Beady Eye At Number 28 On The Midweek Charts

Beady Eye's debut single 'The Roller' is at number 28 on the Official Midweek Chart.

The single is now available to download from the below stores:

Beady Eye Official Store
iTunes

A digital bundle of 'The Roller' featuring the exclusive b-side 'Two Of A Kind' will be available to buy from Sunday 20th February.

The single and b-side will be available on a numbered limited edition 7" release from the official Beady Eye store on Monday 21st February.

This will be available to pre-order from early February. A standard version of the 7" will also be available to buy in stores from Monday 21st February.

Visit www.beadyeyemusic.com for more details.

The Pretty Reckless Cover Oasis' Wonderwall

Click here to watch 'The Pretty Reckless' cover the Oasis classic Wonderwall on French TV show 'Taranta'.

Beady Eye On The Front Cover Of Rolling Stone France

Beady Eye are on the front cover of this month's 'Rolling Stone' France magazine.

Click here for more details.

Liam Gallagher On The Front Cover Of Rolling Stone España

Liam Gallagher is on the front cover of this month's 'Rolling Stone' España magazine.

Click here for more details.

Beady Eye's 'Different Gear, Still Speeding' Track Times Revealed

The track times for Beady Eye's debut album, 'Different Gear, Still Speeding' have been revealed by music retailer HMV.

01. Four Letter Word (4:17)
02. Millionaire (3:19)
03. The Roller (3:34)
04. Beatles & Stones (2:56)
05. Wind Up Dream (3:27)
06. Bring The Light (3:39)
07. For Anyone (2:15)
08. Kill For A Dream (4:39)
09. Standing On The Edge Of Noise (2:52)
10. Wigwam (6:39)
11. Three Ring Circus (3:09)
12. The Beat Goes On (4:45)
13. The Morning Son (6:03)

Running Time: 51:34

Beady Eye - Different Gear, Still Speeding Review

Beady Eye - Different Gear, Still Speeding ****

Liam Gallagher strikes first blow as post Oasis years begin.......

Be honest. If you were the gambling type, whose chances did you favour following the bitter dissolution of Oasis in August 2009? Was it Noel, band gaffer with the anthemic Midas touch now facing what seemed an inevitable transition to Weller-esque solo Britpop godhead? Or was it Liam, voted the greatest frontman of all time by Q, yet potentially one now fronting thin air if severed from his big brother's masterplan? The safe wager seemed to be Noel, even if 18 months on we're still waiting for him to fulfil those expectations and make the crucial next move. Whereas to back Liam's bid for Noel-less glory felt at best blindly optimistic, at worst laughably imprudent.

Consider the odds. Liam has the "The Voice", but while his sporadic songwriting has matured considerably since 2000's much-derided Little James, his ability to pen a whole album is ominously unproven. The same applies to his faithful ex-Oasis right-hand men Gem Archer and Andy Bell, both of whom have borne due critical flak for supplying the band's weakest album filler since 2002's Heathen Chemistry. Not great omens, and that is before they handicap themselves with the preposterous real ale-worthy name of Beady Eye, exacerbated by Liam's typically outrageous hyperbole that they were "going to be bigger" than Oasis and Noel "will come crawling back". On paper, the story was already writing itself, all elements in place for what promised to be the most embarrassing rock folly this side of Tin Machine.

So by virtue of circumstance, his post-Oasis moment of truth, Beady Eye's Different Gear, Still Speeding was always going to be one of the most important records Liam Gallagher would ever make. The gobsmacking reality is that it's also among the best. Which isn't to say that Oasis-loathing cynics won't find fish in its barrel to keep themselves trigger happy. No surprise that, yes, a lot of it sounds like The Beatles, the lyrics are no threat to Morrissey and, as in Oasis, musically speaking nobody here is reinventing the wheel. But such mean-spirited nit-picking evaporates in the face of an album which awes in its consistency, melody, determination and, perhaps most surprisingly, positivity; as was never the case with every Oasis album after 1995's (What's the Story) Morning Glory?, making this, however unlikely it sounds, the strongest record Liam's made since.

