Beady Eye Tickets Still Available

There are still a few tickets left for a number of the Beady Eye shows that went on sale this morning.

11 April - NOTTINGHAM, Rock City. CALL VENUE FOR DETAILS
14 April - DUBLIN, The Olympia Theatre
15 April - DUBLIN, The Olympia Theatre
17 April - BELFAST, Ulster Hall
18 April - EDINBURGH, Corn Exchange
24 April - WOLVERHAMPTON, Civic
27 April - BRIGHTON, Centre

TO BUY TICKETS FOR BEADY EYE'S UK TOUR DATES CLICK HERE!

TO BUY TICKETS FOR BEADY EYE'S IRISH TOUR DATES CLICK HERE!

Miles Kane's: First Album I Bought Was?

(What's the Story) Morning Glory?, Oasis

I think it was (What's the Story) Morning Glory? I know it sounds obvious but I'm sure I got it from Woolworths. I was always a big Oasis fan. Noel sings harmony on a track on my record. It was only a little thing but he came to the studio for an afternoon and hung out. It was lovely. I love Beady Eye too, especially Four Letter Word. We're supporting them in March which I can't wait for. They're both lovely lads. It's great to see them back. Hopefully they'll bring a bit of rock and roll to the charts. There's not one guitar band in the top forty. I'd love to get in the charts and have it. The radio is awful at the minute - just so boring. It needs to change. My record's rock and roll but there's a pop element there too. I want my records in the charts and on the radio. I want to get it out there and break that barrier. It's influenced by John Lennon and T-Rex. It's got that groove feel. You can have a good dance to it, I love it.

Source: www.skysports.com

Beady Eye Tickets Go On Sale Later Today

Tickets go on sale later today for Beady Eye's UK and Ireland tour for April 2011 which will follow the release of their debut album 'Different Gear, Still Speeding'.

The band had previously announced shows in Glasgow, Manchester and London for March (which sold out immediately) but this will see them travel the country and play their first dates in Ireland.

The band will play:

11 April - NOTTINGHAM, Rock City.
12 April - LIVERPOOL, Guild of Students
14 April - DUBLIN, The Olympia Theatre
15 April - DUBLIN, The Olympia Theatre
17 April - BELFAST, Ulster Hall
18 April - EDINBURGH, Corn Exchange
20 April - NEWCASTLE, O2 Academy
21 April - LEEDS, O2 Academy
23 April - NEWPORT, Centre
24 April - WOLVERHAMPTON, Civic
26 April - SOUTHAMPTON, Guildhall
27 April - BRIGHTON, Centre

Tickets go on sale at 10am (TODAY) and are restricted to four per person.

UK fans can pick up their tickets from:

www.beadyeyemusic.comwww.gigsandtours.comwww.ticketmaster.co.uk
24h CC hotline: 0844 811 0051 / 0844 826 2826

Fans in Ireland can get their tickets from:

Olympia Theatre - 14th April - www.ticketmaster.ieOlympia Theatre - 15th April - www.ticketmaster.ie

Beady Eye Online Store Now Open

A number of items are now on sale at the Offical Beady Eye Store here.

Pre-order any of the new album formats now & you'll be entered into a special Beady Eye draw to receive a signed copy!

Please note this is a no purchase necessary competition, to enter into this competition simply send an email to beadyeye@townsend-records.co.uk

The picture shown is an exclusive Beady Eye Records Tshirt to celebrate the launch of the new record label. Only available from the Offical Beady Eye Store.

A short advert for the album is available to watch on PLAY.COM here.

Liam Gallagher Talks Beady Eye And More

"I want to be in the best band in the world again," ex-Oasis frontman Liam Gallagher tells SPIN.

At 38, Gallagher is attempting to reclaim his rock glory with Beady Eye, his new group with two other members of Oasis, which will release their debut, Different Gear, Still Speeding, in the U.S. on March 1 via Dangerbird Records.

But how did one of rock's most notorious stars get here? It all started with a fight.

In August 2009, just minutes before Oasis were set to perform for 40,000 fans at Paris' Rock en Seine festival, the longstanding tensions between Liam and his brother Noel, the band's chief songwriter, came to a head. Punches were thrown and guitars broken, then Noel stomped off and the gig was canceled.

