Noel Gallagher Interview From The Brit Awards

Noel Gallagher speaks to Sky News on the red carpet at the Brit Awards about the event, Coldplay and teaming up with Olly Murs.

The star performed hit single 'AKA...What A Life' at the ceremony.

Watch Noel Gallagher's High Flying Birds Performance From The Brits

Below is Noel Gallaghers High Flying Birds performing AKA.. What A Life live from The BRIT Awards 2012 that took place earlier this evening.

Gallery: Noel Gallagher's High Flying Birds In Belfast & Dublin

Click here for a number of pictures from Noel Gallagher's High Flying Birds concerts in Belfast and Dublin last week.

Thanks to Sandra

Noel Gallagher's High Flying Birds To Play T In The Park

Noel Gallagher's High Flying Birds, Florence And The Machine and The Vaccines are among the new additions to this year's T In The Park line-up.

The Scottish festival, which will take place over the weekend of July 6-8 in Balado Park, Kinross, had already confirmed that The Stone Roses will be one of its headliners and has now added nine further acts to the bill.

Also joining the event's line-up are The Maccabees, The Horrors, Miles Kane, Maverick Sabre, Frank Turner and Two Door Cinema Club, with more artists, including the festival's other two headliners, to be confirmed in the coming weeks.

For more information about T In The Park, visit Tinthepark.com.

Tickets go onsale next Wednesday (February 29) at 9am (GMT).

Source: www.nme.com

Watch Noel Gallagher's High Flying Birds At The Brit Awards Later Today

Noel Gallagher's High Flying Birds will be performing live later today at this year's Brit Awards where Noel is nominated for Best British Solo Artist.

Catch the show from 8pm on ITV1 (UK Only) later today.

I will look for a live feed for those of you outside the UK and edit this post later today.

Noel Gallagher's High Flying Bird's Land At The Brits

Noel Gallagher's High Flying Birds will play at The BRITS Awards 2012 in London, England later today (February 21st).

Noel Gallagher's High Flying Birds take on Sheeran, Professor Green, James Blake and James Morrison for Best Male.

If you are going to the show, and you are able to scan your ticket or send in pictures email them to us @ scyhodotcom@gmail.com.

You can also tweet us pictures and updates @scyhodotcom

Review: Noel Gallagher's High Flying Birds In Sheffield

And to think Noel had slight misgivings about being a frontman...writes David Dunn

As main songwriting powerhouse of Oasis the ‘fun brother’ was always likely to make the most impact among those who treasured more the content rather than the tribal nature of one of the UK’s most successful bands.

While an element of the latter inevitably survives – plenty of ‘pints’ were still launched from various quarters – Noel has seduced more people with his High Flying Birds.

Returning to the scene of the first Oasis arena gig, it’s evident in solo gems, such as If I Had A Gun and horns-backed current single Dream On, fans of the man and/or his former outfit have fresh anthems to embrace and celebrate.

Sheffield heroes Reverend & The Makers stoked the crowd with a bouncy support set geared to plug their new album, but this was a Noel love-in - and with top price tickets £59.50 a pop, no one here was not going to thrill at his return.

Noel displayed hints of his stadium past, a full choir elegantly lifting Everybody’s On The Run, while stripping Oasis staple Supersonic back to an acoustic/piano-accompanied nugget.

Batman-esque new tune Freaky Teeth hinted at what could follow, while Noel earned laughs when dealing with a boozy bare-chested female fan.

With Oasis classics Little By Little and Don’t Look Back In Anger – the mega hit he debuted in Attercliffe – closing the show it was clear Noel has managed to retain the camaraderie yet lessen the oik count in his transition from sibling rival to solo star.

He may lack the arrogant swagger and sometimes the vocal muscularity of Liam, but Noel arguably bagged all the tunes.

Source: www.thestar.co.uk

Win Tickets To See Noel Gallagher’s High Flying Birds UK Arena Tour

Still time to enter to win tickets with BlueDot to see Noel Gallagher's High Flying Birds on the following dates:

23/02/12 - Newcastle Metro Radio Arena
24/02/12 - Glasgow SECC Hall
26/02/12 - London O2
01/03/12 - Birmingham NIA

For details click here.

