Liam Gallagher's 'Wall Of Glass' Has Been Named As One Of The ‘Hottest Records’ Of 2017

BBC Radio 1 have announced the top 10 ‘hottest records’ of 2017, named after the segment Annie Mac dedicates in her show each night to ‘playing the biggest and most important tracks on the planet’.

Liam Gallagher's Debut single 'Wall of Glass' is number two on the list.

You can see the full top 10 below:
10. Tom Grennan – Found What I’ve Been Looking For
09. London Grammar – Big Picture
08. Arcade Fire – Everything Now
07. Wolf Alice – Beautifully Unconventional
06. Lorde – Green Light
05. CamelPhat & Elderbrook – Cola
04. Royal Blood – Lights Out
03. Everything Everything – Can’t Do
02. Liam Gallagher – Wall Of Glass
01. The Killers – The Man

Oasis Top NME Readers Poll Of Dream Glastonbury 2015 Headliners

David Bowie, Foo Fighters, Muse and Fleetwood Mac also on fan wish-list.

NME readers have voted for Oasis as the band they would most like to see headline Glastonbury next year (2015).

Readers have been voting for the artists they would most like to see top the bill at next year's event following this year's festival, which brought performances from Arcade Fire, Metallica and Kasabian.

Despite the fact that Oasis are technically not together at the moment, the constant rumours about Noel and Liam Gallagher's reunion are clearly giving fans hope that a performance on the Pyramid Stage could be a possibility.

Closely following the Manchester band on the list of acts who NME.com users would like to play next year is David Bowie while Foo Fighters, Muse and Fleetwood Mac all ranked highly.

On Sunday morning (June 29), Glastonbury founder Eavis revealed that three headliners have already been booked for next year's festival – and they don't include the long-rumoured Prince.

"We've got three headliners already – and that's without Prince. We've got some good headliners.

We had an agent [for a band] yesterday on the platform by the stage watching Metallica with me, saying, 'My band want to do it next year'.

I can't tell you who it was but that was done on the platform watching Metallica. Is it a British artist? He's definitely British, but the band are not British any more."

Iron Maiden have emerged as bookmaker William Hill's front-runners to headline Glastonbury 2015.

Following Metallica's warm reception at the festival, the bookmaker has slashed Iron Maiden's odds of performing next year to 7/1.

Among the other acts with good odds are Kate Bush (8/1), whose first live dates in 35 years recently sold out, Oasis (8/1), Coldplay (10/1), Noel Gallagher (10/1) and U2 (10/1).

Source: www.nme.com

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Beady Eye Part Ways With Manager Scott Rodger

Beady Eye have parted ways with their manager, it has been confirmed.

The band, fronted by Liam Gallagher and featuring former Oasis members Gem Archer and Andy Bell, were managed by Scott Rodger, who also works with Arcade Fire and Paul McCartney, for the duration of their 'BE' campaign. However, their working relationship has come to an end following the end of the contract signed by both parties.

Paying tribute to the band in a statement given to NME, Rodger says: "Beady Eye are one of the last great British rock bands. It has been a pleasure to have worked with them on this album campaign. They are in complete control of their future as a band with many exciting new projects on the horizon. We've just about reached the end of the 'BE' album cycle and it's the right time for the band to make a change. Our paths will cross again in the future I'm sure. I wish them continued success in everything they do."

Beady Eye released their second album 'BE' in June, 2013. Their debut album 'Different Gear, Still Speeding' was released in 2011.

Source: www.nme.com

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Beady Eye: "2013 Was Our Annus Horribilis"

Ahead of their first ever Australian tour Beady Eye drummer Chris Sharrock reflects on the band’s topsy-turvy year with MICHAEL HARTT.

2013 was the best of times and worst of times for Beady Eye. Having spent the first part of the year recording their second studio album, BE, with producer Dave Sitek, the band and their new material received a much warmer reception than they did for their debut Different Gear, Still Speeding. Then, a few shows into the start of their album tour, guitarist Gem Archer was hospitalised with severe head trauma after falling down stairs at his home, leading to months of forced inaction and loss of momentum.