"He'd been acting like an old granny throughout the tour, and he felt that I'd been a dick," explains Liam. "We came to blows and that was the end of it." Noel released a statement shortly after announcing his permanent departure from Oasis, writing, "I simply could not go on working with Liam a day longer."

"We haven't spoken since that night," Liam says. "But who knows, maybe in the future it will sort itself out. If it's meant to happen, it will happen."

Shortly after the brawl, Liam and ex-Oasis guitarists Gem Archer and Andy Bell "went out and had a couple of beers," he says, "and we decided to carry on. The idea of sitting at home, not making music, just makes me want to throw up."

They formed Beady Eye along with Oasis' touring drummer, Chris Sharrock, and began demoing songs for their debut LP. But this time, their success is up to them. Noel carried Oasis, writing the bulk of the band's material, including all eight No. 1 U.K. singles. But Liam is convinced Beady Eye can top that.

For the first time in his 20-year-long career, Liam is now regularly contributing songwriting ideas and shares credits on Different Gear, Still Speeding with Archer and Bell. "I've never made a record without our kid [Noel]," he says. Archer, 44, interjects, "But it's still same six strings, the same way 'round. It's in our DNA now."

"We're up for the challenge," adds Liam.

Beady Eye entered North London's RAK Studios last summer to track the effort with Grammy Award-winning producer Steve Lillywhite (U2, Dave Matthews Band, the Smiths). The quartet recorded 13 songs over 12 weeks, breaking to rock out to one of their favorite new albums, the Black Keys' Brothers, or hit the pub to cheer on England in the World Cup. "It was a good time to be in North London," says Archer. "One time Liam even bought a ticket for the sweepstakes [the lottery] as a joke and won a little money, not that he fucking needed it… [both laugh]."

They tracked the songs in as few takes as possible, in order to preserve the live quality of the sound. "We weren't sitting around dwelling on it," says Liam. "We'd do a couple tracks and move on."

Among the tracks are the glam-rock jam "Bring the Light," a "party tune," says Liam, which "just means, 'Let's fucking go, man,'" and the Beatles-y piano ballad "The Roller": "It's a metaphor for how things are thrown at you in life," says Liam, "and how they aren't as bad they seem."

The tracks, Liam continues, are classic rock'n'roll. "You've either got it or you haven't," he says of their songwriting chops. "Not everyone can say, 'I'm going to write a classic today.' If that was the case, we'd all be doing it."

With keyboardist Matt Jones (Ultrasound, Jamie T, Minuteman) and bassist Jeff Wootton (The Black Marquee) joining them, Beady Eye will hit the road in March with supporting act Miles Kane, who plays in the Last Shadow Puppets with the Arctic Monkeys' Alex Turner. Then, this summer, Beady Eye will head stateside for a tour of relatively intimate, 1,500-2,000-person theatres. "We're gonna go everywhere and run this album down people's throats, but in a nice way," Liam says.

Meanwhile, Noel is preparing his solo debut. But will Oasis ever reunite? "It just isn't going to happen, man," says Liam. After all, he's convinced Beady Eye will soon match, if not surpass, the success of his former band.

"Without a doubt," he says. "We're just doing it in a different way now. The passion in this band… there ain't anyone touching it. It's like a football team: You want to win the league.

Source: www.spin.com

Beady Eye 'Different Gear, Still Speeding' Mojo Review

These days Liam Gallagher calls big brother Noel “the little fella” and his new band heralds the post-Oasis era. But is this vehicle built for joyriding or a long run?

Key tracks (Bring The Light, Wind Up Dream, The Beat Goes On)

3 STARS

IN WHAT seems an eternity ago, but was actually just summer 2008, Oasis appointed their latest drummer, Chris Sharrock, much to the annoyance of Liam Gallagher. According to elder brother Noel, the Oasis singer was disgruntled that his band had been reduced to hiring a former employee of Robbie Williams. Presumably Gallagher Jr mellowed his opinion once he stood on-stage amidst the gyroscopic eruption of his new colleague’s playing on The Shock of the Lightning. Or perhaps he remembered that Sharrock had been a member of The La’s just long enough to play on There She Goes, and also appeared in that song’s sweet video; this man was channelling the urchin rocker spirit of The Beatles when Liam was still at school.

