Showing posts with label Brian Cannon. Show all posts
Showing posts with label Brian Cannon. Show all posts

Microdot - The 90s' Official Exhibition Promo Print Is Now On Sale

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'Microdot - The 90s' Official exhibition promo print.

Limited to 200 copies.

A2 (42 x 59cm, 16 x 24 inches) print.

Beautifully printed in the North of England onto 250 gsm silk art stock.

Each print embossed and personally signed by Microdot founder Brian Cannon.

The jacket was worn by Liam on the 'Roll With It' single cover, on the amplifier is a book from the back sleeve of the 'D'You Know What I Mean?' single and some early Verve demo tapes.

Click here for a closer look and at many more items.


Brian Cannon On His Life, Working With Oasis And More

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In the sixth episode of series two, Clint Boon speaks to graphic designer, art director, photographer and creator of some of the most iconic album covers ever, Brian Cannon.

Brian chats to Clint about growing up in Wigan, how the Punk revolution made him want to work in the music industry, designing album artwork whilst still at college and working with bands including The Verve, Suede and Super Furry Animals. He also describes how a chance encounter with a young Noel Gallagher in a lift, and a conversation about rare Adidas trainers, lead him to getting caught up in the Oasis buzz.

Click here to listen to the interview, it's also available on iTunes and Spotify.

A New Exhibition Opens In Harrogate Today Featuring Work By Brian Cannon And Gareth Halliday

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To mark the 21st anniversary of Oasis album Be Here Now we are delighted to present a collection of rare prints and photography by Brian Cannon, the artist responsible for designing the band’s first three classic album covers.

The legendary Be Here Now cover session was shot at Stocks House, Hertfordshire (formerly home to Playboy executive Victor Lownes) and is an homage to rock ‘n’ roll excess.

Cannon: “You can’t just turn up at a hotel and put a Rolls Royce in a swimming pool for nothing. The mad thing about that sleeve is it looks photoshopped, because the Rolls Royce looks too small. In actual fact, that Rolls Royce really is in that pool – it took us two days to put it in. We could have photoshopped it, but it was the creative thing, that’s what turned me on. If you see some of the outtakes, it looks amazing, it looks serene, like it’s drowning.”

On its first day of release, Be Here Now sold over 424,000 copies, at that time becoming the fastest-selling album in British chart history. It was the biggest selling album of the year in the UK with 1.47 million units sold, and by 2008 had sold eight million copies worldwide.

Cannon, who founded design company Microdot in 1990 had previously worked on Oasis’ first two albums as well as various projects with The Verve and Super Furry Animals, following the lineage of Sir Peter Blake and Peter Saville, elevating the record sleeve to an art form.

These rare works feature alongside a series of new prints by Gareth Halliday; the artist commissioned to create the artwork for Noel Gallagher’s High Flying Birds album Who Built The Moon. Gallagher collaborated with electronic musician and composer David Holmes, with Halliday responding to each track and the expansive, psychedelic themes explored on the record.

Halliday: “It was the otherworldly quality of the instrumental arrangements as much as the lyrics, I felt I was creating imagery for a film soundtrack. I wanted the images to be positive, hedonistic, escapist perhaps, like the music, but with a dark undercurrent.”

Classic prints by Astrid Kirchherr, Peter Blake, Storm Thorgeson, Gered Mankowitz, Pete McKee, Horace Panter, Ian Skelly, Morgan Howell and Thomas James Butler will also be on display, with all works available to view and purchase at the gallery or online.

RedHouse Originals Gallery, 15 Cheltenham Mount, Harrogate HG1 1DW

Date: 21st August - 22nd September 2018





On This Day In Oasis History...

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On April 27th 1996 Oasis played the first night at Maine Road it was the first time the band had ever headlined a stadium.

An estimated 80,000 people attended the both gigs, support acts for the shows included Manic Street Preachers and Ocean Colour Scene.



Fifty one trucks were used to deliver the equipment to stage Oasis' concerts at Maine Road in April 1996.

A giant shipyard crane was used to safely carry it over the football pitch as the club had a game against Liverpool the following weekend.

Brian Cannon had the idea to have images on the big screen of John Lennon, Sid Vicious and more during 'Live Forever' at Oasis' Maine Roadconcerts.

He told the NME “Even Liam didn’t know it was going to happen, that’s why he looks amazed when he turns round and sees Lennon.”