With Archer now fully recovered, the band ended the year with an extensive UK tour and as a last minute addition to the Big Day Out line-up as one of the replacements for Liam Gallagher’s former Brit Pop rivals Blur. Ahead of Beady Eye’s debut Australian tour drummer Chris Sharrock (ex-The La’s, ex-World Party and Oasis’ drummer for their last world tour) reflected on the year that was with FL’s Michael Hartt.

It’s just over a month since you were added to the Big Day Out line-up. Was it a nice surprise to get the call-up?
Yeah it was. We didn’t think we were doing anything in January, actually. This came in at the last minute. It was a surprise, “Yeah, we’re going to Australia!” It’ll be good to get some heat and some sun. We’ve always wanted to play Big Day Out. I’ve never played it. I don’t know if the lads have ever played it.

Given the history that’s there, did you have a bit of a chuckle when you found out that you were replacing Blur?
Yeah, yeah. [laughs]. No, not really. That would be in bad taste. It was more like “Oh wow. That’s funny.” We got the irony of it. It’s no big deal, really. That was all a hundred years ago, wasn’t it? We’re just glad to be out, glad to be going somewhere. Especially Australia.

From an outsider’s perspective, 2013 seemed to be a year of mixed results for Beady Eye. The album got good reviews but then Gem got injured. How was it within the band?
It was our annus horribilis [latin for horrible year]. I mean, we put BE out, we did about eight gigs and then Gem had that accident. That put us out of the game for three months. I think that’s why it’s been a bit quiet. You’ve got to keep it in perspective though. It’s only music. As long as our mate’s alive and back to full health, that’s all that matters, really. It was a shit thing to happen at a shit time as well, but we’re back on form now.

After the lay-off, how were the shows you did in the UK at the end of the year?
It was great to be back. We had these 10 or 11 UK gigs booked in. We were kind of racing to make sure Gem was better. His timing was pretty good. Although when the accident first happened, we had to cancel a few things in Europe and Japan, it’s great that he was alright for that UK tour. Those gigs have been the best gigs we’ve ever done or so people were saying anyway. It was a positive end to the year.

In the downtime, were you working on new music?
We were probably all working on music individually. There’s probably a few songs going to come out of it. It was mainly just time off. Cooking, washing and cleaning [laughs].

You had an extended line-up of the band when you were first touring BE. Are you bringing that line-up, with the horns section, here?
No, we’re not bringing the horns. The last time I saw the horns was just before Gem’s accident. We didn’t use the horns on this last tour we did. It’s good when we have them. They’ll be there on a keyboard sample so it’ll sound like they’re there [laughs].

In terms of the set list, what can we expect? A mix of both the albums? Other stuff?
I think it’ll be a mix. I don’t exactly know what the set is for this is. It’ll probably be the same as what we’ve been doing at our Brit gigs. It’s a bit of both – heavy on the new album, I’d say. I’d say it’s 60 per cent new, 30 per cent old stuff and 10 per cent some really old stuff.

Including Oasis songs?
Yeah, I think we’ll be probably sticking a couple of them in there. Keep the punters happy.

You toured with Oasis in support of their last album but didn’t get to record with them. Are you disappointed you didn’t get to play on an Oasis album?
Yeah, kind of. It would’ve been nice to do but at the end of the day you think “Well, I did the gigs.” It wasn’t meant to be, I guess. I’ll live with it.

After your visit here, will the rest of 2014 be a touring or writing/recording year for Beady Eye?
A bit of both, I hope. I know that as soon as we finish in Australia we fly home, we’ve got about three days at home then we’re straight off to Europe. It’ll just be a quick change of clothes [laughs]. Then we’re off to Japan as well. I think that takes us up to early March and after that, I don’t know if we’re coming off the road or we’re going to do something or if we’re going to have time off.

You just got announced for Coachella after that too [playing the Sunday night along with Arcade Fire, Beck and Neutral Milk Hotel].
Oh really? We’re going to California? You’ve made my day! I didn’t know we were doing that. News travels slow around these parts.They don’t tell me anything. I’m just the drummer! [laughs].

