Click here to read an interview with Liam Gallagher, he talks about his new album, life, Oasis, George Michael, Noel and more.
George Michael
Liam Gallagher
Noel Gallagher
Oasis
Click here to read an interview with Liam Gallagher, he talks about his new album, life, Oasis, George Michael, Noel and more.
Liam Gallagher On His New Music, Life, Oasis, George Michael And More
Click here to read an interview with Liam Gallagher, he talks about his new album, life, Oasis, George Michael, Noel and more.
Christian O'Connell
Noel Gallagher
Click here and skip to 30:45 to listen to Noel Gallagher's interview that was broadcast on 'The Christian O'Connell Breakfast Show' yesterday.
He talks about his new material, the current state of the music business and more.
Noel Gallagher On His New Material, Streaming, Touring And More
Click here and skip to 30:45 to listen to Noel Gallagher's interview that was broadcast on 'The Christian O'Connell Breakfast Show' yesterday.
He talks about his new material, the current state of the music business and more.
Liam Gallagher
Liam Gallagher will be taking part in a live Q&A on Reddit later today 9.30PM (UK Time) / 1.30PM PST.
Link here.
Liam Gallagher To Do A Live Q&A On Reddit Later Today
Liam Gallagher will be taking part in a live Q&A on Reddit later today 9.30PM (UK Time) / 1.30PM PST.
Link here.
Beady Eye
Death In Vegas
Gem Archer
Liam Gallagher
Noel Gallagher
Oasis
In his first interview in five years, the elegant and gifted guitarist/songwriter Gem Archer is this episode’s guest on The StageLeft Podcast.
In an open, honest, and at times hilarious interview, Gem goes into great detail about his own career, his view of the music industry, and what it was really like when the Oasis tsunami finally broke.
Gem talks about his early influences and details the shift in the creative process from singer in his own to right to writing songs to be sung by Liam Gallagher. He also gives advice to young guitarists, and tells us what the future holds.
He talks candidly about the fainting episode that resulted in a fractured skull, the emotions of playing Don’t Look Back in Anger at the Manchester Arena, and how he helped Liam develop his song writing
He gives us the low down on the NiN rumour, the Death in Vegas sessions, and tells us the common personality traits of those who have made it against those who have not.
“Don’t give up.”
We hear the often-asked question on how to decide which guitars to take on tour, and a rather frank reply on dealing with pressure on stage:
“…If you’re thinking on stage you’re fucked…Look… within reason nothing matters, everybody fucks up…”
We hear about the rock ‘n’ roll voyeurism that is seeing U2’s dressing room, and the in ears vs wedges debate rears its head again.
“…Noels got super ears man, he prides himself on that… he has some supernatural shit going on…”
In this fascinating interview, recorded the day before he flies off to Mexico, we hear also discuss trapdoor chords, knee chords, and hitting Trent Raznor with ping pong balls.
Source: www.thestageleftpodcast
@thestageleftpod
facebook.com/thestageleftpodcast
Gem Archer On His Life, Oasis, Beady Eye, Liam, Noel, Death In Vegas, Music And More
In his first interview in five years, the elegant and gifted guitarist/songwriter Gem Archer is this episode’s guest on The StageLeft Podcast.
In an open, honest, and at times hilarious interview, Gem goes into great detail about his own career, his view of the music industry, and what it was really like when the Oasis tsunami finally broke.
Gem talks about his early influences and details the shift in the creative process from singer in his own to right to writing songs to be sung by Liam Gallagher. He also gives advice to young guitarists, and tells us what the future holds.
He talks candidly about the fainting episode that resulted in a fractured skull, the emotions of playing Don’t Look Back in Anger at the Manchester Arena, and how he helped Liam develop his song writing
He gives us the low down on the NiN rumour, the Death in Vegas sessions, and tells us the common personality traits of those who have made it against those who have not.
“Don’t give up.”
We hear the often-asked question on how to decide which guitars to take on tour, and a rather frank reply on dealing with pressure on stage:
“…If you’re thinking on stage you’re fucked…Look… within reason nothing matters, everybody fucks up…”
We hear about the rock ‘n’ roll voyeurism that is seeing U2’s dressing room, and the in ears vs wedges debate rears its head again.
“…Noels got super ears man, he prides himself on that… he has some supernatural shit going on…”
In this fascinating interview, recorded the day before he flies off to Mexico, we hear also discuss trapdoor chords, knee chords, and hitting Trent Raznor with ping pong balls.