Liam Gallagher speaking in 2017 on playing Maine Road with Oasis.

"To play at the ground of the football club you’ve supported all your life is without doubt the icing on the cake. It’s downhill after that even Knebworth doesn’t come close".

Liam Gallagher on the Umbro top he wore at Oasis' Maine Road concerts

"I went backstage there was some player’s fucking Umbro gear just sitting there and I thought, ‘I’m having a bit of that’, tried it on, fucking freebie innit and, and I fucking pinched it and fucking wore it".

Ever wondered why Boneheads wasn't on the tickets for Oasis' concerts atMaine Road in April 1996, he point blank refused to be in them as he is a Manchester United fan.

Watch A Documentary On Oasis' 'Don't Look Back In Anger'

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Great (English) interviews from Noel, Craig Gill, Brian Cannon and John Robb plus classic band/gig footage in this excellent Swedish documentary, SVT’s "History Of The Hit- Don’t Look Back In Anger".

Click here to watch the video.

Win A Pair Of Tickets To A Private View Of The Oasis Manchester Exhibition!

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We are offering fans the chance to win a pair of tickets to a private view of the exhibition at Old Granada Studios on Friday 14th October from 7.30pm to 9.30pm which includes a Q&A with original Oasis artwork designer Brian Cannon. Winners will receive a place for themselves and a guest and an exhibition poster and badges.

Curated by renowned photographer Lawrence Watson, Chasing The Sun 1993-1997 debuted in London in 2014, attracting over 40,000 visitors in 10 days and receiving plaudits from both press and fans. The exhibition then toured to Tokyo, and now, with the Manchester edition, the show comes home to where the story of Oasis began.

Click here to enter.

Brian Cannon On Working With Oasis, Verve And More

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Below is an interview with Brian Cannon who talks about working with Oasis, Verve and more.


Check out the current collection and offers from Pretty Green here.

Pretty Green's Manchester Store Hosts Britpop Exhibition

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An Exhibition Of Classic British Record Covers From The 1990s Is To Open At Oasis Star Liam Gallagher's Clothes Store.

The collection of work by photographer Brian Cannon, encompassing the era dubbed 'Britpop', will go on display at a branch of Pretty Green in Manchester, England from Friday (16Oct15).

It will feature the iconic covers that adorned the first two Oasis albums, as well as other well-known rock artwork from the era, including Suede single So Young and the band's album Dog Man Star, Super Furry Animals' first album Fuzzy Logic, and 1977, the debut disc from Ash.

Other Oasis covers in the exhibition include those for their singles All Around the World, Stand By Me, Cigarettes & Alcohol, and Some Might Say, which featured Cannon's parents in the image.

Speaking at the launch, Cannon recalled working with Oasis as they were on the cusp of superstardom, telling the Manchester Evening News, "Nobody knew who they were back then but I think they genuinely did believe that they were something else, that they would be stratospherically big.

"Quality doesn't always guarantee success but they were just brilliant. They really were something else. I just felt it and I thought it would be a travesty if they didn't make it big...

"Don't believe everything you read about them. They were very enthusiastic and totally into it - not just the music but the artwork itself as well. I would have creative meetings with (guitarist) Noel (Gallagher), I'd give him some pointers and he'd come back with some ideas. I got him and he got me. Nothing ever got rejected or re-shot."

The exhibition, which will also feature other rarities including unseen photographs and several handwritten notes from The Verve rocker Richard Ashcroft, runs until the end of October (15).

Source: www.contactmusic.com

Check out the current collection and offers from Pretty Green here.

Oasis – The Stories Behind Their Cryptic Album And Single Sleeve Art

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What's the first thing you think of when you think of Oasis? No, apart from drugs and fighting. No, not Knebworth or Britpop or massive ’90s anthems or slagging off other acts or whatever else you're thinking. Yes, that's right, classic record sleeves.

Oasis covers, often designed by Brian Cannon's Microdot, were amongst the most striking of the past 20 years, full of clues, red herrings and tributes to a certain Liverpudlian band of yore – and always with a colourful story attached.

Click here to see 15 of the best.

Source: www.nme.com

Check out the current collection and offers from Pretty Green here.

