate festivals, they are for hippies.” That will be a no then.
Beady Eye are pleased to announce they will return to Germany to play the Grosse Freiheit 36 in Hamburg on Monday 30th May. Tickets will be available from Monday 28th February through www.eventim.de and www.adticket.de at 9am (local time).
The band have also announced that due to overwhelming demand for tickets at Cologne's Live Music Hall the gig has been moved to the city's larger E-Werk venue. All tickets for the Live Music Hall gig will be valid at the new venue. The extra tickets for the gig go on sale Monday 28th February through www.eventim.de at 9am (local time).
Beady Eye have suggested they have "forgiven" Noel Gallagher.
The ‘Bring The Light' rockers - made up of former Oasis bandmates Liam Gallagher, Gem Archer, Andy Bell and Chris Sharrock – explained "life is too short" not to move on from their public spat with their former guitarist, who is Liam’s brother.
Asked if the lyrics of 'Kill For A Dream', which feature the lines "Life's too short not to forgive/ You can carry regrets but they won't let you live", are abut Noel, Andy – who wrote the song - said: "People might well hear it that way if they want. I'm well aware of that.
"Look, whoever it's directed to, it's a true statement. Life really is too short not to forgive."
Meanwhile, Liam admitted Noel – who left the band in August 2009 after claiming to have been "verbally and violently intimidated" by his brother – still has "an opinion" on the state of play of Beady Eye, despite not actually being in the band.
Liam told NME magazine: "That song was written ages ago, but he can still have a f***ing opinion on the whole state of play, you know."
Now that Liam Gallagher is finally free of big brother, he's in no hurry to find a replacement. Or become one.
The former Oasis vocalist insists he's not the boss of his new band Beady Eye -- which is really just his old band without control-freak songwriter and older-sibling guitarist Noel Gallagher.
"I don't think a band needs a leader," the 38-year-old singer proclaims from London. "I think it just needs everyone to be on the same page. It can work that way, and it does work that way for us."
He's got a point -- if their fittingly titled debut Different Gear, Still Speeding is anything to go by. It finds the band -- rounded out by Oasis guitarist Gem Archer, bassist Andy Bell (now also playing guitar) and drummer Chris Sharrock, plus a touring bassist and keyboardist -- picking up where the Beatlesque Brit-rockers left off in 2009, when they imploded in Paris after the latest of many battles between the volatile Gallaghers. At the same time, however, they're also wiping the slate clean: The band refuses to play Oasis songs live, and Liam adamantly rules out a possible reunion.
With Beady Eye's album in stores Tuesday, the always-outspoken Gallagher and bandmate Bell got on a speakerphone to discuss new music, old grudges and how they view Canada.
Liam, you and Noel have had plenty of other fights when one of you has walked away from the band temporarily. At first, did you think this one would blow over too?
Liam: Oh no. I was aware we couldn't make up after this one. I'd seen it coming; it had been brewing. It was well thought-out by a certain someone. I'm no fool. I knew what was going down. Was carrying on an immediate decision? How did it happen?
Andy: We all ended up back at the hotel in Paris and had a couple of drinks. Obviously, we were all gutted and a bit shocked. But as time went on, we decided it would be a shame to just leave it and not play together. We thought, 'We are potentially a great band. Let's make a new band.'
Were you never tempted to carry on as Oasis?
Andy: Oasis is a band that should have Liam and Noel in it. It would have been wrong. Plus, if we'd have gone out as Oasis, we'd have had to play Oasis songs. It wouldn't have felt right.
Do you feel you have to prove yourselves again?
Liam: Only to ourselves. We know how good we are together as a band. Obviously, we've got to go onstage and f---ing play well and do great gigs. But that's just 'cause we want to do that, you know? We've just got to prove to ourselves we're not all talk.
Once you decided to carry on and started rehearsing, how did it go? Was it tough at first?
Liam: We just started demoing these songs and they sounded good the minute we plugged in. We thought, 'This is it, man.' Even if we wanted to have a year off, we felt like there was a higher force saying, 'Get out there and get on with it. There's work to be done.' We knew instantly, man: 'We've got it.'
Was making this easier than making Oasis albums?
Liam: Yeah. Beady Eye don't think and overanalyze as much as Oasis. We just move along. On Oasis records, there was a lot of, like, just f---ing banging your head against the wall when you didn't need to. With Oasis, it was Noel's vision. With this, we all wanted to make a great album. Everyone was involved. And there's not one thing on this record I would have done differently.
