On This Day In Oasis History...

"All Around the World" is a song by British rock band Oasis. Released on 12 January 1998, the track peaked at Number 1 in the UK Singles Chart; it is the longest single ever to do so. It went Silver in the UK.

"All Around the World", nearly ten minutes long, is embellished with string and horn pieces, and is followed by a two-minute-long instrumental, "All Around the World (Reprise)". Upon its release the reviews were generally positive. It is in keeping with many Oasis songs, such as "Whatever", "Acquiesce", "Live Forever" in that it preaches the belief that "it's gonna be okay". It also features a backing vocal in the coda remarkably similar to the corresponding section in The Beatles' song "Hey Jude".

History

The song was one of the first to be written by Noel, and there are recorded sessions of the band rehearsing it at the Boardwalk club as early as 1992. However, despite Noel's fondness for the song, it did not appear on their first two albums, Definitely Maybe and (What's the Story) Morning Glory?, as he wanted to wait until the band could afford to produce the song in the extravagant manner in which it was to eventually appear. From time to time, Gallagher has claimed that this is one of the best songs he has ever written.

As early as Spring 1994, the final production sound for this song was envisaged. On the interview Wibbling Rivalry, Noel Gallagher said of the song, "With Supersonic, I worried I was never going to write another song after that 'cos I thought, 'It sounds that good'... Two days later I superseded it by about 50 fuckin' times. The reason we haven't recorded that song is because there isn't enough money in Creation Records' bank balance to pay for the production of that record. When we do that record..." Noel also added when asked if there would be an orchestra on it, "Orchestras, man? It's not got to be one, it's got to be two".

Video



Keeping with the feel of the song, the video was also a lavish affair. Featuring the band in a yellow spaceship, the animated piece saw them travel through a world akin to The Beatles' Yellow Submarine film. The video was directed by Jonathan Dayton and Valerie Faris and apparently took 24 computer animators 6 months to make. The video itself is not as long as the song, lasting just over seven minutes. The part of the song that was cut out is mostly towards the end.

Description

Noel described the song shortly before the release of the album- "I wrote this one ages ago, before Whatever. It was twelve minutes long then. It was a matter of being able to afford to record it. But now we can get away with the 36-piece orchestra. And the longer the better as far as I'm concerned. If it's good. I can see what people are going to say, but fuck 'em, basically."

"The lyrics are teeny-poppy. But there are three key changes towards the end. Imagine how much better Hey Jude would have been with three key changes towards the end. I like the ambition of it, all that time ago. What was all that about when we didn't even have our first single out? Gin and tonics, eh?"

B-Sides

The B-Sides of "All Around the World" were two Noel sung songs, The Fame and Flashbax. Oasis also recorded a cover version of a Rolling Stones song, "Street Fighting Man".

Trivia

When it was suggested that Oasis take legal action against pop band Hear'Say for their first single's ("Pure and Simple") uncanny similarity to "All Around the World", Noel simply laughed at the hypocrisy of such an act from a man who was famous for "borrowing" from other artists.

The harmonica pieces on the track were performed by Mark Feltham. Noel and Liam's then wives, Meg Mathews and Patsy Kensit and The Verve's front man Richard Ashcroft sang backing vocals.

Portions of the song's chorus were used as background music for AT&T's advertising campaign for "The New" AT&T.

The photograph on the front of the single was taken on Bournemouth beach in Dorset, England.

Track listing

CD CRESCD 282
"All Around the World" - 9:38
"The Fame" - 4:35
"Flashbax" - 5:07
"Street Fighting Man" - 3:54

7" CRE 282
"All Around the World (Edit)"
"The Fame" - 4:35

12" CRE 282T
"All Around the World" - 9:38
"The Fame" - 4:35
"Flashbax" - 5:07

Cassette CRECS 282
"All Around the World (Edit)"
"The Fame" - 4:35

This was the last Oasis single to be released on the Creation Records label.

This was the last Oasis single to include 3 b-sides on the CD version.

Pretty Green Presents Eddie Piller - Gary Crowley Interview

Pretty Green Presents Gary Crowley interviewing Eddie Piller at the Pretty Green Club Night on the 26th November 2010 at The Garage, London.