Beady Eye sideshow
Monday, January 27 – The Enmore, Sydney

Big Day Out dates:
Friday, January 17 – Western Springs, Auckland
Sunday, January 19 – Metricon Stadium & Carrara Parklands, Gold Coast
Friday, January 24 – Flemington Racecourse, Melbourne
Sunday, January 26 – Sydney Showgrounds, Sydney
Friday, January 31 – Bonython Park, Adelaide
Sunday, February 2 – Claremont Showgrounds, Perth

Source: www.fasterlouder.com.au

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Noel Gallagher Praises Kanye West, Slams Arcade Fire, Lady Gaga And More

Noel Gallagher did not enjoy 2013 very much. "Fucking had a shit year," says the British guitarist and songwriter, formerly of Oasis, when Rolling Stone reaches him by phone. "All I've done is sit around the house and become a fucking hypochondriac. Dog-shit year. Can't wait until it's over."

The 50 Best Albums of 2013

Yes, it's been a quiet year for Gallagher, if someone like him can ever be said to have a truly quiet year. (His last shows were in the spring, including the Teenage Cancer Trust charity gig where he performed onstage with Damon Albarn and Graham Coxon of sometime arch-rivals Blur.) But the man is full of typically barbed opinions about what everyone else in music did over the past 12 months. Read on for Gallagher's uncensored thoughts on Kanye West, Arcade Fire, Lady Gaga, Miley Cyrus, David Bowie and much more – plus an update on what's next for his solo project, Noel Gallagher's High Flying Birds. "I don't think I'll ever take this much time off again," Gallagher says. "I can't wait to get back to work."

Do you think 2013 has been a good year for music, overall? 
It's been okay. There's been some catchy tunes, for sure. I think any year that David Bowie puts an album out has got to be a great year, eh?

So the Bowie album lived up to your expectations?
I thought at the time, and I still think now, that it's a fucking masterpiece. I love it. Nobody has the right to be that fucking good at this point in their career. Apart from Neil Young, all of the people that are in his league are basically fucking shit. Do you know what I mean?

Like who?
Well, I'm not going to start naming names! We all know who they are. But "Valentine's Day," that song is just fucking outrageous. There's at least three songs on there that you listen to them and immediately pick the guitar up and just think, "Fucking bastard! Why did I never write that?" I think it's some of the best stuff he's ever done. I'd give it 10 out of 10. I'd give it 11 out of 10, if I could.

The 100 Best Songs of 2013

Did you get a chance to talk to Bowie this year?
Me? [Laughs] Me, talk to David Bowie? Fucking hell, no. I've met him a couple of times down the years. But why would I get a chance to talk to David Bowie? Just, like, call him up? I don't think he's been in England. As soon as he lands in England, he's going to get taken to the Tower of London, and they're not going to let him out until he's done a gig, so I don't think he'll ever come back.

What else did you like this year? 
Half of the Arctic Monkeys record is really good. You know, the other half is like, "Eh, yeah" – but half of it is really fucking good. And I actually, for the first time ever, listened to a Kanye West record.

Oh, yeah? What did you think of that?
I'm not really a fan of his or anything like that. I don't really like that kind of modern hip-hop, whatever you call it. But somebody told me to watch this interview he did in England [with BBC DJ Zane Lowe], so I watched it, and I thought it was one of the best interviews I've ever seen. I fuckin' loved it! Especially the bit about the leather jogging pants or whatever he's going on about, fucking claiming he invented them.

I was at a party quite soon after that, and that track "Black Skinhead" came on. I didn't know who it was – like I said, I'm not wised up on that kind of shit. I was like, "What the fucking hell is this?" And turns out it's off that new album. So I got the album, and it's fucking great. I really like it. Particularly that track – it's fucking out there, do you know what I mean? It's got a great low-fi, punk vibe to it.

I'll tell you what's a great record. Have you heard that record by Disclosure?

Yeah, that's a good one.
That's fucking mega. I went to Glastonbury this year. It was my seventh time, and it was the best one I've ever been to. I saw Disclosure in the dance tent, and I thought they were truly fucking amazing. I love that record. It's got a really old-school fucking acid house vibe to it, which I really fucking like.

And what else? There's singles on British radio that I don't know what they're fucking called. I have no idea. I hear them when I'm getting my kids ready for school. As for what they're called? Fuck knows.