Are there things you would have done differently on Oasis albums?
Liam: I'd have liked to sing f---ing earlier on in the making of the records. I was always singing at the end, so you'd be waiting about for a lot for people to get off out of the f---ing studio, and then you sing. So there was just no vibe. It was like rent-a-singer. This time, I feel like I'm more in the band. The vocals go down earlier. And I think it helps everyone.
It sounds like you're saying this was a more enjoyable experience than making an Oasis album.
Liam: It was. I'm sorry to say it, but it was, mate. It was mega.
Are you nervous about how the album will be received? You know you're going to get compared endlessly to Oasis.
Liam: We don't mind. That's life. We know we've made a great record. Whether it changes peoples' lives is one thing, but it's changed our lives because we made it. So if it sells two million copies, 200 million copies or two copies, that's just something you've got to deal with. But that doesn't mean it's not a great record. And it's not going to stop us from making another one.
Andy, is it easier having one Gallagher in the band than two?
Andy: Two Gallaghers was cool. Having one is just as good. However many Gallaghers turn up is fine with me.
Liam: I know what he really wants to say, but he won't speak up while I'm here. I'll let you chaps swap numbers and chat later.
After what happened in Toronto on the last tour -- when Noel was attacked by a fan onstage -- are you hesitant to come back to Canada?
Liam: Listen! Little f---ing c---s like that ain't going to stop the rock 'n' roll machine that is the Beady Eye, man! No f---ing chance.
From Rock&Folk Magazine from france, Photos by Mathieu Zazzo
Gem says that they aren't saying that they 'have invented a new kind of music. Nobody would believe that. The truth is that after 10 years with Oasis, we have acquired automatic reflexes. We put out this album under the name of Beady Eye but it could have also been the new Oasis record. We have matured on the side of technique. The difference is that we are more involved than ever before.
Here is a rough translation of the article (Thanks to Sollydarling).
Interview by Jean-vic Chapus
R&F : You have said that this band is the continuity of Oasis but with better songs. At an age when most bands try to find gimmicks to sell, don't you think that such an argument is a bit weak ?
Liam: We're not a fucking progressive band man! You won't hear that hippy music in our stuff. Go listen to some Radiohead or Gorillaz if you want weird songs. We are only interested in one thing which is the simplicity of rock'n'roll : 3 or 4 riffs, a melody that really touches you. Since I was a kid, I've always turned back to the same albums: those by The Beatles, John Lennon, Sex Pistols, the Stone roses and the Rolling Stones. They are the reason for the man I am today. Lately, The Rolling Stones have become even more important for me, man. But the Stones from the 'Street Fighting Man' era right! The kind of music that moves you no matter your age or where you're from.
Gem : Before starting Beady Eye we have listed all the things that didn't work anymore with Oasis. Without trying to hide the truth from us. And what was wrong were the way too long tours, always going to the same hotels and same stadium/venues. Slowly bur surely these things make you lose your flame a musician. Your actions become automatic. You can't build a career in the rock industry if you're only releasing an album every 3 years and if you're always going to the same venues. Even if we're not 20 anymore, rock'n'roll still is something exciting, something dangerous, something that you do with your friends. I think that this Beady Eye album has taught us the basics again : simple rock songs, urgency and modesty.
R&F : Has there ever been the slightest moment of hesitation after the Oasis' split, that you should keep doing this without Noel ?
Liam : It happened after 13 months of an exhausting tour which ended the way you know. We already had ideas for songs. They were the best that we had since 'Definitely Maybe' so it would have been really stupid to stop. Each of us spent some time with its family and then we went back directly to playing together. One of the happiest moment of my life : me, my mates, a studio and songs that were incredibly good. No I've never had any doubts about making a new rock band. the only hesitation was to know whether or not we should do like the guys from Muse : "Hey! Why don't we go to the lake como in Italy ? There's good food there, great wine and great houses!"
Andy : The starting point was not to make the same mistakes we'd done at the end of Oasis. Money and success aren't the central interest with Beady Eye. I think we'd rather play in smaller venues from now on. Though Liam insisted that we have a say on everything, the album artwork, the music videos, the touring plans. He wanted to re-instore a democracy long gone.
R&F : Liam Gallagher, a democrat ?