Eddie Piller started his career in the 1980's as a DJ and concert promoter amongst the English mod revival. Eddie went on to success with his own record label and continues to be influential as a live DJ on the radio and public appearances.

Gary explores Eddies career as a DJ and the records which can be found on his setlist. Eddie also discusses his connection to Pretty Green, his own style icons and what makes Pretty Green unique.

Source: www.prettygreen.com

Liam Gallagher Speaks To Real Radio

Liam Gallagher spoke to Real Radio’s Corrie Martin about fashion, music and why he has no regrets about his broken relationship with brother Noel.

He was in Scotland for the official opening of his clothing store, Pretty Green, in Glasgow.

Liam spent two hours meeting fans who’d queued in sub-zero temperatures to meet their idol, and gave us the lowdown on new band Beady Eye.

Listen to the interview here.

Source: www.realradio-scotland.co.uk

Watch The Video For Beady Eye's 'The Roller' Now!

Watch the video for ‘The Roller’ NOW!

The band recorded the film in sub zero temperatures in Cambridgeshire in December performing in a ‘Motorcycle Wall of Death’, one of only two in the country, complete with motorcycle stunt riders.

Miles Kane On Beady Eye's 'Bring The Light'

Bring The Light by Beady Eye

"After hearing this, I just want the album. It’s just having it, rock’*’roll style. It’s just what the world needs: to get back a bit of balls".

Beady Eye Announce UK Support

Beady Eye have announced Miles Kane as the support for their forthcoming six sold-out dates in the UK.

Miles - who previously played in The Last Shadow Puppets with Arctic Monkey's Alex Turner - has been working on his solo album which is due for release later in the year.

Miles Kane will be supporting Beady Eye at the following gigs:

3rd March - Glasgow Barrowland
4th March - Glasgow Barrowland
6th March - Manchester O2 Apollo
7th March - Manchester O2 Apollo
9th March - London Troxy
10th March - London Troxy

CLICK HERE to listen to Miles new single ‘Come Closer’ from his debut solo album due for release on February 21st 2011.

Source: www.prettygreen.com

Watch Beady Eye's Video For 'The Roller' At Midnight

The video for ‘The Roller’ will be premiered in the UK on Channel 4 at 12:10 tonight (local time) on the 10th January, and promises daredevil stunts.

The band recorded the film in sub zero temperatures in Cambridgeshire in December performing in a ‘Motorcycle Wall of Death’, one of only two in the country, complete with motorcycle stunt riders.

After the Channel Four premiere fans can watch the video at the band's YouTube channel HERE!

Liam Gallagher Not Looking Back In Anger

Amid cardboard boxes of clothes, marked “dog-tooth”, “grandpa”, “paisley”, “cobalt blood” and “patch pocket”, two sharp-dressed shop assistants in traditional mod gear debate with a security guard in gangster black what to do about the broken toilet.

It could be a scene from Are You Being Served: the big boss is on his way from London.

Outside Liam Gallagher’s plush new Pretty Green store on Glasgow’s Ingram Street, sharply-dressed Glaswegians mix with photographers and tabloid journalists, all keen to catch a glimpse of arguably the last great British rock star. Liam Gallagher looks remarkably unchanged from his early swaggering days with Oasis when their potential was first spotted here by Creation Records boss Alan McGee in the early 1990s. Gallagher’s determined character and black and white view of the world are undoubtedly behind the loyalty he inspires in those gathered here today. He is meticulous about every detail of his clothing business – whom he employs, the quality of cloth and even the layout of the store. Although the shop in Glasgow has only been open a month, there’s already a steady community building up around the place, with one fan today proudly sporting a straight-from-the-parlour Pretty Green tattoo, as a mark of his gratitude that he no longer has to trawl secondhand clothes emporiums for retro clobber. There might be a global recession, and indie record shops are falling like dominoes in an earthquake, but you wouldn’t know it here.

When Liam Gallagher finally arrives to greet the hordes, buses and black cabs grind to a halt. “Rock ’n’ roll stops the traffic,” shouts one gruff thirty-something male at the back.