Source: www.thestageleftpodcast
@thestageleftpod
facebook.com/thestageleftpodcast
Gareth Halliday
Noel Gallagher
I've received a few emails asking who has done the artwork for Noel Gallagher's High Flying Birds 'Holy Mountain' and 'Who Built The Moon', the artist is called Gareth Halliday.
More of his work can be found here.
The Artwork On The New 'Noel Gallagher's High Flying Birds' Material Is By Gareth Halliday
I've received a few emails asking who has done the artwork for Noel Gallagher's High Flying Birds 'Holy Mountain' and 'Who Built The Moon', the artist is called Gareth Halliday.
More of his work can be found here.
David Holmes
Noel Gallagher
Noel Gallagher has a new album - it's coming out under his High Flying Birds banner and it doesn't sound like anything he's done before.
Who Built The Moon is released on the 24th November and it's a product of a 2 year collaboration with producer David Holmes. And they've made a very different record - more experimental and loop based as Noel Gallagher told 6 Music Breakfast's Matt Everitt.
Noel Gallagher Chats To 6 Music Breakfast About His New Album
Noel Gallagher has a new album - it's coming out under his High Flying Birds banner and it doesn't sound like anything he's done before.
Who Built The Moon is released on the 24th November and it's a product of a 2 year collaboration with producer David Holmes. And they've made a very different record - more experimental and loop based as Noel Gallagher told 6 Music Breakfast's Matt Everitt.
Kanye West
Liam Gallagher
Noel Gallagher
U2
It might not have seemed like it during the champagne-and-cocaine supernova of his Brit-pop Nineties – back when a given night might find him detained by police on a ferry to Amsterdam, tossed out of Abbey Road Studios mid-session, or skipping an Oasis gig to go house-shopping – but Liam Gallagher was always thinking long-term. Or at least he was always thinking. Take his habitual onstage pose: arms clasped behind his back, every part of him immobile save for his lips. "I knew for a fact I was gonna live forever," he says now, having made it to a lean, fiery 45.
Click here to read or listen the full article.
Liam Gallagher On 'As You Were', Oasis, Noel, U2, Kanye West And More
It might not have seemed like it during the champagne-and-cocaine supernova of his Brit-pop Nineties – back when a given night might find him detained by police on a ferry to Amsterdam, tossed out of Abbey Road Studios mid-session, or skipping an Oasis gig to go house-shopping – but Liam Gallagher was always thinking long-term. Or at least he was always thinking. Take his habitual onstage pose: arms clasped behind his back, every part of him immobile save for his lips. "I knew for a fact I was gonna live forever," he says now, having made it to a lean, fiery 45.
Click here to read or listen the full article.
Noel Gallagher
Who Built the Moon? + Orange 12" Single
Noel Gallagher's High Flying Birds
HMV Exclusive
£16.99
Released: 24th November 2017
BARCODE: 5052945027159
Available from here.
Who Built the Moon? (White Coloured Vinyl) + Orange 12" Single
Noel Gallagher's High Flying Birds
HMV Exclusive
£22.99
Released: 24th November 2017
BARCODE: 5052945027166
Available from here.
Check Out The Exclusive Noel Gallagher's High Flying Birds Vinyl From HMV
Who Built the Moon? + Orange 12" Single
Noel Gallagher's High Flying Birds
HMV Exclusive
£16.99
Released: 24th November 2017
BARCODE: 5052945027159
Available from here.
Who Built the Moon? (White Coloured Vinyl) + Orange 12" Single
Noel Gallagher's High Flying Birds
HMV Exclusive
£22.99
Released: 24th November 2017
BARCODE: 5052945027166
Available from here.
Liam Gallagher
Liam Gallagher's Latest Instagram Post
A post shared by Liam Gallagher (@liamgallagher) on
Liam Gallagher
Noel Gallagher
Oasis
Click here to read an interview with Liam Gallagher who talks about his album 'As You Were' songwriting, Oasis, Noel and more
Liam Gallagher Says He's Starting From The Bottom
Click here to read an interview with Liam Gallagher who talks about his album 'As You Were' songwriting, Oasis, Noel and more
Noel Gallagher
Noel Gallagher's Latest Instagram Post
A post shared by Noel Gallagher (@themightyi) on
David Holmes
Noel Gallagher
Noel Gallagher was speaking to Chris Moyles on Radio X in an interview that was broadcast this morning, about working with producer David Holmes on 'Who Built The Moon?'.
