Oasis 20 Years On: The Two Brothers At The Birth Of Lad Culture

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Oasis released their first single, 'Supersonic', 20 years ago today. Bill Borrows looks back in admiration at two decades spent in the company of the Gallaghers.

As Kurt Cobain's lukewarm corpse awaited discovery at 171 Lake Washington Boulevard, Oasis played live on Radio One for the first time. Three days later, his body had been found, and the team behind the launch issue of new magazine Loaded were engaged in frantic phone calls to the printer in an attempt to pull a story lamenting Cobain’s inability to behave like a real rock star and commit suicide properly.

‘Supersonic’, the first Oasis single, was released three days later and the defining magazine of the 90s hit the shelves (minus the Cobain piece) two days after that. Blur’s relentless and catchy ‘Girls and Boys’ was everywhere and in a couple of months the soon-to-be rechristened New Labour Party would elect a youthful leader to challenge the tired, sleazy, divided Tory government (if we knew then what we know now etc…).

Quite obviously something was afoot in the land. It felt like change.

Cobain had sung, ‘I Hate Myself And I Want To Die’ but less less than a year later everybody had already "sniffed it up a cane on a ‘Supersonic train" and now wanted to ‘Live Forever.’ Oasis had asked the question: ‘Isn’t everybody else sick and f****** tired of being miserable?’ The genius, whether by accident or design, was to answer it themselves two singles later.

"Maybe I just want to fly/ I want to live/ I don't want to die/ Maybe I just want to breathe/ Maybe I just don't believe," demanded Liam and, out-staring his brother’s words, "I want to live forever." Even the NME, still in their tear-stained Nirvana t-shirts and skinny-fit black jeans, found time to conclude, "Basically, what thus far looked like obnoxious Manc arrogance suddenly looks like sheer effortlessness. A terrific record." Yeah. Terrific. Thanks for catching with up the mood of the nation.

The mainstream media were not far behind, ‘Definitely Maybe’ became the fastest selling debut album in UK history and soon everybody was sprinkling cocaine on their cornflakes. Oasis and the brothers Gallagher were suddenly household names and just as likely to turn up on the front of the Daily Mirror as in the pages of the music press. Watching their lives from the outside became a national sport.

"When we started off," explained Noel, "we wanted the girls, the cocaine, the fur coats. It wasn't like it was an act. It was almost like working-class people winning the pools. We went bananas." Everybody lapped it up. The music was on the money (they couldn’t have got away with it otherwise) but more importantly their attitude chimed with the times. It was during this period that Liam stole the rights to the two finger salute from Kes. He still owns them today.

This is not the Oasis story - that remains to be written - but over the next twenty years entertaining interludes between number one albums, landmark gigs and the best guitar music for a generation would include: Fights between the brothers; cocaine; Liam shagging and marrying famous women; fights between the brothers; cancelled gigs; slagging each other off; divorces; cocaine; fights with photographers and bouncers; band break-ups; cocaine; band make-ups; slagging off every band around (particularly middle class outfits like Blur); cocaine; and, fights between the brothers.

They also gave a great quote. Whether it was Noel declaring his manifesto ("Smoke where you want, drink what you want, whenever you want. Get the age of consent down. Legalize drugs. Kill all the people who like grunge music. Kill all surfboarders. Melt the snow. Anybody who wears a cowboy hat should get the electric chair") or Liam explaining what he would be doing for on Christmas Day ("The usual. I'll be sitting there all day getting wankered. Probably eating loads of fucking food and all that. What are the kids after this year? What do you think? Loads of fucking toys") it was always memorable.

The second album, ‘(What’s The Story) Morning Glory?’ went straight to number one in the UK in October 1995, peaked at number four in the States and then it really went ‘Champagne Supernova’. But the "sheer effortlessness" of their ascent began twenty years ago today. Oasis, the band, might be in storage somewhere, but the brothers are still box-office, still feuding, still walking tall and still talking back. It has been rock n’ roll from the start. The only ingredient missing? A death in the band. But then, as they were so keen to point out at the start, they always wanted to live forever.

Source: www.telegraph.co.uk

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On This Day In Oasis History...