The rock ’n’ roll clothes-horse could wear just about anything his eye directs him to and pull it off. Today it’s an Alex “Hurricane” Higgins trilby, with khaki parka. Recently he managed to get away with a Rod Stewart leopard-print jacket. For his generation there’s something of the (George) Bestie factor in his style.

Gallagher is undoubtedly at home in Glasgow. He returns for two Barrowland gigs in March, his first post-Oasis outing with new group Beady Eye: “I’m into Scotland in general; the people don’t take themselves too seriously. We were always going to open a shop in Glasgow, it makes sense. The connection goes back a long way with McGee and King Tut’s for the Barrowlands gigs and all that, but it’s the people.

“It’s the same as Manchester: it’s a great football city, the people are into proper clothes and music, which is what it’s all about. All of those things connect with me. It’s the same with the gigs; the fans bring something to the table. After Oasis split, things could have got bitter. I’m not about sitting around doing that and Pretty Green kept me in touch with people.”

After a final argument backstage in August 2009 the credits rolled on one of rock’n’roll’s longest running soap operas for good. Noel Gallagher walked out, dissolving Oasis after fifteen years in the public eye.

“Everyone knows I’ve got the a*** with our kid, and he’s playing the good guy card. That’s fine, but I’ll say what I want to say. I’m not looking back in anger but I’m not going to shut my mouth either. We were never The Waltons; we didn’t go for long strolls together; you know what I mean?

“The old days are lodged in my mind, my soul and my blood. I wish it hadn’t happened but it has and it’s done, time to move on; no one’s dead. It’s Beady Eye now and we are putting as much, if not more, into this band than we did Oasis.

“The rehearsals have been rocking man; there’s been a lot of energy and spirit around the place.”

Forthcoming single The Roller sounds like the starry-eyed ghosts of Ronnie Lane and John Lennon strumming in a pastoral 1970s country pile. Bring The Light and opener Four Letter Word from their debut Different Gear, Still Speeding both retain the exigency of typical Oasis, but there is also a defiant shift.

“Wigwam was the hardest in the studio; it was three different tracks stuck together. We started out tuning into that tight Small Faces vibe, but by the end it goes right into an I Am The Resurrection jam; it’s different, man.

“Steve Lillywhite threw his hat into the ring early on, and he’s produced a load of great bands. He brought in energy, but we had just come off tour with Oasis so it wasn’t like we had forgotten what to do.

“Andy Bell is back on guitar and on fire. He’s been set free, it’s a proper band, it’s not Liam Gallagher solo. It’s the first time Chris (Sharrock) has played on a record with us, and they are all great musicians and writers. I’m getting there as a songwriter: I’m not Morrissey or Oscar Wilde but its proper rock ’n’ roll.

“It’s not that they were prisoners before, because Oasis was a great band, but it was Noel that rubber-stamped everything.”

Gallagher bangs his fist down on the table to make the point clear. “I’m feeling these songs like I felt in Oasis. I can sing other songs, my brother doesn’t have to have written them! With Beady Eye it’s been all of us grafting together, all of us pulling our weight.”

This year Pretty Green will continue to launch retail outlets throughout the UK, Europe and Asia as Beady Eye tour Europe. Gallagher’s own production company is also currently developing The Longest Cocktail Party feature film, chronicling the story behind The Beatles Apple Corps. There remains an urgency and concentration in Gallagher’s eyes and he retains steadfast self-belief. While in Oasis he referenced his violent father as an inspiration. Each time we have met he refers to “the days of no worries” – childhood holidays in his mother’s hometown of County Mayo or the teenage tearaway Saturday afternoons watching Manchester City with his mates. He shrugs off a rag trade Drapers Award for Pretty Green with a flippant “no-one’s cured cancer”. Whether it’s his father, his brother, his critics or his past, the competition remains close – and William John Paul Gallagher is determined to be a contender.

Different Gear, Still Speeding is released on February 28. Beady Eye play Glasgow Barrowland on March 3 and 4.

Source: www.heraldscotland.com