Liam : I don't want that the people playing with me feel frustrated in any ways. Oasis was mainly about me and Noel. Beady Eye is a collective. A hippy thing if you want. If tomorrow, one of the band member comes to me and says 'Liam? I'd like to wear some fucking black sunglasses in our new video', I'd tell him, 'Alright mate, no problem, do what you want. You've as many rights as me'. It's not a democracy, it's an organised anarchy, you know what I mean ? I believe in organised anarchy. The chaos.
R&F : It's hard to imagine someone like you, Liam, doing anything else but rock'n'roll in his life. Do you remember the first time that music took hold of you ?
Liam : Of course I do ! I come in a dirty music shop in Manchester, I'm around 16 or 17 and I don't know what to do with myself and then I hear this fabulous thing : the song 'I Wanna Be Adored' by the Stone Roses. This track has changed my whole mind. I identified with his song (he gets up and starts singing) : 'I wanna be adored.. I wanna be adored..' Great! So I took the disk or borrowed it, I can't remember. I learnt all that I could on the singer, Ian Brown. For a kid that hasn't found its own personality yet, it really counts. At school, I was crazy, I always talked about 'I Wanna Be Adored'. But since I didn't pronounce the name well, some of my friends told me :"Yeah the Stooge's song, 'I Wanna Be Your Dog' ! That's cool Liam ! I'm gonna put it on a tape for you !' I loved it and it all started. My life had a sense. My mates, some shit in the neighbourhood of Manchester, girls and rock'n'roll. It all started with the Stone Roses.
R&F : Do you think that 15 or 16 year olds can feel the same now, listening to a mp3 of Beady Eye?
Andy : Good music is still good music, and it is the case no matter how you listen to it. But while telling you so, I believe that what's really important now is the live experience. I believe more & more in the physical experience of the concert to stop the diving of the whole industry in an immaterial world. You just had to look at the last Oasis concert to realise that : there were more & more teenagers in the audience. And I can assure you that those kids don't buy our albums : they download them. This is fine for me by the way.
Liam : Rock gave me life so it's about time that I do the same right ? With Oasis, Beady Eye or any other band.
R&F : At the moment, England seems to be really into this new wave of rock bands, The Vaccines, Brother. For these bands like the Arctic Monkeys or The Coral, you are now the old ones..
Liam : Arctic Monkeys and The Coral are alright, but the other ones, they're not interesting! These guys are not bad, they are simply not ready yet. They have the face for this kind of job but that's about it. The Vaccines, who are they ? Another version of the fucking Ramones. We've got nothing to be afraid of.
Gem : The problem with the bands you're talking about is that they only aim for the singles market. They put out a good track, sometimes two and then they disappear. The challenge nowadays is to make an album that lasts. I'm much more impressed by Paul Weller's double album '22 Dreams'. Here's a great album.
R&F : Is it important for you to know that your audience is not ageing exclusively with you ?
Liam : If our audience had not looked younger with the different Oasis tour, I don't think it would have been worth it to be in Beady Eye. Well, there's the selfish pleasure of writing the best songs in the world with your best mates but apart from that.. It's useless to put out an album to only be the favourite band of 40 year olds. You never go far with that kind of person ! From time to time there are kids coming to talk to me in the streets and I can see myself in them. They know that good albums have one goal : fill the void in the life.
R&F : But for some teenagers, Oasis, and maybe Beady Eye, is their older brother favourite band, or even their father's..
Gem : Every year, there's a magazine that says 'It's official, this time rock'n'roll is dead and buried !' But it never happened. I know kids who loved what they've heard of Beady Eye and also guys from the 'dubstep' scene. The two are not at war. We are not trying to persuade the new generation that rock and pop are the only music in the world : we want to write songs for everybody. I'm happy to know that music is as exciting nowadays as it was 20 or 30 years ago.
Liam : Apart from the whining people in the music labels who are stupid enough to tell the new generation 'Stop it all kids ! We're going to tell you the truth : rock'n'roll, all that, it was better before!' Bollocks! Rock'n'roll is always better in the present moment. Even if you have to respect those who were good before you. Respect is something very important, but it doesn't stop you from going forward. The rest doesn't count. You know The Who song 'The Kids Are Alright ?' Well today, nothing has changed : 'the kids are still alright. They are right when they want their rock bands to kick the elders' arse. They are right to listen to Beady Eye and also techno music or whatever, I don't know. I wouldn't keep on with this job if I thought that the history of rock'n'roll was over. There are still pages to be written.
R&F : Do you think that a rock band can still be the soundtrack to today and the future ?