This do-or-die sense of purpose is evident from the first wah-wah smack of Four Letter Word, akin to Spencer Davis Group's I'm A Man as played by The Stooges yet still familiarly Oasis-esque not to scare the horses. It's an opposite setting for Liam's opening war cry, "Sleepwalk your life away if that turns you on," followed by the first of the album's many allusions to the Gallagher sibling soap opera; "the battle's on and the song is the prize", or its snarling moral "nothing ever lasts FOREVER!" A necessarily cathartic overture, perhaps, it's rock'n'roll gusto sets the bar for at least half of Different Gear.....: from Bring the Light, a romping Jerry Lee Lewis homage manic enough to overcome its banal "baby, c'mon" vocal to the free blues rock chug of Three Ring Circus and the Plastic Ono jam Standing On The Edge Of The Noise. Most ravishingly raucous is Beatles and Stones, Gallagher's mission statement that he's "gonna stand the test of time" like its titular icons over a garage rock stomp twitching between The Who's My Generation and Failure by The La's.

If Beady Eye were merely a balls-to-the-wall one-trick pony this would be a passable debut. That it's above and beyond so is thanks to the majority which chooses melodic beauty over sonic boisterousness, much credit due to the clarity of producer Steve Lillywhite's touch extracting Liam's brightest vocals in aeons. Both Millionaire, a gem of '70s slide-guitar glam, and the deliriously romantic For Anyone show a sublime pop sensibility. But the big guns here are all epic ballads, lighters first rising aloft on Kill For A Dream, the wistful alternative to Four Letter Word's post-split autopsy, which just might reduce grown Oasis fans to tears. "Life's too short not to forgive," sings Liam, "I'm here if you wanna call." Its scarf-waving outro is soon eclipsed by the soulful Wigwam climaxing after six minutes in a gospel chorus with Liam "coming up" from the depths of despair.

The best, however, is saved till last. The Beat Goes On is an ELO fairytale of a tune, Liam pondering his own death and his heavenly reception by an angel's choir in Beady Eye's equivalent to Don't Look Back in Anger. "It's not the end of the world/It's not even the end of the day." It seems unsurpassable until The Morning Son ripples in on the tide of Champagne Supernova, just Liam, acoustic guitar and a tsunami of poignancy: "I stand alone/Nobody knows/ The morning son has rose." It's a shudder-inducing stroke of genius, Gallagher effectively serenading his own rebirth as the music softly explodes towards a frantic finale again reminiscent of Lillywhite's La's debit and its comparable closer Looking Glass. Breathtaking, in fact.

If the Liam Gallagher of Oasis was the greatest frontman of all time the Different Gear.... is evidence enough that with Beady Eye he's created another great British guitar band to justify that honour. And if the battle really is on, then, much to the bookmaker's horror, this decimates all negative preconceptions. The half-score an effortless one-nil to our kid. Now over to you, big brother. Simon Goddard.

Download: The Beat Goes On (Q50)//Four Letter Word//Millionaire//The Morning Son//For Anyone

Source: Q Magazine thanks to lucahelvetica

Beady Eye Fan Site

I have been working on a Beady Eye fan site www.standingontheedgeofthenoise.com the last few weeks to run along side my Oasis site www.stopcryingyourheartout.com.

On the site you will find information on band members Andy Bell, Chris Sharrock, Gem Archer and Liam Gallagher.

The Site will contain DVD & CD Bootleg Artwork, Wallpapers, Latest News, Gigography, Discography, Photos, Videos and more.

I will continue working and editing it over the coming weeks, and I will be adding new material to it as and when I come across it.

Liam Gallagher: Success Is Painful

Liam Gallagher says he and his bandmates are “scathed” every day.

The rock star has enjoyed a successful career, often grabbing headlines for his no-nonsense behaviour as a member of Britpop band Oasis.

Now he is looking to carry on this attitude with his latest venture – Beady Eye – which was formed after he fell out with former colleague and his brother Noel.

Liam loves how, even though he is still going strong, his fellow musicians go through pain for the cause all the time.

“We’re scathed every f**kin’ day and we wouldn’t have it any other way,” the 38-year-old told Q magazine. “Our new keyboard player’s broke his foot already. Dropped a bowling ball.”

But Liam feels as though some of his peers are not being rock and roll enough. He says that he saw British indie band Coldplay and couldn’t believe there was no friction between them, which he thinks is a healthy part of any group. It happened while Beady Eye guitarist Andy Bell was wearing an unusual piece of attire. “I bumped into a couple of the Coldplay lot in the pub,” Liam explained. “Jonny [Buckland, Coldplay guitarist] said, ‘We’re just really happy.’ What, not one of you p**sin’ each other off? Nothing happened? People have got to have something to talk about, haven’t they?”