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"Supersonic" is the debut single released by British rock band Oasis, written by Noel Gallagher. It also appears on their debut album, Definitely Maybe. It was released on the 11 April 1994 and peaked at #31 on the official UK charts. It was the song performed by the band on their debut national TV performance on Channel 4's The Word, which aired on 18 March 1994. It remains to this day a favourite song of both the band and their fans (on the Definitely Maybe DVD, Noel cites it as his favourite Oasis song). The single went silver in the UK on June 30, 2006, 12 years and 3 months after its original release.





















In spite of its popularity, Gallagher claims the song is basically a collection of nonsense lyrics written in a matter of minutes, just before the band entered the recording studios to record the track. The identity of the character "Elsa" caused some confusion — according to the song She done it with a doctor/On a helicopter/she sniffin' in a tissue/Sellin' the Big Issue. Noel claims, "Someone told me "Supersonic" was about teenage prostitution. Shit!". It has since been revealed that Elsa was a nine-stone rottweiler with a flatulence problem who was in the studio on the day the song was written, hence the line "she's into Alka Seltzer". It was written and recorded at The Pink Museum in Liverpool. The plan was for Oasis to record "Bring It On Down" for their debut single and another bunch of demos. However, "Supersonic" was written and it impressed everyone so much, it was chosen to be the band's first single. Gallagher has revealed in interviews that "Supersonic"'s distinctive lead guitar part wasn't a deliberate copy of the intro to George Harrison's 1971 single "My Sweet Lord". The band recorded two videos for the song, for UK and US release. The UK version of the video features the band playing on a roof, similar to The Beatles' rooftop concert.

It is included on the official music album for Euro 2004, Vive O 2004!



UK MUSIC VIDEO



US MUSIC VIDEO
In March 2005, Q magazine placed "Supersonic" at number 20 in its list of the 100 Greatest Guitar Tracks.

In May 2007, NME magazine placed "Supersonic" at number 25 in its list of the 50 Greatest Indie Anthems Ever.

The song is included on Oasis' compilation album Stop the Clocks.

Track listings

CD CRESCD 176
"Supersonic" - 4:44
"Take Me Away" - 4:30
"I Will Believe" (Live) - 3:46
"Columbia" (White Label Demo) - 5:25

7" CRE 176
"Supersonic" - 4:44
"Take Me Away" - 4:30

12" CRE 176T
"Supersonic" - 4:44
"Take Me Away" - 4:30
"I Will Believe" (Live) - 3:46

Cassette CRECS 176
"Supersonic" - 4:44
"Take Me Away" - 4:30

Japanese EP ESCA 602
"Supersonic"
"Shakermaker"
"Columbia" (white label demo)
"Alive" (8 track demo)
"D'Yer Wanna Be A Spaceman?"
"I Will Believe" (Live)
"I Will Believe" is believed to have been recorded for a 1993 radio session for the BBC.

The demo of "Columbia" is the same version as was released on a limited edition white label promo in December 1993, which itself was an edited version of the original demo recorded in Liverpool in the spring of 1993.

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The Day Oasis Went Supersonic

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To borrow the words of their heroes – and sometimes rather too obvious inspiration – it was, almost unbelievably, 20 years ago today that the world received their first dose of a Manchester band whose guitar-based anthems managed the unlikely trick of sounding utterly traditional while simultaneously shaking up the British music scene.

To coincide with the anniversary of Supersonic, the debut single from Oasis, released with initially modest sales – it peaked at No 31 in the charts – on 11 April 1994, fans of arguably the totemic band of the Britpop era can relive their obsession with an unprecedented and exhaustive exhibition chronicling the quintet's imperial phase, spanning their first three albums.

Chasing the Sun: Oasis 1993-97, which runs until 22 April at a gallery in Shoreditch, east London, includes rare photos and videos of the group's early days, as well as artefacts such as the suspiciously pristine white parka worn by singer Liam Gallagher when they played Glastonbury in 1994, and guitars belonging to his elder brother, regular co-combatant and chief Oasis songwriter, Noel. It also features Noel's original hand-written lyrics to some of the band's most famous songs, complete with discarded lines visible beneath crossings-out.

Most dramatic is a life-size re-creation of a sunlit living room which will look instantly familiar to anyone whose glory days coincided with the period, with its half-drunk glasses of wine, guitar and a poster of Burt Bacharach. It is, of course, the cover of Definitely Maybe, the band's debut album, released in August 1994. The items in the room are copied from the originals – rhythm guitarist Paul "Bonehead" Arthurs, in whose south Manchester house the photo was taken, took the fireplace and stained glass windows with him when he moved – allowing fans to walk in and drape themselves and their greying shaggy haircuts about the exhibit in imitation of their heroes.