They all seem to be quite urban, though. There's not a lot of guitar music being played on national British radio, anyway. That being said, it does sound pretty good to me, some of it. I could sing you some songs, but I couldn't give you any titles or any artists. [Laughs]

Why do you think there aren't more new guitar bands making waves? 
Well, I don't think there's a lack of new guitar bands. I don't think that guitar music is any better or worse than it's ever been. There's just a lack of exposure to it. The game has shifted to shiny, urban pop, you know? It's like, back in the Nineties, when I was going, guitar music was the main thing in Britain or England. Now the focus has shifted to something else. But that's all right. You've got to find it yourself. It's kind of like going back to what alternative music was before Oasis ruined everything by being massive.

Let's talk about some of the other big records this year. What did you think of Daft Punk's big comeback album?
Well, I haven't heard the album. I'm not interested in the album. It's all about that song, isn't it? It's so effortless and brilliant and now. It's got everything. You just think, "Has this song always been around, or am I just hearing it for the first time?" It's fucking amazing.

My favorite act at this year's Glastonbury, when I went, was not the Rolling Stones, as great as they were; was not the Arctic Monkeys, as good as they were; was not Disclosure, as good as they were; but it was Chic. They were fucking mega. Absolutely out of this world. Unfortunately [Nile Rodgers] didn't play "Get Lucky," but what an amazing, amazing track.

What about "Blurred Lines," by Robin Thicke? 
I don't mind it. It sounded good on the radio. Got a bit annoying after the five millionth time you've heard it. I think he's going to be a one-hit wonder, surely. It'll be like that guy who's done "Gangnam Style" – we'll never hear from him again.

How about Miley Cyrus? Are you a fan?
I think there's a trend, unfortunately, in the game, at the minute, of girls desperately trying to be provocative or desperately trying to – in inverted commas – "start the debate" about some old shit or other. Because, really, they're not very good. Do you know what I mean? We have it in England regularly, and you have it in the States. I feel bad for 'em. It's like, "Write a good song. Don't make a provocative video – write a good fucking song. That'll serve you better, I think." She was on TV recently, Miley Ray Cyrus, and it was just like, "What the fuck is all this about?" I don't know. It's a shame, because it puts all the other female artists back about fucking five years. Now, Adele and Emili Sande – that music, to me, is like music for fucking grannies, but at least it's got some kind of credibility.

It's just embarrassing. Be good. Don't be outrageous. Anybody can be outrageous! I could go to the Rolling Stone office and fucking shit on top of a boiled egg, right? And people would go, "Wow, fucking hell, that's outrageous!" But is it any good? No, because, essentially, it's just a shit on top of a boiled egg. That's all it is. If I was to go to your office and play you a song that I'd just written that was amazing, that would be better, wouldn't it?

I think that would be the preferable option there, yeah. 
Right. So, you know, I feel bad for the girls. The sisters are not doing it for themselves.

What do you think about Lady Gaga? 
Lady Gaga for me is all about that first album, because my daughter and my wife loved it. I've never heard of her since. What does that say? That speaks volumes, to me. She's another one. In fact, she's probably doing a shit on top of a boiled egg right now. And somebody will fucking freeze it and call it art.

Did you hear Arcade Fire's new album? 
I haven't heard it. Anybody that comes back with a double album, to me, needs to pry themselves out of their own asshole. This is not the Seventies, okay? Go and ask Billy Corgan about a double album. Who has the fucking time, in 2013, to sit through 45 minutes of a single album? How arrogant are these people to think that you've got an hour and a half to listen to a fucking record?

Did you see that they've asked people to wear formal wear or costumes at their shows? [Ed. Note: Arcade Fire has clarified that this dress code is "super not mandatory."]
[Sighs] Well, what's the point of that? Do you know what the point of that is? That is to take away from the shit disco that's coming out of the speakers. Because everybody's dressed as one of the Three Musketeers on acid. "What was the gig like?" "I don't know, everyone was dressed as a teddy bear in the Seventies." "Yeah, but what was the gig like?" "Ah, fuck knows, man, I have no idea. I was dressed as a flying saucer." "Yeah, but what was the gig like?" "Fuck knows. I don't know. Seen Cheech and Chong, there, though." Not for me.

All right, maybe that's enough. You mentioned that you've been working on some new songs yourself lately – how's that going? 
It's great. That's the one saving grace of 2013, was that I really did write a lot of material. Apart from that it's been shit, to be honest.

