Liam Gallagher on Noel, Greg Kurstin, Oasis, Beady Eye, The Stone Roses and more.
Showing posts with label Greg Kurstin. Show all posts
Showing posts with label Greg Kurstin. Show all posts
Greg Kurstin
Liam Gallagher
Noel Gallagher
Oasis
The Stone Roses
Liam Gallagher on Noel, Greg Kurstin, Oasis, Beady Eye, The Stone Roses and more.
Liam Gallagher On Noel, Greg Kurstin, Oasis, Beady Eye, The Stone Roses And More
Liam Gallagher on Noel, Greg Kurstin, Oasis, Beady Eye, The Stone Roses and more.
Beck
Foo Fighters
Greg Kurstin
Liam Gallagher
Greg Kurstin has won 'Producer Of The Year' (Non-Classical) at the Grammys 2018. Nominated for the Foo Fighters’ “Concrete And Gold,” Beck’s “Dear Life,” along with tracks by Liam Gallagher.
Kurstin backstage after his win. “I feel so fortunate that I get to work with artists I really truly love.”
The Producer of the Year prize was awarded during the pre-telecast Grammy Premiere ceremony.
Greg Kurstin Wins 'Producer Of The Year' At The Grammys 2018
Greg Kurstin has won 'Producer Of The Year' (Non-Classical) at the Grammys 2018. Nominated for the Foo Fighters’ “Concrete And Gold,” Beck’s “Dear Life,” along with tracks by Liam Gallagher.
Kurstin backstage after his win. “I feel so fortunate that I get to work with artists I really truly love.”
The Producer of the Year prize was awarded during the pre-telecast Grammy Premiere ceremony.
David Bowie
Greg Kurstin
Liam Gallagher
Oasis
The Rolling Stones
Taken from a interview with Greg Kurstin who talks about working with Liam Gallagher, read the full article here.
For the Oasis singer’s solo debut, Kurstin worked on four songs — “Wall of Glass,” “Bold,” “Paper Crown,” and “Come Back to Me” — and flexed some new production muscles in the process. “[Liam] was referencing things that I love but haven’t gotten a chance to do before on a recording — earlier Stones and Bowie and stuff like that,” Kurstin says. “It was really fun for me to break out that gear in my studio and just try to get the raunchiest sounds I possibly could. I would pound on the drums and he would cheer me on. That fired me up to make the tracks aggressive and loud and to get the dirtiest, loudest sounds I could.”
And Kurstin says he and his fellow collaborator, Miike Snow’s Andrew Wyatt, had a breeze working with the notoriously cantankerous Gallagher. “He seemed into the sounds I was adding, so that got me really comfortable,” Kurstin explains. “He can be really funny, just telling stories, and then he gets on the microphone and he sings and he’s got that amazing voice. I had such a great experience with him.”
Source: ew.com
Greg Kurstin On Working With Liam Gallagher
Taken from a interview with Greg Kurstin who talks about working with Liam Gallagher, read the full article here.
For the Oasis singer’s solo debut, Kurstin worked on four songs — “Wall of Glass,” “Bold,” “Paper Crown,” and “Come Back to Me” — and flexed some new production muscles in the process. “[Liam] was referencing things that I love but haven’t gotten a chance to do before on a recording — earlier Stones and Bowie and stuff like that,” Kurstin says. “It was really fun for me to break out that gear in my studio and just try to get the raunchiest sounds I possibly could. I would pound on the drums and he would cheer me on. That fired me up to make the tracks aggressive and loud and to get the dirtiest, loudest sounds I could.”
And Kurstin says he and his fellow collaborator, Miike Snow’s Andrew Wyatt, had a breeze working with the notoriously cantankerous Gallagher. “He seemed into the sounds I was adding, so that got me really comfortable,” Kurstin explains. “He can be really funny, just telling stories, and then he gets on the microphone and he sings and he’s got that amazing voice. I had such a great experience with him.”
Source: ew.com
Andrew Wyatt
Greg Kurstin
Liam Gallagher
Liam Gallagher has spoken to the current issue of Nylon Magazine about working with collaborators on As You Were?
When asked "This is the first time you worked with people other than your old bandmates. What was it that clicked between you and your collaborators on As You Were?"
He said "I wrote “Bold” and “When I’m in Need” and got signed [to Warner Bros. Records] off those two. The record company asked if I had any more songs and I said, “No, I don’t know if I’m ready for a record yet,” and they suggested working with writers, which I agreed to as long as it wasn’t stupid. I met Greg Kurstin and Andrew Wyatt for the first time in L.A., had a cup of tea and a chat about where we were going. I showed them the style I was doing, they got it right away, and we started. I’d be telling lies if I [said I wasn’t] a bit nervous, but within half an hour, it was like I’d known them for years. It was easy—no egos, we just got on with it. We made “Wall of Glass” in a day, “Paper Crown” in a day, “Come Back to Me” in a day. I went back to England and wrote more and it wasn’t a struggle to do this solo thing. As soon as I sang, it felt normal".
Liam Gallagher On Working With Collaborators On 'As You Were'
Liam Gallagher has spoken to the current issue of Nylon Magazine about working with collaborators on As You Were?
When asked "This is the first time you worked with people other than your old bandmates. What was it that clicked between you and your collaborators on As You Were?"
He said "I wrote “Bold” and “When I’m in Need” and got signed [to Warner Bros. Records] off those two. The record company asked if I had any more songs and I said, “No, I don’t know if I’m ready for a record yet,” and they suggested working with writers, which I agreed to as long as it wasn’t stupid. I met Greg Kurstin and Andrew Wyatt for the first time in L.A., had a cup of tea and a chat about where we were going. I showed them the style I was doing, they got it right away, and we started. I’d be telling lies if I [said I wasn’t] a bit nervous, but within half an hour, it was like I’d known them for years. It was easy—no egos, we just got on with it. We made “Wall of Glass” in a day, “Paper Crown” in a day, “Come Back to Me” in a day. I went back to England and wrote more and it wasn’t a struggle to do this solo thing. As soon as I sang, it felt normal".
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