Beady Eye will release their album Different Gear, Sill Speeding in the UK on February 28. Liam claims that if people don’t expect much of the record it can only be because he is too much of an icon.

“Well, that’s pretty sh*t,” he said when asked how he’ll react if the public doesn’t like his latest project. “If people have low expectations of us it because you’ve been f**kin’ blinded by what you idolise man, that’s what you’ve been. That’s what’s happened.”

Source: www.musicrooms.net

Liam Gallagher: ’People Will Be Calling Their Kids Beady Eye’

Liam Gallagher and his Beady Eye are raring to go. So much so he tells the new issue of Q Magazine (out today) that “People will be calling their kids Beady Eye by the end of the year”.

He adds that the (much discussed Beady Eye band name) is like “me walking into a room and going, right, that’s it I’m called Lisa now” and that “it puts us (the band) next to The Beatles in the rack. Instead of the f**kin Osmonds”.

On that now famous day in Paris on the 28th of August 2009 Oasis split up. Beady Eye (who this morning have announced a brand new set of UK live dates for April) were formed almost instantly by Liam, including former Oasis bandmates, Gem Archer, Andy Bell and Chris Sharrock.

The mission statement was clear, Liam and Beady Eye were to be a proper ’rock n roll band’. With debut album ‘Different Gear, Still Speeding’ set for release next month on February 28th, fans have been treated to some initial tasters, including a free download in the shape of ‘Bring The Light’.

A stomper of a tune ‘Bring The Light’ with it’s northern soul style backing singers, adds a suprisingly slightly new dimension, setting apart the Beady Eye sound a little from the tried and tested Oasis swagger method.

Debut single proper ‘The Roller’ set for release February 21st is ‘Instant Karma’ all over, showcasing Liam’s vocal at it’s smooth and soothing best with the track already having over 400,000 views on you tube alone.

Already confirmed to play a set of sold out UK dates in March, the band have now announced this morning a further headline UK tour starting in April.

Source: www.beehivecity.com

In This Month's Mojo Magazine

A two page review on Beady Eye's debut album ‘Different Gear, Still Speeding’.

Beady Eye Announce UK And Ireland Tour

Beady Eye have announced a UK tour for April 2011 which will follow the release of their debut album ‘Different Gear, Still Speeding’. The band had previously announced shows in Glasgow, Manchester and London for March (which sold out immediately) but this will see them travel the country and play their first dates in Ireland.

The band will play:

11 April - NOTTINGHAM, Rock City
12 April - LIVERPOOL, Guild of Students
14 April - DUBLIN, The Olympia Theatre
15 April - DUBLIN, The Olympia Theatre
17 April - BELFAST, Ulster Hall
18 April - EDINBURGH, Corn Exchange
20 April - NEWCASTLE, O2 Academy
21 April - LEEDS, O2 Academy
23 April - NEWPORT, Centre
24 April - WOLVERHAMPTON, Civic
26 April - SOUTHAMPTON, Guildhall
27 April - BRIGHTON, Centre

Tickets go on sale Friday 28th January at 10am and are restricted to four per person.

Fans can pick up their tickets from:
www.beadyeyemusic.com
www.gigsandtours.com
www.ticketmaster.co.uk

Source: www.beadyeyemusic.com

Vote For Beady Eye At The NME Awards

Arcade Fire, Arctic Monkeys, Kasabian, Foals and Biffy Clyro are among the acts nominated for this year's Shockwaves NME Awards.

Despite still not having played live or released their debut album Beady Eye are up for best new band.

The winners will be announced at the ceremony at the O2 Academy Brixton on February 23.

Best New Band (supported by Boxfresh)
Beady Eye
Everything Everything Hurts
The Drums
Two Door Cinema Club
(Last year's winner: Bombay Bicycle Club)

Most Stylish (supported by Shockwaves)
Brandon Flowers
Hayley Williams
Lady Gaga
Liam Gallagher
Noel Fielding
(Last year's winner: Lady Gaga)

Least Stylish
Cheryl Cole
Justin Bieber
Ke$ha
Lady Gaga
Liam Gallagher
(Last year's 'winner': Lady Gaga)

Voting is open now at NME.COM/awards.

Liam Gallagher 'Clueless' About Lyrics

Liam Gallagher has admitted he has no idea what his own lyrics mean.

