Showing posts with label Andrew Wyatt. Show all posts
Showing posts with label Andrew Wyatt. Show all posts

Liam Gallagher Is Working With Andrew Wyatt In Los Angeles

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Last week Liam Gallagher posted on Twitter he was going to start work on his follow up to his debut album 'As You Were'

Click here to see a short video of Liam Gallagher posted by producer Andrew Wyatt in Los Angeles yesterday.

In February he told the NME that his second solo album will be "a bit more up-tempo, a bit more in-yer-face. Less apologetic. I’d love to do a proper out-and-out punk rock album – a bit Pistols, a bit Stooges. I can do that gear; I can definitely sing ’em. Some of the sing-y songs are a bit of a struggle when I do ’em live. But the lippy ones I can do all day long. The ones where you spit ’em out. You’re not necessarily singing, you’re just fucking screaming and shouting. I’m all for that".

On his plans for 2018 he said "Hopefully the same, man. I guess the pressure is off a little bit. The last year was mega, so hopefully we can just go in and do some festivals, get in the studio and do a little more – but it will be less pressure".

Liam Gallagher On Working With Collaborators On 'As You Were'

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Liam Gallagher has spoken to the current issue of Nylon Magazine about working with collaborators on As You Were?

When asked "This is the first time you worked with people other than your old bandmates. What was it that clicked between you and your collaborators on As You Were?"

He said "I wrote “Bold” and “When I’m in Need” and got signed [to Warner Bros. Records] off those two. The record company asked if I had any more songs and I said, “No, I don’t know if I’m ready for a record yet,” and they suggested working with writers, which I agreed to as long as it wasn’t stupid. I met Greg Kurstin and Andrew Wyatt for the first time in L.A., had a cup of tea and a chat about where we were going. I showed them the style I was doing, they got it right away, and we started. I’d be telling lies if I [said I wasn’t] a bit nervous, but within half an hour, it was like I’d known them for years. It was easy—no egos, we just got on with it. We made “Wall of Glass” in a day, “Paper Crown” in a day, “Come Back to Me” in a day. I went back to England and wrote more and it wasn’t a struggle to do this solo thing. As soon as I sang, it felt normal".

Andrew Wyatt On Working With Liam Gallagher

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Taken from an interview with Andrew Wyatt for billboard.com, read the full article here.

You’re used to working behind the scenes on a variety of very high profile projects like Melodrama or the Liam Gallagher stuff. What’s that like? Are you sworn to secrecy beforehand? 

Well, until things are out you never want to tell anybody you’re working on anything because there’s always a chance that it’s not gonna come out. I don’t usually run around and tell people that I’m doing a project until I’m absolutely sure it’s being mastered and sent to radio stations. I try to just not reveal anything before it’s done. It’s a very dynamic business, especially now.

Let’s say you think of an idea, melody, concept, whatever. How do you know what project it would be for, whether for Miike Snow, Lorde, Liam, or LIV (your project with Lykke Li)?

That’s an interesting question because I have never been the kind of writer who can pitch a song for an artist. It just has never worked for me. What usually happens is that I’m friends with the person or they’ll ask me to come in and I get a sense of them and we have some kind of rapport. And then when I’m going about my day elsewhere, something will jump to mind and I’ll think, “Oh, that’s a great chord progression for Florence (and the Machine), or this is a great song for Liam (Gallagher).” Whatever melody or thoughts come into my mind I’m always thinking about who it’d work with. You need that rapport with an artist though, because there’s so much you can pick up from meeting a person and hanging out with them a little while that you can’t get otherwise... at least I can’t. There are other people who are great at that, going in and saying, “Oh, I’m going to make a song for Beyonce” and write it and it all works.

Liam Gallagher’s record is coming out in the fall and I know you worked a lot on it. What can we expect?

The lead single, “Wall of Glass” which I wrote with Liam and Greg Kurstin, is already out and I think it’s doing pretty well in the UK, which I’m excited about. I’m really excited about the record; there’s a lot of good songs on there. Some songs I wrote, some I wrote and produced, some I co-wrote, and a bunch of them are from a writer signed to my publishing company who’d sent me some ideas that I turned into some songs.

Source: www.billboard.com
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