Andy : The history of rock'n'roll won't stop before long. Anyway it is controlled by lots of different things : there are the drugs of the time, the political leaders, the social events, all that.
Gem : Rock is a generic term used to define lots of different styles. There's always somewhere in the world where music is gaining a lot of importance : think about reggae in Jamaica, think about the psychedelic scene of San Francisco in the 60s. All these kind of music have changed the world and don't worry, there will be other ones during the other 50 years to come.
R&F : Would you say that the Beady Eye album, with its influence from the past, is set in the present ?
Liam : I'm sure of that, and I say it without any arrogance. Our album is rock with the vibe of the street. Just like the fucking Rolling Stones in the 70s. At the moment, students in England are in the streets. They are protesting against their shitty life conditions. We hadn't seen this since the demonstration against the war in Iraq. When I'm out, in the streets of Manchester or London, I can feel that spirit of popular revolution coming. People are starting to think by themselves again. That's a new situation. A comeback to the punk way of thinking. We're really into that.
R&F : Liam, in an 1994 interview, about Oasis, you had said that "Our music speaks to all those who have a shit life. All the people from the working class who, everyday, buy cigarettes and a beer at their local pub will understand our songs." Could you say the same thing about Beady Eye today ?
Liam : Fuck did I really say that ? Bollocks ! In 1994? The working class, haha, that's a fucking joke ! The truth is that the working class doesn't exist anymore. Well, the living conditions have worsen for everybody, that's obvious. Now my view would be 'Beady Eye is for all the people who have a void in their life, all those who still believe in songs'. If we want to escape from all this shit, there aren't different ways to do so : drugs, a FC Barcelona football game, a goal from Carlos Tevez for Manchester City, an old Muhammad Ali video and a rock'n'roll album. This is my philosophy.
R&F : When you created Oasis, your view was pretty clear 'We're going to be the best rock'n'roll band in the world'. You finally manage to reach that goal, you're filling stadiums. You do know that a commercial failure for Beady Eye would make you lose your credibility ?
Liam : That's the magical thing of this band man : win more than we have bet or lose everything but with style ! We've had enough of being the rock stars who don't take risks anymore or that always repeat the same story. Worse, that situation wanted by someone in the band started eating us from the inside. Clans appeared in Oasis. On one side, the 'conservatives' and on the other, the 'reformers' if you know what I mean. Well I'm going to explain this to you another way. One day you say 'I want to play at Madison Square Garden!' It's a dream. You can't stop annoying other people with that 'When are we going to Madison Square Garden ? Is it long before Madison Square Garden ?' Because your songs are excellent, someone offers you to be on the bill for a concert at this fucking Madison Square Garden. The day comes and you're just over the moon. You put on your best shirt. You drink your best whisky. You go onstage and you give it all. After the show you realise that you weren't the headliner of the concert at the Madison Square Garden : only the third band. So what ? You're still happy. You've achieved your goal. You can move on to something else. No need to insist on this. Life's beautiful man.
Gem : A couple of months ago, we had a meeting, but as mates, simply to talk about music. A great time. It's funny but we had never done this when we were in Oasis. We were all in a pub and we realised that the bands that had had an impact on us were neither rich nor famous : the Velverl Underground, 13th Floor Elevators, Stooges. even the album 'Village Green Preservation Society' by The Kinks has never figured in that bloody top 50. Those albums are our DNA.
Liam : even the Sex Pistols man ! They didn't sell that many records and look at what they have left. I've always wanted to be from that family than to shake hands with Jon Bon Jovi.
R&F : We get the feeling, listening to you, that with Oasis there was on one side the people who were happy playing in stadiums and those who really wanted to be the headliners in these stadium..
Liam : In every human adventure, at one point, your goals differ. People don't have the same dreams. I never wanted to be a respectable and respected band. I don't care about the opinion of the people in this industry, of the cream, the posh people of London,.. We weren't part of the same band at the beginning and anyway, we will never speak the same language. I belong with the people and I will stay with the people.
Charismatic ex-Oasis singer Liam Gallagher talks to Neil McCormick about his new band Beady Eye .
'People know me as Oasis, so it will be weird for a bit. It’s like a transvestite walking into a room and going, 'Right, that’s it – I’m called Lisa now.’ But people will be calling their kids Beady Eye by the end of the year.”