The cover was created by the band with Brian Cannon, who designed all Oasis's record covers during their peak period. Contrary to Oasis's media-dictated Britpop status as the knuckle-dragging counterparts to Blur's middle-class aesthetes, Cannon said the careful arrangement of images showing band heroes had a decidedly high-culture origin: "The main inspiration for that was Flemish Renaissance paintings, where there's a narrative going on with the objects. It's the same sort of thing as The Arnolfini Wedding by Jan van Eyck."

It could have been very different, he added: "There were other ideas floating around at the time. Liam suggested a lump of butter with a knife sticking out of it. It wouldn't have been the same, would it?"

The exhibition recalls a period of rapid and astonishing success for Oasis. Definitely Maybe was followed up by the all-conquering (What's the Story) Morning Glory? and the misfiring but still 8m-selling Be Here Now. All three albums are being rereleased to coincide with the Supersonic anniversary.

For all the acclaim at the time, the band have arguably suffered in posterity, often being condemned as derivative – Noel Gallagher cited the Beatles as an influence so often that even Paul McCartney eventually mocked him for it – and unimaginative. While Oasis greatly outsold Blur during their 1995 battle for Britpop supremacy, the latter band triumphed in the retrospective critical war.

Cannon hopes the exhibition will redress this. "People who have a go at them don't get it and are never going to get it. Some people are so vehemently anti-Oasis. I couldn't get that upset about someone unless they assaulted my parents. There's a hidden agenda with a lot of those people. They don't like the brothers, or they don't like the fact they're working class, or they're northern. I don't think anyone who's into the genre of guitar-based music can say they're no good. Because they're brilliant. And it's as simple as that."

One thing the exhibition has already achieved is to unite most members of a band so famously fractious that they eventually broke up due to a squabble that began with the throwing of a plum.

While the idea for the exhibition was primarily Noel's, said Lawrence Watson, a photographer who worked with the band in their later years and has curated the show, the others were keen to help: "They got on board pretty quickly and started raiding the attic. Everybody's contributed."

This included even Liam and Noel. "You could say they've found a sort of truce for the exhibition. I hope they'll come down at a quiet moment." At the same time? "Probably not."

Chasing the Sun: Oasis 1993-97 is at Londonewcastle Project Space, 28 Redchurch Street, London E2, from 11-22 April

Source: www.theguardian.com

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Noel Gallagher Is A Guest On 'The Fantasy Football Club' Later Today

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John Fendley, Paul Merson are joined by Noel Gallagher this week to take a light-hearted look at fantasy football and the weekend's Barclays Premier League matches.

The Fantasy Football Club

Sky Sports 1 Fri 11th Apr, 6:30pm & 10:15pm (UK Only)

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How Oasis Convinced Britain That We Could Have It All

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Twenty years ago, on April 11 1994, Oasis released their debut single, Supersonic. Britain would never be the same, says Neil McCormick

When we think of the Nineties, the monobrow image of the Gallagher brothers is stamped indelibly across the decade. It is surely one of the oddest love affairs in pop history, when a gang of heavy-drinking scallywags were clutched to the bosom of the nation, celebrated from Coronation Street to Downing Street while waving two fingers at everyone, including each other. Oasis did something no pop group since the Beatles had done, infusing the whole country with their self-belief.

Supersonic, released 20 years ago, on April 11 1994, was the perfect debut single to unleash Britpop madness. It starts with a big, bold, beat and snaky guitar riff, before a sneering vocal declares, “I need to be myself, I can’t be no one else.” What follows is almost five minutes of euphoric nonsense involving helicopters, yellow submarines and a girl called Elsa who sniffs Alka Seltzer. But it is the assertion that “you can have it all” and the question “how much do you want it?” that announces the arrival of a new pop generation, with a brand new attitude.

It was not supposed to be the Mancunian rockers’ calling card. Indeed, it didn’t even exist when they went into The Pink Museum, a cheap studio in Liverpool, for a cut-price, overnight session to record their debut. Alan McGee, the boss of Creation Records, wanted his new signings to announce themselves with punky anthem Bring It On Down, but they struggled to capture its fierce energy. Rather than waste the session, Noel Gallagher knocked out Supersonic in 30 minutes.