Oasis '(What's The Story) Morning Glory?' Box Set Revealed

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Big Brother Recordings have revealed the contents of the Super Deluxe Box Set of (What's The Story) Morning Glory?, the second in the new Oasis: Chasing The Sunseries following May's release of Definitely Maybe, which charted in the U.K. at No.5. The Super Deluxe Box Set, released on September 30th and available for pre-order here, will be packaged in a large gift box and will include:

Coffee Table Book containing rare and unseen photos

Replica of the original promo cassette including Step Out, which was removed before release

7 inch vinyl A: Hello (Demo) B: She's Electric (Demo), Hello is exclusive to box set
12 inch vinyl replica of original 1995 industry promo A: Cum on Feel The Noize B: Champagne Supernova (Lynch Mob Beats Remix)

Roll With It Cigarette Papers, a replica of the original 1995 promo item

180 gram Double 12 inch Vinyl in gatefold sleeve

Deluxe 3 x CD Album

Set of 3 Postcards & 12 x 12 inch Art Print

All pre orders of the Super Deluxe Box set via www.Oasisinet.com come with a replica of the original Some Might Say 12" featuring B sides Talk Tonight and Acquiesce(Remastered).

All pre orders of the Super Deluxe Box set via www.Oasisinet.com come with a replica of the original Some Might Say 12" featuring B sides Talk Tonight and Acquiesce(Remastered).

(What's The Story) Morning Glory? will also be available on CD, Special Edition 3 x CD, and 12" vinyl LP from September 30th.

SUPER DELUXE BOXSET CONTENTS

FURTHER DETAILS:

Collectors Coffee Table Book

This beautiful 56 page hardback book contains rare and unseen photographs documenting the (What's The Story) Morning Glory? period by Stefan de Batselier, Brian Cannon, Kevin Cummings, Grant Fleming, Jill Furmanovsky, Owen Morris, Tom Sheehan - plus private photos taken by the inner circle.  Original artwork designer Brian Cannon explains the story behind each single cover art and sleeve notes are written by Neil McCormick.

7 inch Vinyl

This 7 inch vinyl includes demos of Hello and She's Electric, both of which were recorded in Definitely Maybe producer Mark Coyle's studio. The Hello (Demo) track is exclusive to the box set.

12 inch Vinyl

This 12 inch vinyl is a replica of the original promotional 12 inch, sent to industry contacts as a promotional item in 1995.  Tracklisting features A side Cum on Feel The Noize and B side Champagne Supernova (Lynch Mob Beats Remix), which has never been commercially available.

Cassette

Exact replica of the original promotional copy of (What's The Story) Morning Glory?  This rare cassette, only sent out to industry contacts, has never been commercially available. It includes Step Out, which was removed from the album prior to its release

Roll With It Cigarette Papers

These rolling papers were an original 1995 promotional item. They have been replicated solely for the box set and feature the lyrics for Roll With It printed on the back.

180 Gram Double 12 Inch Vinyl In Gatefold Sleeve

Heavyweight vinyl of (What's The Story) Morning Glory? album, meticulously remastered from the original 1995 half inch tapes.  Includes download code for B sides, plus unreleased and rare tracks including demos and live recordings.

Deluxe 3 x CD Album

(What's The Story) Morning Glory? Deluxe CD, meticulously remastered with B sides, plus unreleased and rare tracks including demos and live recordings.

Postcards & Art Card Set

3 photograph postcards and a 12 x 12 inch art card.














Source: www.oasisinet.com

Check out the current collection and offers from Pretty Green here.

Win A Super Deluxe 'Definitely Maybe' Boxset

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Oasis have two Super Deluxe 'Definitely Maybe' Boxsets, signed by the original designer Brian Cannon to give away.

Click here to enter.

Check out the current collection and offers from Pretty Green here.

Brian Cannon Talks Oasis, The Verve And More...

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Click here to read an interview with Brian Cannon who talks about Oasis, The Verve, The Stone Roses, trainers and more!

Check out the current collection and offers from Pretty Green here

Win Signed And Framed Oasis Artwork!

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Pre-order any of the remastered 'Definitely Maybe' formats and you could win a signed & framed album art running sheet signed by original artwork designer Brian Cannon!

- The Special Edition 3CD set includes all the B-sides plus rare and unreleased Oasis tracks from the Definitely Maybe era, including their huge Christmas single from 1994, Whatever.

- The LP is manufactured on heavyweight vinyl and contains a high quality MP3 download code including ALL the bonus content featured on the Special Edition CD (volumes 1, 2 and 3).