Oh, it’s good to have him back. Liam Gallagher, last of the great, unreconstructed rock stars, returns next week with his new band, Beady Eye. So named, apparently, in order to be placed in record racks next to the Beatles “instead of the ----ing Osmonds.” Never the most shy and retiring of frontmen, Gallagher has been declaiming his greatness to anyone who will listen, describing his latest offering as “proper rock and roll. Oasis was a pop band compared with what we’re doing.”
Well, they were certainly popular. When Oasis swaggered from the streets of Manchester and into the hearts of the nation in 1994, their Beatles-meets-Led Zeppelin bluster kicked off Britpop mania and spawned legions of imitators. The definitive British rock band of the past 20 years, they scored 23 top-10 singles and eight number-one albums, with an estimated 70 million record sales worldwide.
The Gallagher brothers, songwriter and guitarist Noel and singer Liam, were rock’s most compelling soap opera, fighting, swearing, storming off tours and falling out with each other and every original member of the band. Even as their music became repetitive and their critical reputation declined, Oasis were selling out stadiums till the bitter end, leading tens of thousands in mass singalongs.
They finally split in August 2009, minutes before they were due on stage in Paris, when a seemingly trivial argument resulted in guitars being smashed and Noel departing, claiming: “I simply could not go on working with Liam a day longer.” The tour was cancelled, with their website carrying the simple statement that Oasis “does not exist any more”.
So what to make of Beady Eye, a new band featuring not just Oasis’s frontman but Oasis guitarist Gem Archer, Oasis bassist Andy Bell and Oasis stand-in drummer Chris Sharrock? The band formed within hours of Oasis breaking up.
“We went to the bar,” according to Liam, “had a couple of beers and decided that our musical path doesn’t stop just because Noel Gallagher’s jumped ship. This is what we do.”
And what they do, judging by their forthcoming album, Different Gear, Still Speeding is play loud, lairy, Beatles-inflected rock with bags of sneering, Lennonesque vocal attitude. Remind you of anyone?
Whatever Liam Gallagher claims, it is hard to escape the feeling that Beady Eye are effectively Oasis without their erstwhile leader, main songwriter and, by implication, without the volatile sibling relationship that was their defining characteristic. What they do have, however, is one of the great frontmen in fighting form. On The Beat Goes On, Liam sings, “I’m the last of a dying breed”, and he may be right. Always an outrageously charismatic character with a crackerjack belligerence, Liam could hold the attention of an entire stadium with nothing but a sociopathic stare and a great, big voice, his soulful, resonant tone bringing an edge of emotion to even his brother’s most throwaway lyrics.
Beady Eye’s debut may break no new creative ground and make no discernible contribution to the future of popular music but it has a jeu d’esprit almost entirely absent from Oasis over the past 10 years.
Produced by U2 veteran Steve Lillywhite, there is a spaciousness, depth and variety to the sound that eluded Oasis under the leadership of Noel. There is even, in moments, a Rubber Soul-ish lightness of touch verging on folky tenderness. Where Liam’s singing had become increasingly hoarse and shouty, here he finds the melody again. This was one of the key things Oasis brought to rock music. Hard rock tends to encourage high, raw, one-note roaring that enables the voice to fly above the range of electric guitars. Armed with his brother’s almost Abba-esque pop songs, however, Liam was confident enough to just deliver the notes amid the band’s wall of noise. This is the voice we hear once again at the centre of Beady Eye.
Liam has been ascribing his new-found commitment to a changed dynamic, as the band has shifted from dictatorship to democracy, with all members sharing songwriting credits. “There is no boss,” he claims. “We haven’t got it in us.”
What is immediately striking is how much fun they are having, and how happy Liam seems. The sad thing is that it has taken Noel’s departure for Liam really to come into his own.
The Gallagher brothers are like chalk and cheese, as is often the case with siblings. As the eldest, Noel took the role of leader, and to some extent that meant being the sensible one, but it also meant being an authority figure, controlling and disapproving of his younger brother’s rebelliousness. A smart, thoughtful and generally very considerate man, Noel seemed to have a blind spot when it came to Liam, who (contrary to his image) is capable of being very charming, friendly, generous and creative.
It often struck me that what Liam really wanted was his older brother’s love and approval. When that was not forthcoming, he acted up. You can see the same dynamic in any family. In a sense, he can only be his better self when Noel is not around.
Whether what is good for Liam is good for music is another matter. For all the delights of Beady Eye’s debut, they lack generation-defining, utterly memorable pop songs. There is nothing to even match the immediacy of late Oasis hits such as The Importance of Being Idle or Lyla. Their latest single, The Roller, went into the charts at number 31 – not a position Liam is used to occupying.