Do you think you'll put out a new record next year?
No. I haven't started recording yet, so I was kind of going to see the rest of the year out and then kind of spend most of next year in the studio. I hope to do some recording in New York, because I've never done it before, and maybe on the off chance I might bump into David Bowie somewhere on the street, and get him to come down to the studio, dressed as an elf, and do a little mime while I'm putting an acoustic guitar track.

You know Bowie sings backup on one of Arcade Fire's new songs, right? 
Oh, that's a shame.

Would your new material still be released under the High Flying Birds name? 
I don't know if I'm going to keep that name or not. Probably will, it's such a fucking good name. I might change the Noel Gallagher bit – call it "Paul McCartney's High Flying Birds" and see if I sell any more tickets in America. [Laughs]

Source: www.rollingstone.com

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New Beady Eye Record 'Will Shock Everyone'

The manager of Beady Eye, Quest's Scott Rodger, has told Music Week that Liam Gallagher's new album could be the the best LP that the ex-Oasis man has ever recorded.

Rodger, who also manages the likes of Arcade Fire, Paul McCartney and Noah & the Whale, features in a four-page Big Interview in the new Music Week magazine.

Of all the albums on Quest’s roster, Rodger said he may be most enthused about the second record from Beady Eye – Liam Gallagher’s post-Oasis band, which also features Andy Bell and Gem Archer.

The group started recording the record in London last month with TV On The Radio guitarist and producer Dave Sitek, who has also worked behind the desk on albums from the Yeah Yeah Yeahs, Liars, CSS and Foals.

The currently unnamed album, the follow-up to 2011's Different Gear, Still Speeding, is due for release in the first half of 2013.

Explained Rodger: “It’s probably the most exciting record I’ve worked on for as long as I can remember. Everyone thinks they know exactly what record Beady Eye are going to deliver, but they’ve completely turned it on its head.

“I think Liam Gallagher is making the best album of his entire career. That’s a big statement because he’s made some classic records - usually with his brother’s songs. But Beady Eye are very talented players and writers and are technically fantastic.

“Gem Archer is an amazing engineer and producer. Both he and Andy Bell will produce records for other people at some point, I’m sure. They pretty much made the record this year in Gem’s studio in his basement. They were writing all year and did what a lot of bands do: they wrote about nine or 10 songs and then said, ‘We’re ready to go with the album.’

“We encouraged them to keep writing until August or September and lo and behold, they wrote 21 songs – and some of the later songs were the best ones. Then we had to find a producer. We wanted to get someone in who’d take [the album] from a 7/10 to a 9/10.

“I was on a plane to New York for a best friend’s wedding thinking, ‘Who can I call?’. Then I thought of [TV On The Radio producer] Dave Sitek – who I associate with New York and great records. I sent him the demos and a link to the studio after being told he’d never leave his LA home. He gets straight back to me to say, ‘I’m there.’

“Now they’ve tracked 21 songs in nine days [in London]. Sitek called at 6pm the other night to say, ‘I need a brass section. Get me a brass section now.’ Everyone in the [Quest] building was calling to sort it for him, and we did – within two hours it was recorded. It was a track that was never going to make the album, but Sitek completely changed the vibe and now it’s an amazing song.

“They have a couple of songs that are just unbelievable, mind-blowing. Everyone’s going to be shocked when they hear this record. It’s not like anything Liam’s ever recorded before."

Pick up the new Music Week today to read the full interview with Rodger, whose Quest company recently acquired the management contract for The X Factor.

 Source: www.musicweek.com

Vote For Beady Eye At The NME Awards

Arcade Fire, Arctic Monkeys, Kasabian, Foals and Biffy Clyro are among the acts nominated for this year's Shockwaves NME Awards.

Despite still not having played live or released their debut album Beady Eye are up for best new band.

The winners will be announced at the ceremony at the O2 Academy Brixton on February 23.

Best New Band (supported by Boxfresh)
Beady Eye
Everything Everything Hurts
The Drums
Two Door Cinema Club
(Last year's winner: Bombay Bicycle Club)

Most Stylish (supported by Shockwaves)
Brandon Flowers
Hayley Williams
Lady Gaga
Liam Gallagher
Noel Fielding
(Last year's winner: Lady Gaga)

Least Stylish
Cheryl Cole
Justin Bieber
Ke$ha
Lady Gaga
Liam Gallagher
(Last year's 'winner': Lady Gaga)

Voting is open now at NME.COM/awards.