A consensus maintains that Sharrock was the most talented occupant of the Oasis drum stool, and now at last he’s played on his first album with the band. Well, almost. The notion of Beady Eye as simply a Liam Gallagher solo vehicle looks shaky when held against the continuity of the group’s membership. With Sharrock joining Liam, Gem Archer and Andy Bell, this band is Oasis, albeit minus the substantial element of Noel Gallagher: songwriter, guitarist, The Chief. Having disparaged his sibling’s character throughout their turbulent journey – the gist essentially being that Noel’s a boring muso, but I’m mad for it – now it is Liam’s chance to step outside big brother’s shadow and shyeeeiiine.

He’s done a decent job. Though wholly conformist and unlikely to surprise anyone familiar with its creators’ previous activity, Different Gear, Still Speeding does boast three strokes of brilliance. First off, there’s the title, which Liam suggests Liam possesses more self-deprecating humour than he’s given credit for: look, I might be 38 but I’ve got a new band and I’m still mad for it. Then the nutty cover art: a picture of a child riding an alligator, with the title in speech bubbles. Mocked up to resemble a hippy era samizdat journal, or perhaps a Frank Zappa sleeve, it’s a cut above the boil-in-the-bag retro of innumerable Oasis designs, and indeed, Liam’s Pretty Green clothes label. Finally, we have the single, Bring The Light. Until a year ago Liam was declaring his intent to call this band Oasis, and on this evidence it would not have disgraced that band’s legacy had he done so. Bring The Light has exactly the unselfconscious brio and contempt for the cool school rule-book that defined Oasis in their pomp. The primeval rock ‘n’ roll piano and Sharrock’s fervent snare shots taunt those disposed to sober bystanding, and instead the listener is dragged into line with Gallagher’s tunnel vision logic: “I see no point/In what you’re thinking/I’m going out/I’m taking you drinking”. Only a fool could argue with that. The contrast between this compact but nippy run-around and some of the ponderous gas-guzzlers Liam was obliged to front on Dig Out Your Soul, the final Oasis album, is glaring.

Then again, you don’t have to subject the Beady Eye debut to a full body scan to realise Noel Gallagher hardly foisted his grand musical vision on an unwilling workforce. There is actually a song here called Beatles and Stones, sounding like a mini-me version of The Who in R&B kickabout mode. The epic closer, The Morning Son, has a line beginning “So let it be…”, and is a dopey lope through the punning possibilities of its title, wrapped around a melody which refracts The Jam’s English Rose through the glissandos of a rent-a-trip string section. Before sliding into a sleazy stack-heeled refrain, The Roller mimics Instant Karma with the sort of obstinate intensity to be expected from a man who named a son Lennon. These reflexive testimonials to the golden age of Brit-beat and its lysergic aftermath smother the album, with too few songs possessing the transcendent qualities to counteract the balm of déjà vu.

Some basic editing might have helped: with 13 tracks and a running time eight minutes shy of an hour, Different Gear, Still Speeding, badly loses momentum in its final third. But amid the soft-rock platitudes (Wigwam) and leaden rabble-rousing (Standing On The Edge Of The Noise), there’s real inspiration, when windy rhetoric is dumped for simple, spring-heeled arrangements suggesting a strong bond between the musicians and producer Steve Lillywhite. Wind Up Dream has a spacey hand-jive groove with a whiff of The Stooge’s Penetration. Millionaire delivers a zestful acoustic twang and eyebrow-raising lyrical references to the Catalonian town Figueres and its most famous son, Salvador Dali. Equally deft is the lovely Macca-pop swing of For Anyone. These latter two compositions demonstrate that Liam Gallagher is as effective in the role of tender supplicant as when squaring up or out on the lash.