Yet he seems undeterred, relishing the idea of having to fight for their right to be heard. He has declared himself delighted to be back in small venues (the tour kicks off at Glasgow’s Barrowland on March 3) and insists they won’t be performing any Oasis songs: “We don’t need to live in the past.”
Noel has kept his thoughts on this venture to himself. Liam, out on the promo trail, has been less circumspect about his brother, peppering his comments with insults (“How many ----- were there in Oasis? Here’s a clue. It was more than zero and less than two”). Yet, many songs on the album read like an open letter to Noel, from the “nothing ever lasts for ever” riposte of Four Letter Word to the you-go-your-way-and-I’ll-go-mine acceptance of gorgeous epic The Morning Son.
When pushed, Liam has been unexpectedly magnanimous. “Listen, me and him will be sweet, man. Our little venture’s come to an end, but I’ll never have a bad word about Oasis, it was ----ing amazing. It’s why I’m adored by millions. But it’s over. And we’re buzzin’. And I hope our kid’s buzzin’. I hope he’s gonna make great records. And he probably will.”
He even appears to welcome the idea that the Gallaghers might be reconciled one day. “I suppose I’ve got to grow up a little bit, and I suppose he has. But not just yet.”
Meanwhile, Liam has gigs to play, records to make and dreams of his own to fulfil. “The bigger you get, the harder it is to move and groove. Now we’re like a little Mini. We can dart about a bit more. Before, we were just a big, fat Bentley – it might feel nice, but it’s ----ing hard to drive.”
Whatever happens, it promises to be an entertaining ride.
'Different Gear, Still Speeding’ (Beady Eye Records) is released next Monday.
Beady Eye have announced they will be playing this year's Hultsfred Festival in Sweden on Thursday 14th July.
Tickets for the festival, which runs from 14th July through to 16th July, go on sale from Wednesday 2nd March through www.eventim.se and +46 771 651 000.
Other acts confirmed for the festival include Suede, White Lies, The Tallest Man On Earth, Black Lips and Primal Scream performing their classic album 'Screamadelica'.
If you had any worries about Liam Gallagher being able to carry on in the music world without chief songwriter and older brother Noel, your doubts are erased on the first track off Beady Eye's debut album Different Gear, Still Speeding, which will be released stateside on March 1st. The menacing Manc's sneer is strong as ever and his bandmates, who followed him from the rock behemoth Oasis, sound refocused and energized now that they are the ones guiding the man who was named the best frontman in the history of music by Q Magazine two years ago. The opener, Four Letter Word, could be looked at as a jab at their ex-bandmate, but according to reports it was written before the split, but the lyrics "The battles on and the song is the prize" sum up what will be a rivalry like Paul McCartney and John Lennon had 4 decades ago after the Gallagher's heroes The Beatles broke up.
While the first song is up-tempo, most of Beady Eye's debut is mid-tempo radio friendly numbers that borrow heavily from the likes of the The Who, The Kinks, and of course the Fab Four. Lead single The Roller is the most derivative of the bunch, sounding like a hybrid of John Lennon classic Instant Karma coupled with vocals from his final studio album Double Fantasy. In true Gallagher form, the band doesn't hide from the references to their love of mid-60's music going so far as naming one song Beatles & Stones that is basically a rewrite of Pete Townshend's classic My Generation. Throughout the album you'll find catchy guitar work and melodies. Perhaps the most touching song on the collection is the track For Anyone, which is arguably the best song Liam has written to date.
Liam has upped the ante for Noel who has embarked on a solo career and it will be interesting to see what type of reaction the new band gets in terms of sales here in America. Beady Eye has released a solid set of tunes that any Oasis fan will enjoy, and one wonders why they didn't just keep the name of their old band as they would have likely been able to shift more records and sell more concert tickets with the established band name then embarking on a brand new endeavor with mostly the same cast of characters.
Highlights The Roller, For Anyone, Three Ring Circus, The Beat Goes On, The Morning Son.
Do you have any footage of Oasis that you recorded from TV and is just lying around on old VHS tapes and you can't play them no more because you have got rid of your VHS player? Did you record any footage of Oasis at any concerts?
If you would like this transfering onto DVD then please get in touch. However bad you think the quality is, I will do my best to get the best quality out of the VHS and make the transfer to DVD as professional as possible. All VHS will be returned with the footage on DVD.
Contact Chris on howdo59@gmail.com (all emails are confidential)"