 The songwriter was on a high, writing so fast that, “it was difficult to keep up. We’d have four new songs every week.” They made a rough mix of the song that has never been changed since, and everyone was so pleased with the results it was promoted to the A-side. “A lot of bands’ first singles, they’re kind of finding their feet. We hit the ground running with that one,” asserts Gallagher.

Before Oasis, music in the Nineties was an explosion of techno, jungle, trip hop, big beat and psychedelic indie. Ubiquitous yet unfocused, all this wonderful, amorphous noise was easy to ignore. Newspaper editors, the chattering classes and parents of pop consumers neither knew nor cared who was in the charts. Music was everywhere in the Nineties, yet nothing was holding the centre. There were no songs we could all sing together.
Oasis changed all that. Supersonic only reached number 31 in the UK charts, but it was enough to put Oasis on the radio and on Top of the Pops, and give us a first glimpse of a group of stylish, confident young men. One month later, Definitely Maybe became the fastest-selling debut in UK pop history.
Britpop, until then just a fringe notion of indie scruffs scheming with NME hacks in Camden lock-ins, was suddenly real, and the country was alive with the clatter of guitar bands singing about what it meant to be young, broke and British.

Definitely Maybe sold 15 million copies worldwide. Britain grew heady with notions of musical empires, convinced it might rule the airwaves once again. Cool Britannia became a horribly triumphalist catchphrase, echoing the rise of Tony Blair and New Labour’s champagne socialism.

Into this funnel would pour the Spice Girls and their Union Jack miniskirts, Hugh Grant and Liz Hurley, Baddiel and Skinner, Fantasy Football, Three Lions, Loaded magazine, Katie Price, Vinnie Jones, Lock, Stock And Two Smoking Barrels, Chris Evans, TFI Friday, All Saints, Robbie Williams, Harry Potter and Damien Hirst. It almost goes without saying that it all ended badly.

The way Oasis swept everything before them, there was an assumption that the sky was the limit. Now that they are no more, maybe we can stop judging them by what might have been, and focus on what was.
Supersonic remains an electric bolt of a record, a thrilling first shot from a band of ebullient chancers who just wanted to rock, and to sing, and have a ball. Everything else that we pinned on their shoulders was really about us as a nation, daring to believe in ourselves again.

There is a quote from NME, in 1994, when Noel Gallagher describes a meeting with a fan. “She came up to me and said, 'I’ve got Supersonic and I’m really into your lyrics and I’ve been through a lot as well.’ And I went, 'What do you mean? Supersonic is about some ------- nine-stone geezer who got off his nut one night… it’s not about anything!’ It’s just about a feeling, you just get up and play it.

Source: www.telegraph.co.uk

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New Items Added To Liam Gallagher's 'Pretty Green' Collection

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A number of new items have been added to Pretty Green's Spring collection, click here for more details.

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Damon Albarn On Collaborating With Noel Gallagher

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Damon Albarn has told NME he and Noel Gallagher have ‘discussed’ the possibility of collaborating together in the future.

The former rivals publicly rubber-stamped their reconciliation at the 2013 Teenage Cancer Trust concerts when Gallagher, acting as curator last year, joined Albarn and his Blur chum Graham Coxon onstage for a rendition of ‘Tender‘.

Since then, rumours have been rife of a studio hook-up between the pair and Albarn, who has his first solo record ‘Everyday Robots‘ out at the end of this month, has now admitted that is a possibility in the future.

“I can imagine that being a very distinct possibility at some point in the future,” he said of a collaboration. “But, as yet we haven’t really talked about it. OK, we have a little bit. We’re talking. It’s not anything to get excited about yet. I mean, he’s doing his thing.”

“He’s finishing a new record. I’ve got my record coming out, but the principle of us making music together is something, you know, it would be fair to say, we have discussed it at least once.”

Source: www.live4ever.uk.com

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The Tapestry Announce New Single To Coincide With 'This Feeling' Shows

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"This band are so great. I love the vibe, which takes me back to CBGB's in New York in the late 70s” - Chris Difford, Squeeze

"If there was ever a band to fall instantly in love with, it is The Tapestry!” - John Robb, Louder Than War

“Fucking tune!” - Liam Gallagher
















Flogging pictures of a well-known children's TV presenter caning chemicals in a nightclub isn't the usual way for a band to find start up cash. Most people just get a job in a guitar shop.