The former Oasis frontman is about to launch a new career with his band Beady Eye with his songwriting coming to the fore for the first time.

But in an interview with the March edition of Mojo magazine, he said: "I don't know what any of my tunes are about, they're just out there."

Liam went on: "I'm not good with words. I just say the first thing that comes into my head."

His brother Noel took charge of the lyrics for the vast majority of Oasis tracks but quit the band in 2009, although Liam did contribute some tracks such as Little James and Songbird.

The remaining members of the group are carrying on under the name of Beady Eye, with a debut album Different Gear, Still Speeding due for release next month.

Asked what new song Wigwam is about, he admits: "F*** knows, I haven't got a clue, man.

"That's words, that's all, that I think sort of go together. There's a bit of something... people might see it as being a bit of beating up someone on the booze a bit.

"But it's nothing to do with a wigwam. Or as some Japanese girl said the other day 'what is it about, a man with a wig?'. I don't know

Source: The Press Association.

Beady Eye Interview

“Music, it’s all about the music, we could all have sat at home after Oasis split but what would have been the point of that. We had a couple of weeks off and then we were back in the studio demo-ing. We’re musicians, it’s what we do, it’s how we define ourselves.”

That’s Andy Bell, one of the two guitarists in Beady Eye, explaining why the band had to happen.
“We love music,” enthuses Liam Gallagher, Beady Eye’s lead singer. “We’ve got these songs, we go in and we do them. We’re fired up, not because we thought we’d show everyone it could happen without you know who [Noel Gallagher], we’re fired up because we’re doing music.”

And with the line-up completed by second guitarist Gem Archer and drummer Chris Sharrock, and with producer Steve Lillywhite [The La’s, Morrissey, U2] also in tow, Beady Eye entered London’s RAK Studios back in June and over 12 weeks put down what Gem calls, “the best thing I’ve ever been involved in.”

“It was important not to sit and dwell on the past,” says Liam. “We’d just come off an Oasis tour and we were on fire, if we’d said, ‘let’s do something in a few months, or next year’, the flame would have burned out or we’d have got the fear.”

“It’s the best way to do it,” says Gem, “straight off the back of a load of gigs.”

And the results are nothing short of astonishing. Thirteen songs that are loud, vibrant, exhilarating. It’s raw rock’n’roll one minute, and classic pop the next from the raucous Jerry Lee Lewis and Stones inspired Bring The Light to the Merseybeat wonder of For Anyone, to the stomping T-Rex glam of The Roller to the pounding Millionaire and Four Letter Word. It sounds like a debut record by a band just starting out with a huge appetite for music, and despite individually all having made records for two decades or more as Chris Sharrock says, “that’s exactly what it is.”

“Some of the songs go back a few years and some are brand new,” explains Andy. “We got in RAK, and it was all exciting and new. We’d never been in there before and recording in Studio 1 was amazing. There are always new things to find out. I’ve never learned so much as I did this time.”

“We had the songs almost in order of how we wanted the album to play out as well,” adds Gem. “It was pretty well prepped. We were that committed.”

“And we were buzzing, confident, we were going in to enjoy it and have fun,” says Liam.
Influences are unsurprisingly worn affectionately on sleeves: there’s even a song called Beatles And Stones.

“Yeah, the Stones were a big one on this record,” says Liam. “We were listening to them a lot. We don’t go off road and say, ‘let’s make a fucking Captain Beefheart record’, this is what we do.”

“The La’s are a big one too,” says Andy, “they are one of the greatest bands, a musical touchstone.”

“And sometimes,” adds Gem, “rather than trying to describe what you want something to sound like, it’s easier to say, you know that line in that record, I want it to sound like that. The Stones’s Child Of The Moon came up once or twice, Little Richard too.”

One song called The Beat Goes On, written by Andy Bell, is redolent of prime Hollies, it’s beautiful, melodic, strong.

“Songs were initially written individually,” says Andy, “but then we all worked on them, added bits here and there. It was Gem who turned this one around.”

“The thing is,” says Gem, “we can say which songs we each wrote but they are actually all of our songs, that’s how we do it, they’re all our tunes.”

Songs were put down live for the most part to capture the moment, the spontaneity, the energy.

“Steve Lillywhite was good at getting us to play live, to get things down in three or four takes,” says Andy.

“We did a lot with live vocals,” says Gem, “which is great when you’re playing, it’s not just dot to dot and filling in the blanks, you’re playing the tune.”