- The limited edition box set comes packaged in a deluxe box with magnetic closure lid, and includes includes both the three CD set and vinyl edition of the album as well as a stunning 56 page hard backed coffee table book with exclusive photographs from a number of the photographers who documented the group's early days as well as never before seen behind the scenes photographs taken by some of those closest to the band. The book also includes extensive sleeve notes from respected music critic Neil McCormick. Additional content includes a 12" x 12" print, exclusive tote bag, enamel key ring, badge set and a set of 5 postcards with exclusive images from the period.

Click here for all the bundles.

Check out the current collection and offers from Pretty Green here.

Video Of Oasis' 'Chasing The Sun: Oasis 1993 To 1997' Exhibition

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An exhibition celebrating 20 years of British band Oasis has opened in London. Called "Chasing The Sun: Oasis 1993 to 1997," the exhibition looks back at the history of the Manchester band who shot to fame in the mid 90s.

The “Chasing the Sun” exhibition features artifacts, clothing, rare photographs, memorabilia and musical instruments.

There's also a life-size replica of the room featured on the cover of the "Definitely Maybe" album.

Also on display is early album artwork designed by Brian Cannon.



"I was a massive fan, which obviously always helps. And it was crazy times," Cannon said. "Funnily enough the closer you got to the epicentre of it all the normal it became because they're very down-to-earth grounded people. So whilst everybody else is going bonkers the inner circle was very chilled out really."

The opening of the exhibition coincides with the 20th anniversary of their debut single "Supersonic" released on April 11th, 1994. It also marks the re-release of "Definitely Maybe" on May 19th.

"Well you know it's marvellous isn't it, that 20 years after the band's still so relevant really, and still have the same impact and still mean so much to so many people, it's madness," Cannon said.

Formed by brothers Liam and Noel Gallagher, Oasis shot to fame in the mid 90s and became one of the leaders in what was coined the Brit Pop movement.

Oasis went on to become one of the biggest British bands, enjoying a successful career always marred by the turbulent relationship between the two brothers.

"Chasing The Sun: Oasis 1993-1997" is showing at the London-Newcastle Project Space in east London until April 22nd.

Source: english.cntv.cn
Check out the current collection and offers from Pretty Green here.

Win A Pair Of Tickets To Oasis 'Chasing The Sun 1993-1997' Exhibition' In London

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If you'd like to win a pair of tickets to attend an exclusive private view of the Oasis 'Chasing The Sun 1993-1997' Exhibition' in London on April 11th, including drinks and a Q&A with the original artwork creator Brian Cannon, click here.

Check out the current collection and offers from Pretty Green here.

New Oasis T-Shirts From Microdot's Brian Cannon

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Brought to you by Brian Cannon at Microdot - the man responsible for all Oasis artwork in the nineties. The image on the shirt is a direct scan from Brian's un-played copy of the Acquiesce promo on Creation Records 1995.

The shirts themselves are Gildan brand 'Ultra Cotton' a premium pre shrunk, heavyweight garment.

For more details click here.

Male Models Wanted For Newly Formed Clothing Company Hunter & Nelson

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Newly formed clothing company Hunter & Nelson are looking for males between the age of 18 and 25 to come on location with them and famous photographer and record sleeve designer - Brian Cannon (Oasis / Verve and more) and take part in a day long shoot for our website, advertising and press releases ready for launch in April.

Applicants must live in the UK and be able to travel to Wigan for the shoot.

All you have to do is email your age, some pictures of themselves, and your location to: info@hunterandnelson.com.

Hunter & Nelson is a new clothing label made up of two people that design, hand screenprint and sell t-shirts, sweats and hoodies (all limited to 100 of each design in each color). The brand also sells embroidered fitted polo shirts and other products that are made in the UK.

Hunter & Nelson t-shirts have a traditional British heritage look and feel due to the images that appear on them and the way in which they fit, with a nod toward British youth culture and unity.

All garments come inside a hand screened tote bag with a pin badge and are sent out in pizza boxes (also produced in the UK).

Other products coming online later in the year will include mens Harrington jackets, iPhone cases, branded silver Shotgun Cartridge pentants and chains, branded leather loop key chains that attach to belts, and other goods.




Brian Cannon Talks Oasis, Noel Gallagher And More...