“We're not too proud of it but it was worth it to start the band and buy the instruments!”

The Tapestry are from Manchester. They are Liam Faherty (vocals/guitar) Katy Baker (Bass/vocals) Dyna (Guitar/vocals) and Zara Finnegan (Drums/vocals). Their tunes are both impossibly catchy and implausibly glamorous.

It's early days, but so far the guys have got stuck in to recording their debut album with Mr. Jim Spencer (Johnny Marr, New Order and The Charlatans) and cutting their teeth live. So far they've managed to attract the approval of Liam Gallagher.

“He showed up at a London show recently, we had a chin wag backstage and he was a total gent. Later we got the 'Fucking tune!' seal of approval.”

'Right As rain' is released on April 14th 2014. Watch the brilliant video below.



Having supported The Strypes, Pete Doherty,The View, Young Knives & The Courteeners, The Tapestry are set to play 2 headline shows in April. The band will play:

11th April - Ruby Lounge, Manchester (This Feeling)
12th April - Queen of Hoxton, London (This Feeling)

Details for tickets and more club nights all around the UK can be found here.

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Noel Gallagher Is A Guest On 'The Fantasy Football Club' On Friday

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John Fendley, Paul Merson are joined by Noel Gallagher this week to take a light-hearted look at fantasy football and the weekend's Barclays Premier League matches.

The Fantasy Football Club

Sky Sports 1 Fri 11th Apr, 10:15pm (UK Only)

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New Items Added To Liam Gallagher's 'Pretty Green' Spring Collection

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A number of new items have been added to Pretty Green's Spring collection, click here for more details.

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All Back To Mine: Noel Gallagher And Damon Albarn

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As part of the Britpop at the BBC season, there's a chance to hear two programmes first broadcast on the World Service in which Noel Gallagher and Damon Albarn talk to Sean Rowley about the music that has shaped them. Sean visits Noel at home and Damon in his studio and lets them talk about their lives and some of the music that has influenced their own unique sounds.

Part of the Britpop at the BBC season.

Click here to listen again.

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Paul 'Bonehead’ Arthurs On Oasis’s First American Tour

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This was our first trip to America on tour with Oasis and, apart from Noel, none of us had been to New York before. We were there to play at the Wetlands Preserve, a festival in New York, and we were just starting to get known. We had an incredible time, playing gigs and filming videos. This particular morning I remember we were all very hung-over, which might explain the glasses. But you can see from the smiles on our faces [Arthurs, centre] that we all think it’s brilliant.

Growing up I’d been in bands on and off; it was something to do on a Friday night. Every kid in Manchester at that time wanted to be in a band. In 1991 I was in a band called Rain with Tony McCarrol (far left) and Paul McGuigan (second left). We were looking for a singer and someone happened to mention in passing that Liam Gallagher, this kid that everyone knew, wanted to be in a band. No one knew he was a singer, I don’t think he knew he wanted to be a singer, but we got him down to my house and auditioned him. We renamed ourselves Oasis and then Noel heard about us through Liam and wanted to join. He came along to meet us armed with songs – the whole of Definitely Maybe and more – and played them to us. We were witnessing our own private Oasis gig before anyone – it was amazing.

People make a huge thing that Oasis had all this tension between brothers. There were a few fisticuffs, but it wasn’t as bad as everyone made out. I always joked that I was the tour psychiatrist, the man in the white coat. Maybe because I was a bit older – I was 29 here, Liam was about 21 – I’d be the one to jump in and pull them apart if anything happened. I left the band in 1999. My daughter, Lucy, was little and that was part of the reason. But also we’d had such an amazing rise and achieved such a lot – like playing to quarter of a million people at Knebworth in 1996 – that when it came to making the fifth album, and I felt like the spark had gone, I just knew I had to get out. I didn’t want to be in the band and not give 100 per cent. It was strange afterwards – it took me about two years to readjust to normal life and be me again. You think you don’t change, but of course you do. We weren’t divas but I’d started to think that having my own minder and being driven around in separate Mercedes cars was normal life. Getting back to being able to walk down my own street on my own was cool by me.