“If you always record in the same way,” continues Liam, “put the drums down, then put the bass down, etc. you always get the same record, it’s always in time and in tune but it’s soulless, everything’s the same, it’s like someone’s walked out the room, it’s autopilot, there is no movement, and you need that to keep on the ball. I’m straight in there now. In Oasis I’d be doing 20 takes, now it’s four takes and you’re there and we’ve got it. But we could have gone with Bob The Builder [as producer], it still would have been right. Because at the end of the day we were on the ball, we knew what we were doing, all the producer had to do was press the buttons we didn’t know how to press.”

With all the band members being guitarists, singers, bassists, producers and drummers, chaos could have ensued, with members competing for dominance but there was never the need for any one person to be the boss.

“The key is just not being afraid to say something when it needs to be said,” says Liam. “Whether it’s about music or anything in life, you say it, you take it on board, you get on with it. There is nothing worse than being in a band when you can’t say anything.”

“The thing is,” adds Andy, “we’ve all got different things we’re good at, but nobody knows everything. Chris was really good at speaking out, he’d be, ‘I’m not feeling this.’ There were a few times when he changed the whole direction, he’d say exactly the right thing at the right time. Like he got the Eddie Cochran beat down on Bring The Light. But Gem is the one with the big picture in the studio, he put the hours in.”

“But it’s about having the ears as well,” says Gem, “we’re just in love with music, even when we finish work on our own music, it’s time to get the tunes on and have a bit of a night, it’s an ever rolling thing.”

The actual songs came blissfully quick.

“It was one shot at demoing it, one shot at recording it, one shot at mixing it and there it is,” says Andy.

“We’ve been lucky,” says Liam. “There’s not one that’s come a cropper, they all instantly sounded great. There was nothing on which we had to roll our sleeves up on. It was, ‘this is fucking great, next one.’”

And their enthusiasm for the new stuff is unquantifiable.

“Hearing the Beady Eye album blasting out of the stereo makes me feel Godlike,” beams Andy. “It makes me want to smash things up.”

“It’s stupid really, but it’s fucking amazing listening to it,” says Gem, “it feels so unbelievably great. It definitely brings the child like qualities out in you. I can’t wait until we bring something else out so we’ve got something new to listen to.”

“I’ve had some of the best nights of my life listening to this record already,” adds Liam. “If we’d have video-ed some nights round people’s houses listening to it, it would be like fucking Quadrophenia.”

Of course people are going to hold up the Beady Eye record against the Oasis canon and compare. For many that pressure would have been too much.

“It wasn’t scary,” says Andy, “because we kept it really close to our chests, no one still knows what’s going on, the maddest thing now is to think that in a month or two it’s going to go out into the world and people’s heads are going to be pickled hearing all these new songs that they’ve not heard before, it will be like, ‘What was that? Help!’ Coming to see us live, they’ll recognise our faces but it will be all new tunes.”

“And that’s the beauty, to have the unknown. It’s a joy,” says Gem.

The plan is simple: make an impact by releasing three singles then the album then go out and play non stop.

The touring band will see the core four joined by Jeff Wootton on bass and Matt Jones on keyboards.

“There was never any fear with Oasis,” says Liam, “You knew people were going to dig it because it was Oasis. But I’ll be honest, when the gigs come round with Beady Eye, we’ll be shitting it, because it’s a new thing. We’ve been rehearsing the live set for the last two weeks though and it’s sounding great. The template for Beady Eye is the same one we had for early Oasis. Put out a lot of great singles not on the album with great B-sides, keep it flowing. What happened with Oasis was you’d end up on an 18 month world tour and you wouldn’t have any time to put new music out. When you get big, it slows you down. When you start out fresh, it’s all about the tunes. And remember, we’re a new band, we’re not going to get above ourselves and start thinking we can play stadiums and arenas, we don’t want to jump the gun, we want to go out and do small gigs, get back into that vibe then do another album, and take it gradually, stay in the moment of being a new band.”

“If Oasis was Muhammad Ali, then Beady Eye are Sugar Ray Leonard,” says Gem. “We just want people to dig us, for Beady Eye to have an energy, to have wind in its sails, to keep on rockin’. It’s not about the big numbers, the months of touring, the size of the crowd. It’s a lot more instant and who knows what’s going to happen.”

“We’re not bothered about chart success, but this deserves to be massive,” says Liam. “And it’s exciting not knowing what’s going to happen, but we know it’s good enough to change people’s lives, we hope it does.”