Indeed, his soppy side dictates a song which, though preposterous, is one of the record’s definitive moments. The Beat Goes On feels faintly comedic in its unabashed evocation of Mellotronic Fabness – imagine The Wombles in Pepperland (full page caricature of Beady Eye as Wombles in Pepperland with Noel as Uncle Bulgaria in the background!!!!!). The lyrics paint a no less absurd picture: the narrator dreams his own death and arrives in heaven for “the gig in the sky” to discover “The Ox and the Moon…counting me in”; on realising he’s still alive, he announces, “I’m misunderstood/And wasted on money and fame/I’ll throw it away, just to prove that I can…”. This is cogent, reflective songwriting, and such is the singer’s ingenuous zeal that any impulse to snigger is ultimately undercut by something closer to respect.

Throughout the record, Gallagher demonstrates yet again his infernal gift for singing: even a weak tune is better for him at the mike, and though there were times with Oasis when his waywardness clearly destabilised proceedings, the extent to which that band depended for its impact upon a fully-engaged Liam was beyond doubt. Here the man’s commitment is total, and such is his eternal saving grace. Anyone searching for clues to a future peace deal with brother Noel will take solace in the brooding, not-at-all-unlike-Oasis anthemics of Kill For A Dream: over portentous strings Liam declares, “Life’s too short not to forgive/You can carry regrets but they won’t let you live/I’m here if you wanna call…”.

In the context of the Gallagher soap opera, this is serious stuff. In the real world, it’s merely a passable song on a debut album that shapes up better than many imagined. Whether Liam Gallagher’s band is the start of a new story or a diverting subplot to an on-going saga remains to be seen – and you can imagine where the smart money lies. But already, amid the righteous ramalama of Bring The Light, their genius move, the world’s a brighter place for having a Beady Eye.

Source: Mojo Magazine thanks to anotherchancer

Miles Kane 'Kingcrawler' Free Download

Miles Kane is giving fans a free download available via his Facebook Page, fans who ‘like’ Miles’ profile can get a live version of brand new track ‘Kingcrawler’ from today onwards.

He will be supporting Beady Eye on their UK tour that will see Miles playing tracks from his forthcoming debut album, to be released this spring on Columbia Records, including his first fully available single release, the searing ‘Come Closer’.

Produced by Dan Carey in South London and Dan the Automator in San Francisco, ‘Come Closer’ is "A good first proper single, because it has all the elements. A bit sexy, sleazy, with cool guitar,” explains Miles.

‘Come Closer’ will be available via digital download and two 7” vinyl formats which will include exclusive B side track ‘Before It’s Midnight’ and a remix by Steve Mason, formerly of The Beta Band.

Last year he revealed that Noel Gallagher sings on his forthcoming solo album, while Kane plays guitar on Noel's forthcoming solo project.

Beady Eye At Number 28 On The Midweek Charts

Beady Eye's debut single 'The Roller' is at number 28 on the Official Midweek Chart.

The single is now available to download from the below stores:

Beady Eye Official Store
iTunes

A digital bundle of 'The Roller' featuring the exclusive b-side 'Two Of A Kind' will be available to buy from Sunday 20th February.

The single and b-side will be available on a numbered limited edition 7" release from the official Beady Eye store on Monday 21st February.

This will be available to pre-order from early February. A standard version of the 7" will also be available to buy in stores from Monday 21st February.

Visit www.beadyeyemusic.com for more details.

The Pretty Reckless Cover Oasis' Wonderwall

Click here to watch 'The Pretty Reckless' cover the Oasis classic Wonderwall on French TV show 'Taranta'.

Beady Eye On The Front Cover Of Rolling Stone France

Beady Eye are on the front cover of this month's 'Rolling Stone' France magazine.

Click here for more details.

Liam Gallagher On The Front Cover Of Rolling Stone España

Liam Gallagher is on the front cover of this month's 'Rolling Stone' España magazine.

Click here for more details.

Beady Eye's 'Different Gear, Still Speeding' Track Times Revealed

The track times for Beady Eye's debut album, 'Different Gear, Still Speeding' have been revealed by music retailer HMV.