Source: www.telegraph.co.uk

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Explore Pretty Green's First Seasonal Capsule

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Introducing our first seasonal capsule collection — The Walrus. We’ve been on a journey this summer and we want you to experience it with us. Inspiration was drawn from The Beatles Magical Mystery Tour, an unscripted film based on a collection of handwritten ideas, sketches and situations referred to as the “Scrupt”. The psychedelic vibe of the film, including strange characters played by all four Beatles, feature a kaleidoscope of weird and wonderful colours and dreamlike sequences which continued into our designs for the SS14 capsule.

Explore the collection here.
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The View Set For 'This Feeling' Tour

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SCOTTISH INDIE LEGENDS THE VIEW to take time out from recording new album to DJ at THIS FEELING THROUGHOUT APRIL. 

Scots songsmiths to take up residency at the UK's most rock and roll night out...

THE VIEW, who are currently writing and demoing for their new LP, are set to play four special DJ sets at their favourite club night, THIS FEELING in Edinburgh (Voodoo Rooms, April 4th), Glasgow (Record Factory, April 5th), London (Queen of Hoxton, April 12th) and Sheffield (The Leadmill, April 19th).

After eight years of pretty much relentless touring the world and a career spawning three top ten albums, THE VIEW are one of the UK's most treasured bands and say "we've been hard at work on the new record so it's nice to take a breather and party with our fans at our favourite night out, This Feeling!"

Last year's 'Seven Year Setlist' - a glorious tribute to their famous live shows - cemented their status as a band full of character and big songs…An absolute gem of a band and you can bet these will be DJ sets to remember from these Wasted Little DJ's!

Visit www.thisfeeling.co.uk for tickets and infomation on club nights all over the UK.


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New Items Added To Liam Gallagher's 'Pretty Green' Spring Collection

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A number of new items have been added to Pretty Green's Spring collection, click here for more details.

Check out the current collection and offers from Pretty Green here.

On This Day In Oasis History...

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The video below is from April 2nd 1996, when Oasis played at the Sald Zeleste in Barcelona, Spain.


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Details About Oasis' Chasing The Sun: Oasis 1993 – 1997 Exhibition

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Details about the contents of the upcoming Chasing The Sun: Oasis 1993 – 1997 exhibition has been revealed.

The exhibition, which takes in the early years of the legendary Manchester band, has been curated by renowned photographer Lawrence Watson, and will include rare photographs and audio-visual content, memorabilia and artefacts. It will also feature a replica of the Definitely Maybe cover artwork and a display featuring many of the original props.

Exhibition highlights include an Definitely Maybe cover replica. The life-size recreation of the front room in which the iconic artwork for Oasis’s debut album was photographed, in rhythm guitarist Paul ‘Bonehead’ Arthurs home at the time. Fans will be able to recreate the cover art in the replica set up by positioning themselves in the same spots as the band. Within the exhibition some of the original furniture and many of the props from the shoot will be on display.

There will also be a chance to view rare and iconic photographs with previously unseen and classic images from the photographers who had fly-on-the-wall access to the band, including Jill Furminovsky, Paul Slattery, Tom Sheehan, Kevin Cummins, and Jamie Fry. Each print will be available to buy.

There will also be a host of musical instruments used by Oasis including from Noel Gallagher an Epiphone Sheraton ‘Union Jack’ guitar, used on the (What’s The Story) Morning Glory tour dates, a Rickenbacker 330 from the cover of the single Supersonic, an Epiphone Riviera from the Definitely Maybe cover, a Gibson Les Paul and Epiphone Riviera used on the Definitely Maybe tour dates and Alan White’s drum kit, used on the classic single Don’t Look Back In Anger.

A host of memorabilia also forms part of the exhibition. On display will be original artwork proofs by Brian Cannon, who designed all of Oasis’s early covers. Gig tickets, passes, posters and tour itineraries from the period will be also form part of the exhibition. Clothing on display will include Liam Gallagher’s parka worn on stage at Glastonbury Festival and Bonehead’s white suit from the All Around The World video shoot.

Opening 20 years to the day since the release of their debut single Supersonic on 11th April 1994, Chasing The Sun: Oasis 1993 – 1997 is an insider’s view of the band’s meteoric rise as they made rock and roll history.