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Taken from an interview with Sabotage Times, read the full interview here.

Meeting Noel Gallagher…

It’s true, I met him because of a pair of trainers. When I graduated in 1988 I moved to London immediately, then I got into house music and was travelling back every Friday afternoon to Manchester to go to the Hacienda. So I thought ‘fuck it,’ if I was there all the time I may as well move there, so I moved back. The scene was just remarkable. So I got an office in an old cotton mill that had been broken up into little business units. Mine was £20 a week and had no windows in it, which is a bit of a drawback if you’re doing visual stuff, but it was cheap as chips. I didn’t have a computer, I had a photocopier and a drawing board and that was it. And I was doing the early Verve stuff, I’d seen this guy knocking around. You take it for granted now that everyone wears adidas and what have you but back then it was a rarity and mainly ex-football hooligans, or current football hooligans for that matter, I’d been into the football for a while and it was exclusive for that group of people.

I was in Rome on holiday with me Mum in 1991 or 92 and I bought these Adidas indoor supers. I’d seen this bloke knocking around the building, but you’d walk around and I’d clock him and he’d clock me, both too cool for school to say hello. Anyway one day I was in the lift and he gets in and I had the trainers on, which you couldn’t get in England. First thing he said to me was ‘where the fuck did you get those trainers from?’ And that’s how we got chatting. He asked me what I did, I told him, he said ‘who’ve you done?’ so I told him I’d done a couple of Verve singles by that point and he said ‘no way, I think they’re really good.’ Then as he got out of the lift he says ‘I’m in a band and when, not if, when we get signed I want you to do the artwork,’ and that were it and he was good to his word.

Seeing Oasis live for the first time…

The first time I saw Oasis, and I think I’ve seen them play something like 70 times, was at the Hop and Grape bar at Manchester Uni, probably holds about 300 people. Noel had been fucking mithering me to come and watch them but you know what it’s like, we’d become friends by this point and if a mate of yours plays in a band your like ‘they’re bound to be shit aren’t they?’ He was cool but I thought they’d be shit, all bands are shit except for a handful over the past 20 years or whatever, and I was worried about what I’d say if they were shit. But I went along and they were amazing. I was with Marcus Russell (manager) and Johnny Marr who Marcus had persuaded to come. It was super early on this and there was no looking back after that, I became the biggest walking advert for Oasis that you had ever seen, people thought I had gone mad. I was just ranting ‘this band are fucking brilliant they’ll be bigger than Led Zeppelin,’ and people were like ‘what the fuck are you going on about?’

The live show was like a fucking juggernaut coming into the room it were just ace. Before they showed their arses in public they were rehearsing 7 nights a week they really put a shift in. All of them are really nice blokes, Tony gets a hard time but I got on really well with him, all of the time we used to have a laugh, just constantly laughing. A lot of bands these days, and this really pisses me off, they’ve just been signed and they think the world owes them a living and they just turn into knobheads. You’ve got to remember that before Oasis Bonehead who was the eldest was a fucking plasterer. He knew how lucky he was, he woke up every morning and just went ‘Yesssss’ because he didn’t have to plaster walls anymore. They just knew it was a gifted situation they were in and they were gonna grab it with both hands. It was just an amazing phenomenon to be involved with.

Creating the Oasis logo…

The first meeting I ever had with them as a band took place backstage at a gig at Sheffield uni, I believe they were supporting the BMX Bandits! Fucking hell, the BMX Bandits supported by Oasis. Any road, like I said I never normally referred to other sleeves when I was doing a sleeve because you run the risk of becoming derivative or doing pastiches which I’m not about. But on this occasion, because it was the first time I’d met them and wasn’t sure what they were about, I took a load of books with me of classic album covers and classic rock photography and they liked a lot of the early Stones albums like Out of Their Heads. But more importantly they used to have the Decca logo on the front, and it hit me like a ton of bricks in the meeting that it would look ace with Oasis like that on it. Everyone knows it as the definitive Oasis logo and it started to go all downhill when they changed it.