01. Four Letter Word (4:17)
02. Millionaire (3:19)
03. The Roller (3:34)
04. Beatles & Stones (2:56)
05. Wind Up Dream (3:27)
06. Bring The Light (3:39)
07. For Anyone (2:15)
08. Kill For A Dream (4:39)
09. Standing On The Edge Of Noise (2:52)
10. Wigwam (6:39)
11. Three Ring Circus (3:09)
12. The Beat Goes On (4:45)
13. The Morning Son (6:03)

Running Time: 51:34

Beady Eye - Different Gear, Still Speeding Review

Beady Eye - Different Gear, Still Speeding ****

Liam Gallagher strikes first blow as post Oasis years begin.......

Be honest. If you were the gambling type, whose chances did you favour following the bitter dissolution of Oasis in August 2009? Was it Noel, band gaffer with the anthemic Midas touch now facing what seemed an inevitable transition to Weller-esque solo Britpop godhead? Or was it Liam, voted the greatest frontman of all time by Q, yet potentially one now fronting thin air if severed from his big brother's masterplan? The safe wager seemed to be Noel, even if 18 months on we're still waiting for him to fulfil those expectations and make the crucial next move. Whereas to back Liam's bid for Noel-less glory felt at best blindly optimistic, at worst laughably imprudent.

Consider the odds. Liam has the "The Voice", but while his sporadic songwriting has matured considerably since 2000's much-derided Little James, his ability to pen a whole album is ominously unproven. The same applies to his faithful ex-Oasis right-hand men Gem Archer and Andy Bell, both of whom have borne due critical flak for supplying the band's weakest album filler since 2002's Heathen Chemistry. Not great omens, and that is before they handicap themselves with the preposterous real ale-worthy name of Beady Eye, exacerbated by Liam's typically outrageous hyperbole that they were "going to be bigger" than Oasis and Noel "will come crawling back". On paper, the story was already writing itself, all elements in place for what promised to be the most embarrassing rock folly this side of Tin Machine.

So by virtue of circumstance, his post-Oasis moment of truth, Beady Eye's Different Gear, Still Speeding was always going to be one of the most important records Liam Gallagher would ever make. The gobsmacking reality is that it's also among the best. Which isn't to say that Oasis-loathing cynics won't find fish in its barrel to keep themselves trigger happy. No surprise that, yes, a lot of it sounds like The Beatles, the lyrics are no threat to Morrissey and, as in Oasis, musically speaking nobody here is reinventing the wheel. But such mean-spirited nit-picking evaporates in the face of an album which awes in its consistency, melody, determination and, perhaps most surprisingly, positivity; as was never the case with every Oasis album after 1995's (What's the Story) Morning Glory?, making this, however unlikely it sounds, the strongest record Liam's made since.

This do-or-die sense of purpose is evident from the first wah-wah smack of Four Letter Word, akin to Spencer Davis Group's I'm A Man as played by The Stooges yet still familiarly Oasis-esque not to scare the horses. It's an opposite setting for Liam's opening war cry, "Sleepwalk your life away if that turns you on," followed by the first of the album's many allusions to the Gallagher sibling soap opera; "the battle's on and the song is the prize", or its snarling moral "nothing ever lasts FOREVER!" A necessarily cathartic overture, perhaps, it's rock'n'roll gusto sets the bar for at least half of Different Gear.....: from Bring the Light, a romping Jerry Lee Lewis homage manic enough to overcome its banal "baby, c'mon" vocal to the free blues rock chug of Three Ring Circus and the Plastic Ono jam Standing On The Edge Of The Noise. Most ravishingly raucous is Beatles and Stones, Gallagher's mission statement that he's "gonna stand the test of time" like its titular icons over a garage rock stomp twitching between The Who's My Generation and Failure by The La's.

If Beady Eye were merely a balls-to-the-wall one-trick pony this would be a passable debut. That it's above and beyond so is thanks to the majority which chooses melodic beauty over sonic boisterousness, much credit due to the clarity of producer Steve Lillywhite's touch extracting Liam's brightest vocals in aeons. Both Millionaire, a gem of '70s slide-guitar glam, and the deliriously romantic For Anyone show a sublime pop sensibility. But the big guns here are all epic ballads, lighters first rising aloft on Kill For A Dream, the wistful alternative to Four Letter Word's post-split autopsy, which just might reduce grown Oasis fans to tears. "Life's too short not to forgive," sings Liam, "I'm here if you wanna call." Its scarf-waving outro is soon eclipsed by the soulful Wigwam climaxing after six minutes in a gospel chorus with Liam "coming up" from the depths of despair.