“I’d met David Holmes maybe a year before, and I was a fan of his and I've got all his records and soundtracks that he does. I called him, I said, ‘D’you fancy coming and getting involved with this record?’ He flew over from Belfast, I played him the tracks, and he said, ‘Hmm, they all sound finished to me.’ I said, ‘But I've only just started, these are just demos!’ And he said, ‘No, no, no, they're great, but they're finished. I can't get involved in it, it's gone too far!’
He said, "But if you wanna make a record, come to my studio in Belfast, and we'll do one.’ I said, Well, okay, I've got two or three weeks off here and there.’ He said, ‘Well, just come in the breaks! Don't bring any songs, just bring a guitar and a bag of effects pedals, and we'll write in the studio.’
“I’ve never done that, ever. I always thought people were maniacs for doing it, because it just takes years - it’s taken years to make this record. So I go to Belfast, and the first night we sit and drink and play records. He's an amazing DJ, he's got this room with thousands and millions of records everywhere, and he was pulling out French psychedelic pop and German disco and this, that and the other – all this crazy stuff.
‘He said, ‘What d'you think of this?’ I'm, like, ‘Yeah, I love it!’ And he said, ‘You should be doing stuff like this.’ And I'm like, ‘Really?’ So that went on all night. I got back the next day and he'd made up drum loops and bits that were kind of similar to this kind of music. Then I went away on tour and turned them into songs. Then we kept doing that, I kept going back to Belfast and doing that.
“If I'd had two years off, or after a tour and I'd written a load of songs, I'd be like, ‘Well, I like these songs, and I've written these.’ So because the two things are running concurrently, I was like, ‘Well, I've got this tour, but I can devote a bit of time to this and see where it goes’.”
“I would have been first to go, "You know, I don't think it sounds like me, I'm not having it. Funnily enough, all the tracks on the album sound like my record collection. And there were times when I was kicking the songs into shape, and David would say, ‘The verses are great, but the chorus, just sounds like Oasis!’
“And I'm like, ‘Yeah, I know, brilliant, isn't it!’ And he said, "Yeah, but we've all heard that for the last 25 years, do something different.’ And there was a long process of, (a) me accepting what he was saying, (b) me thinking to myself, ‘But am I capable of anything different?’”
Noel Gallagher On Working With David Holmes On 'Who Built The Moon?'
Noel Gallagher was speaking to Chris Moyles on Radio X in an interview that was broadcast this morning, about working with producer David Holmes on 'Who Built The Moon?'.
“I’d met David Holmes maybe a year before, and I was a fan of his and I've got all his records and soundtracks that he does. I called him, I said, ‘D’you fancy coming and getting involved with this record?’ He flew over from Belfast, I played him the tracks, and he said, ‘Hmm, they all sound finished to me.’ I said, ‘But I've only just started, these are just demos!’ And he said, ‘No, no, no, they're great, but they're finished. I can't get involved in it, it's gone too far!’
He said, "But if you wanna make a record, come to my studio in Belfast, and we'll do one.’ I said, Well, okay, I've got two or three weeks off here and there.’ He said, ‘Well, just come in the breaks! Don't bring any songs, just bring a guitar and a bag of effects pedals, and we'll write in the studio.’
“I’ve never done that, ever. I always thought people were maniacs for doing it, because it just takes years - it’s taken years to make this record. So I go to Belfast, and the first night we sit and drink and play records. He's an amazing DJ, he's got this room with thousands and millions of records everywhere, and he was pulling out French psychedelic pop and German disco and this, that and the other – all this crazy stuff.
‘He said, ‘What d'you think of this?’ I'm, like, ‘Yeah, I love it!’ And he said, ‘You should be doing stuff like this.’ And I'm like, ‘Really?’ So that went on all night. I got back the next day and he'd made up drum loops and bits that were kind of similar to this kind of music. Then I went away on tour and turned them into songs. Then we kept doing that, I kept going back to Belfast and doing that.
“If I'd had two years off, or after a tour and I'd written a load of songs, I'd be like, ‘Well, I like these songs, and I've written these.’ So because the two things are running concurrently, I was like, ‘Well, I've got this tour, but I can devote a bit of time to this and see where it goes’.”
“I would have been first to go, "You know, I don't think it sounds like me, I'm not having it. Funnily enough, all the tracks on the album sound like my record collection. And there were times when I was kicking the songs into shape, and David would say, ‘The verses are great, but the chorus, just sounds like Oasis!’
“And I'm like, ‘Yeah, I know, brilliant, isn't it!’ And he said, "Yeah, but we've all heard that for the last 25 years, do something different.’ And there was a long process of, (a) me accepting what he was saying, (b) me thinking to myself, ‘But am I capable of anything different?’”
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