The Definitely Maybe cover…

I don’t remember much about the conversation for Definitely Maybe, we decided it was going to be a band shot and did it at Bonehead’s house. I saw on some website recently that some idiot in some debate about Oasis’ artwork said ‘I hate that cover’ and my first thought was ‘nobhead’ because it’s ace, it’s like someone saying that they don’t like The Beatles, get a fucking grip mate. So I asked him why, and he said ‘it’s so aspirational.’ Which it isn’t, the inference was that these guys were shitkickers from Manchester and they all live in slums and they’ve had their picture taken in this posh flat. That was offensive in the extreme. The idea was that it wasn’t posed but it was, we spent weeks before the shoot with me sitting in every position and being photographed to build up a composition.

On getting The Verve to use Oasis as a support band in 1994…

It was my idea, you can fucking print this, it was all down to me, this is rock and roll history. You’ve heard of the famous Oasis swirl cassette, there’s only ten in existence, the last one went for £2500 on ebay. Noel gave me one but I can’t find the cassette, but I suppose the box would be worth a fair bit. On that Verve tour I drove round in a Renault 5 playing the cassette to David Haliwell the Verve’s manager. And he said this is amazing, and I told Richard that he needed to have them supporting and I introduced them. That tour was something else, no separate dressing rooms, we all just mucked in. They played one in Edinburgh and the power went and the crowd was getting restless and Bonehead went out and played the spoons singing she’ll be coming round the mountain.

The Rock And Roll Lifestyle…

Do you know what, I say this a lot. There’s some things I can’t reveal and wouldn’t. There’s a cracking story about Noel at a fancy dress party at Ronnie Wood’s house, I can’t tell you the rest, not that Noel would give a shit but… fucking hell. We were all so normal and down to earth and what we got up to was no different than what you and your mates got up to. There was a lot of boozing, a lot of cocaine knocking about and a lot of laughing. It was just a fucking piss up, just having a laugh, they were that open about it that there aren’t really any hidden stories, we took drugs, so fucking what. Noel said it all when he said it was as normal as having a cup of tea because it was. We got pissed, got hammered and had a laugh. Nobody was raping virgins or slaughtering animals, it was just so exciting knowing that you were part of something that would be remembered forever. It’s a good job I didn’t know then what I do now it would’ve driven me round the bend. We weren’t blasé about it though, we knew it was super super special and we were all very privileged to be there

Putting a Rolls Royce in a swimming pool…

The Be Here Now album, which incidentally a lot of people slag off including Noel, is a fucking great record. The original idea was to shoot the individual band members at any location in the world of their choice to make a composite image. Noel wanted to go to the mountain from Close Encounters Of The Third Kind, Guigs wanted to go to Jamaica but we changed our minds in the end, nothing to do with budget mind, we could’ve have done anything we wanted. Bonehead wanted to be shot next to a pool with a Rolls Royce in it to hark back to the Keith Moon story which never actually happened, so that was that and we set about finding a location that would let us put a car in their swimming pool. Despite what people think that wasn’t done digitally, that car is in that pool. It was scrapped with no engine and it cost us a grand. And all the props around the pool have no meaning whatsoever, I just took Liam and Noel down to a BBC props warehouse in White City and they picked loads of random stuff, it was total nonsense. It’s a sign of what was going on at the time, people say it was over-produced or whatever but it’s Be Here Now for fuck’s sake. It’s bollocks, it’s Oasis’ last great album…

On stopping working with Oasis…

There was no fall out, I worked again on the 10 year anniversary of Definitely Maybe DVD. It was a crazy time, half the band had left, Guigs had gone, everyone’s head was up their arse, Noel and Liam were falling out and Noel wanted to go in a new direction. I didn’t have a god given right to do it, Robert Freeman did four or five Beatles albums and didn’t do the rest, that’s the way it goes. As it happens it was probably best I didn’t do the others. Oasis was the best time of my life and I’ll always look back on it with incredible fondness and it certainly didn’t do my career any harm. No hard feelings, no animosity, no fallout.

On Noel’s album

Noel’s a genius songwriter and you don’t lose a talent like that. I haven’t heard any of the stuff but I hope it’s really, really, really good because if it is it will be ace and loads of people will get onto it. He’s an amazing person, top bloke to work for, genius songwriter and I’m expecting great things. But when you’ve got Definitely Maybe as a yardstick it’s difficult isn’t it?

Source: Sabotage Times

Brian Cannon To DJ In London On Thursday

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Brian will be spinning some classics and the Teenage Kicks of Birmingham will be special guests.

Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.

Brian Cannon DJ Set

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Visit my newly launched Beady Eye fan site www.standingontheedgeofthenoise.com by clicking here.
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