The best, however, is saved till last. The Beat Goes On is an ELO fairytale of a tune, Liam pondering his own death and his heavenly reception by an angel's choir in Beady Eye's equivalent to Don't Look Back in Anger. "It's not the end of the world/It's not even the end of the day." It seems unsurpassable until The Morning Son ripples in on the tide of Champagne Supernova, just Liam, acoustic guitar and a tsunami of poignancy: "I stand alone/Nobody knows/ The morning son has rose." It's a shudder-inducing stroke of genius, Gallagher effectively serenading his own rebirth as the music softly explodes towards a frantic finale again reminiscent of Lillywhite's La's debit and its comparable closer Looking Glass. Breathtaking, in fact.

If the Liam Gallagher of Oasis was the greatest frontman of all time the Different Gear.... is evidence enough that with Beady Eye he's created another great British guitar band to justify that honour. And if the battle really is on, then, much to the bookmaker's horror, this decimates all negative preconceptions. The half-score an effortless one-nil to our kid. Now over to you, big brother. Simon Goddard.

Download: The Beat Goes On (Q50)//Four Letter Word//Millionaire//The Morning Son//For Anyone

Source: Q Magazine thanks to lucahelvetica

Beady Eye Fan Site

I have been working on a Beady Eye fan site www.standingontheedgeofthenoise.com the last few weeks to run along side my Oasis site www.stopcryingyourheartout.com.

On the site you will find information on band members Andy Bell, Chris Sharrock, Gem Archer and Liam Gallagher.

The Site will contain DVD & CD Bootleg Artwork, Wallpapers, Latest News, Gigography, Discography, Photos, Videos and more.

I will continue working and editing it over the coming weeks, and I will be adding new material to it as and when I come across it.

Liam Gallagher: Success Is Painful

Liam Gallagher says he and his bandmates are “scathed” every day.

The rock star has enjoyed a successful career, often grabbing headlines for his no-nonsense behaviour as a member of Britpop band Oasis.

Now he is looking to carry on this attitude with his latest venture – Beady Eye – which was formed after he fell out with former colleague and his brother Noel.

Liam loves how, even though he is still going strong, his fellow musicians go through pain for the cause all the time.

“We’re scathed every f**kin’ day and we wouldn’t have it any other way,” the 38-year-old told Q magazine. “Our new keyboard player’s broke his foot already. Dropped a bowling ball.”

But Liam feels as though some of his peers are not being rock and roll enough. He says that he saw British indie band Coldplay and couldn’t believe there was no friction between them, which he thinks is a healthy part of any group. It happened while Beady Eye guitarist Andy Bell was wearing an unusual piece of attire. “I bumped into a couple of the Coldplay lot in the pub,” Liam explained. “Jonny [Buckland, Coldplay guitarist] said, ‘We’re just really happy.’ What, not one of you p**sin’ each other off? Nothing happened? People have got to have something to talk about, haven’t they?”

Beady Eye will release their album Different Gear, Sill Speeding in the UK on February 28. Liam claims that if people don’t expect much of the record it can only be because he is too much of an icon.

“Well, that’s pretty sh*t,” he said when asked how he’ll react if the public doesn’t like his latest project. “If people have low expectations of us it because you’ve been f**kin’ blinded by what you idolise man, that’s what you’ve been. That’s what’s happened.”

Source: www.musicrooms.net

Liam Gallagher: ’People Will Be Calling Their Kids Beady Eye’

Liam Gallagher and his Beady Eye are raring to go. So much so he tells the new issue of Q Magazine (out today) that “People will be calling their kids Beady Eye by the end of the year”.

He adds that the (much discussed Beady Eye band name) is like “me walking into a room and going, right, that’s it I’m called Lisa now” and that “it puts us (the band) next to The Beatles in the rack. Instead of the f**kin Osmonds”.

On that now famous day in Paris on the 28th of August 2009 Oasis split up. Beady Eye (who this morning have announced a brand new set of UK live dates for April) were formed almost instantly by Liam, including former Oasis bandmates, Gem Archer, Andy Bell and Chris Sharrock.