The exhibition is happening in conjunction with the re-release of Definitely Maybe on May 19th on Big Brother Recordings. Available on standard CD & digital download, Special Edition 3 x CD & digital download, 12″ vinyl LP – with digital download bundle of all bonus CD content and a Deluxe Box Set including LP, Deluxe CD, exclusive 7″ and merchandise.

Chasing The Sun: Oasis 1993 – 1997 runs from the 11th of April through to the 22nd at the LondonNewcastle Project Space, 28 Redchurch Street, London, E2 7DP. Admission is free. Opening hours are: Friday April 11th noon to 5pm. There after Mondays, Tuesdays, Wednesdays and Saturdays noon to 7pm. Thursdays and Fridays noon to 8pm and Sundays and Bank Holidays noon to 6pm.

Source: www.atvtoday.co.uk

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Noel Gallagher To Appear In The New Star Wars Movie

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Noel Gallagher is set to make a guest appearance in the new as yet untitled Star Wars movie.

He will film the scenes in the London later this year.

A source told us "Noel was asked earlier this year if he would like to appear in the movie, and jumped at the chance "Give Noel a lightsaber, and he'll do anything".

Producer JJ Abrams described his casting as a "very exceptional case", having written the part specifically for Gallagher.

Click here for a closer look at the character Noel will play.

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20 Years Of Oasis’ Definitely Maybe

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It’s likely, halfway through 1994 as one continued the incessant touring trail after finally completing work on his band’s debut album, and the other came to an agreement which would see him adopt the mantle of leader of the Labour Party, that Noel Gallagher and Tony Blair had never even heard of each other.

However, just three short years later the pair would meet inside 10 Downing Street with a handshake and a glass of champagne for an image which now – in all its superficiality – suitably defines an era. By then Noel Gallagher was rich, successful and exhalted. Tony Blair, equally, had just been carried to power in the UK on a landslide, himself now carrying the hopes of a nation blossoming with colour after a generation of grey Tory decline. Or so went the narrative anyway.

Their meeting was the appropriately bizarre hedonistic tipping point of Britpop – that intangible, loosely defined media invention with which Oasis are now so intrinsically tied. Britart and Cool Britannia had themselves been gobbled up by the tabloids in its wake. “Revolution!” they cried. “London swings again!” Yet now, like the Sex Pistols did a decade on from the Summer Of Love, we must surely look back through gritted teeth knowing that, just like Johnny Rotten in 1977, for the majority it was essentially ‘Bollocks’.

Even before that Blair/Gallagher summit was held most of the main protagonists had already come to realise as much. The tabloid press – Dr. Frankenstein to Britpop’s monster – decided enough was enough. Blur were about to re-emerge from their ridiculous Benny Hill cartoon ‘Country House‘ selves with bags under their eyes, a moody camera filter and a far darker story to tell on ‘Beetlebum‘. The gloomy Wigan stroll of Richard Ashcroft and The Verve‘s ‘Bittersweet Symphony‘ would be the diametric anthem for 1997′s summer, ‘Urban Hymns‘ the instant post-Britpop bible. Oasis’ timing was less savvy; the insane riot of ‘Be Here Now‘ arrived right in the eye of a backlash storm, soundtracking a mindset which had already pulled out of the station. It would be another year before Noel Gallagher finally boarded up Supernova Heights and went cold turkey on Billy Connolly videos.

All of which, incredibly twenty years on, makes ‘Definitely Maybe‘ retrospectively more important than ever – and why this article chooses to get those Britpop footnotes out of the way at the earliest opportunity.

Read the full article here.

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Oasis Super Fan Needed

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My name is David Aspinall and I am a reporter for an international press agency based in the UK (www.catersnews.com)

To celebrate the 20th anniversary of the release of Definitely Maybe I am trying to find an Oasis superfan/collector/both who would be interested in being interviewed and photographed about the love of the band.

That could include maybe somebody who has travelled thousands of miles or to each continent to see them live, or maybe somebody who has spent thousands of pounds on memorabilia.

Preferably, I am looking for somebody based in the UK so we could organise our own photographs, but if you are outside of this country and have some amazing photos of your own that could also work.

If you are interested in getting in touch please can you contact me on +44 (0)121 616 1100 or on davidaspinall@catersnews.com.

I look forward to hearing from you all.

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