“The mission never changes,” concludes Gem, “if you’re not feeling it put it down. And that day has never come and I don’t see it coming for a long time.”

Source: www.dangerbirdrecords.com

Beady Eye Are Finalizing Dates For Debut US Tour

Britpop rabble rousers Oasis are no more, but three-quarters of the band, led by singer Liam Gallagher, will return on March 1 with Different Gear, Still Speeding, the debut album from their new rock outfit Beady Eye.

Gallagher and former Oasis guitarists Gem Archer and Andy Bell teamed with drummer Chris Sharrock immediately following Oasis' split in August 2009 to begin writing and recording material for the LP, which will be released in North America via Dangerbird Records.

The new band holed up in London's RAK Studios last fall to track the effort with Grammy Award-winning producer Steve Lillywhite (U2, Dave Matthews Band, the Smiths). The result is 13 genre-spanning Britpop and rock tracks, from the album's first single, a Beatles-esque piano ballad called "The Roller," to the blazing glam-rock boogie "Bring the Light."

"We could all have sat at home after Oasis split but what would have been the point of that," Andy Bell said. "We had a couple of weeks off and then we were back in the studio demo-ing. We're musicians, it's what we do, it's how we define ourselves."

Adds Gallagher, "We're fired up, not because we thought we'd show everyone it could happen without you know who [Noel Gallagher], we're fired up because we're doing music."

Beady Eye are finalizing dates for an upcoming U.S. tour, on which they will be joined by keyboardist Matt Jones (Ultrasound, Jamie T, Minuteman) and bassist Jeff Wootton (The Black Marquee).

"I’ll be honest, when the gigs come round with Beady Eye, we'll be shitting it, because it's a new thing," Gallagher admitted. "We've been rehearsing the live set for the last two weeks though and it's sounding great. We're a new band, we're not going to get above ourselves and start thinking we can play stadiums and arenas, we don't want to jump the gun, we want to go out and do small gigs, get back into that vibe then do another album, and take it gradually, stay in the moment of being a new band.”

Source: www.spin.com

Gem Archer On The Creative Process With Beady Eye

Gem Archer has said how the creative process been with Beady Eye.

He told Mojo "Liam's almost gone off like a firework. He's there every step of the way, sometimes with too many ideas. With 'Bring The Light' Liam had been doing some Pretty Green stuff in Italy and all of a sudden I got a load of texts saying, 'I want to do a Little Richard, Jerry Lee Lewis, that kind of feel, and I want to do it right.' And then it just happened immediately. Once we got into the recording he said 'I want some girl backing singers, like an Ike and Tina Turner record.' I was saying, I can't get my head around it but it sounds great. So I think his head's just exploded. Especially since he's doing his Pretty Green thing, buying up film rights and things."

Best British Track?

For a forthcoming feature in Q Magazine they are seeking nominations for the best, most quintessentially British track by a British artist since 1960. Just one track that you, the Q reader, believe best reflects the British experience in that time.

It might be Live Forever by Oasis, That's Entertainment by The Jam, could be Panic by The Smiths, Born Slippy by Underworld, or Up The Bracket by The Libertines, or of course - something totally different. The choice is yours!

Simply enter here and keep an eye out for it possibly appearing in a future issue of the magazine!

Russell Brand Wins Comedy Award

Russell Brand was honoured with The Outstanding Contrubition To Comedy award last night, Noel Gallagher features a number of times in the video.

Beady Eye's The Roller' Available Now

Beady Eye's debut single 'The Roller' is now available to download from the below stores:

Beady Eye Official Store
iTunes

A digital bundle of 'The Roller' featuring the exclusive b-side 'Two Of A Kind' will be available to buy from Sunday 20th February.

The single and b-side will be available on a numbered limited edition 7" release from the official Beady Eye store on Monday 21st February. This will be available to pre-order from early February.

A standard version of the 7" will also be available to buy in stores from Monday 21st February.

Source: www.beadyeyemusic.com

Gem Archer Interview

Pretty Green Presents Gary Crowley interviewing Gem Archer at the Pretty Green Club Night on the 26th November 2010 at The Garage, London.

Gem Archer, previously rhythm guitarist for Oasis and now playing in Beady Eye, speaks to Gary about band mate Andy Bell's setlist, his own style icons, Liam Gallagher's style and his favourite Pretty Green piece.