The mission statement was clear, Liam and Beady Eye were to be a proper ’rock n roll band’. With debut album ‘Different Gear, Still Speeding’ set for release next month on February 28th, fans have been treated to some initial tasters, including a free download in the shape of ‘Bring The Light’.

A stomper of a tune ‘Bring The Light’ with it’s northern soul style backing singers, adds a suprisingly slightly new dimension, setting apart the Beady Eye sound a little from the tried and tested Oasis swagger method.

Debut single proper ‘The Roller’ set for release February 21st is ‘Instant Karma’ all over, showcasing Liam’s vocal at it’s smooth and soothing best with the track already having over 400,000 views on you tube alone.

Already confirmed to play a set of sold out UK dates in March, the band have now announced this morning a further headline UK tour starting in April.

Source: www.beehivecity.com

In This Month's Mojo Magazine

A two page review on Beady Eye's debut album ‘Different Gear, Still Speeding’.

Beady Eye Announce UK And Ireland Tour

Beady Eye have announced a UK tour for April 2011 which will follow the release of their debut album ‘Different Gear, Still Speeding’. The band had previously announced shows in Glasgow, Manchester and London for March (which sold out immediately) but this will see them travel the country and play their first dates in Ireland.

The band will play:

11 April - NOTTINGHAM, Rock City
12 April - LIVERPOOL, Guild of Students
14 April - DUBLIN, The Olympia Theatre
15 April - DUBLIN, The Olympia Theatre
17 April - BELFAST, Ulster Hall
18 April - EDINBURGH, Corn Exchange
20 April - NEWCASTLE, O2 Academy
21 April - LEEDS, O2 Academy
23 April - NEWPORT, Centre
24 April - WOLVERHAMPTON, Civic
26 April - SOUTHAMPTON, Guildhall
27 April - BRIGHTON, Centre

Tickets go on sale Friday 28th January at 10am and are restricted to four per person.

Fans can pick up their tickets from:
www.beadyeyemusic.com
www.gigsandtours.com
www.ticketmaster.co.uk

Source: www.beadyeyemusic.com

Vote For Beady Eye At The NME Awards

Arcade Fire, Arctic Monkeys, Kasabian, Foals and Biffy Clyro are among the acts nominated for this year's Shockwaves NME Awards.

Despite still not having played live or released their debut album Beady Eye are up for best new band.

The winners will be announced at the ceremony at the O2 Academy Brixton on February 23.

Best New Band (supported by Boxfresh)
Beady Eye
Everything Everything Hurts
The Drums
Two Door Cinema Club
(Last year's winner: Bombay Bicycle Club)

Most Stylish (supported by Shockwaves)
Brandon Flowers
Hayley Williams
Lady Gaga
Liam Gallagher
Noel Fielding
(Last year's winner: Lady Gaga)

Least Stylish
Cheryl Cole
Justin Bieber
Ke$ha
Lady Gaga
Liam Gallagher
(Last year's 'winner': Lady Gaga)

Voting is open now at NME.COM/awards.

Liam Gallagher 'Clueless' About Lyrics

Liam Gallagher has admitted he has no idea what his own lyrics mean.

The former Oasis frontman is about to launch a new career with his band Beady Eye with his songwriting coming to the fore for the first time.

But in an interview with the March edition of Mojo magazine, he said: "I don't know what any of my tunes are about, they're just out there."

Liam went on: "I'm not good with words. I just say the first thing that comes into my head."

His brother Noel took charge of the lyrics for the vast majority of Oasis tracks but quit the band in 2009, although Liam did contribute some tracks such as Little James and Songbird.

The remaining members of the group are carrying on under the name of Beady Eye, with a debut album Different Gear, Still Speeding due for release next month.

Asked what new song Wigwam is about, he admits: "F*** knows, I haven't got a clue, man.

"That's words, that's all, that I think sort of go together. There's a bit of something... people might see it as being a bit of beating up someone on the booze a bit.

"But it's nothing to do with a wigwam. Or as some Japanese girl said the other day 'what is it about, a man with a wig?'. I don't know

Source: The Press Association.