Watch Cinema Broadcast Of Noel Gallagher's High Flying Birds At The 02 This Week

Noel Gallagher's High Flying Birds will play the O2 Arena in London on Sunday 26th February as part of their sold out UK arena tour. The concert sold out in a matter of hours but fans who were unable to buy tickets will now have a chance to see it live on the big screen as the performance will be directly broadcast via satellite in high definition and Dolby Digital 5.1 Surround Sound into select Vue Cinemas across the UK!

Fans will get a chance to see Noel perform songs from his critically acclaimed number one album, Noel Gallagher's High Flying Birds, as well as some of the best known songs from his rich catalogue. The concert will be preceded by 30 minutes of programming including an exclusive interview with Noel.

For tickets to this unique event and details of participating cinemas go to MyVue!

Source: www.noelgallagher.com

Gallery: Noel Gallagher's High Flying Birds In Dublin

Click here for a number of pictures from Noel Gallagher's High Flying Birds concert at the 02 in Dublin last week.

Noel Gallagher: Oasis Not Reforming Before The Smiths Or The Kinks

Noel Gallagher’s new band is doing well, though not quite as well as his old one. He explains why Oasis won’t be getting back together before The Smiths, or The Kinks

It's early evening in Adelaide and “bloody boiling”, according to Noel Gallagher, who’s taking advantage of the air-conditioning in his hotel room before an appearance at the city’s Big Day Out festival. You could say he’s in hog heaven, but Boss Hog heaven would be more accurate. “How about this for an afternoon of telly: The Dukes of Hazzard – Boss is a legend – Magnum, Nightrider, The A-Team. I’ve been texting all my mates back home because that’s bloody fantastic.”

I was mildly surprised to discover that Gallagher had checked in under his own name. Not for him a silly rock-star alias like Harry Bollocks (Ozzy Osbourne), Sir Humphrey Handbag (Elton John), Bobo Latrine (Elt again) or Brian Bigbun (you-know-who). But then I remembered how often I’d seen him with Sara MacDonald, then his girlfriend and now his wife, walking round her home city of Edinburgh, hand-in-hand, maybe a Harvey Nicks bag or two, just being normal.

Gallagher, when he was in Oasis with his kid brother Liam, used to rule the world. Well, apart from America, which they never quite cracked. The What’s the Story (Morning Glory)? album shifted 22 million copies and the band helped found a music movement (Britpop), a cultural one (Cool Britannia) and an ideological one (Laddism). Everyone, not just northern working-class tykes, wanted to talk like them (lots of swearing) and walk like them (the way carpetfitters do, as if lugging heavy rolls under each arm). With the cigarette-lighter anthems Wonderwall and Don’t Look Back in Anger, they encouraged men to show their emotions, or at least to indulge in beery hugging-wrestling at the end of yet another Binge Britain night. Even Tony Blair, after receiving Noel at Number 10 and reflecting on the historical significance of the cheese-and-wine, slurred into Gordon Brown’s ear, “You’re my best mate, you are.” (Well, almost).

The man who wrote the songs, Gallagher was a big, big star and always acted like it, but at 44 this is how normal his life is now: “I do the supermarket shop. In fact, I do it so often that when my trolley is full of Guinness and crisps the whole store knows Sara must be back in Edinburgh with our kids. Ask me what are the best-value nappies and I could tell you.

“People seeing me there for the first time are always surprised. They’re like, ‘Mate, what the f*** are you doing here?’ They watch me with my Pampers and six-packs of yoghurt, and their faces are a mixture of sympathy for me and their own personal disappointment. They want me in a top hat and a cape with a syringe hanging out one eye. It’s what’s expected, even on a Tuesday afternoon.”

He tells his stories well. A born comedian with his own catchphrase, the incredulous response, “I’m not having that.” There’s just the right amount of pause and local colour in the yarns and the throwaways that are actually crucial to the build-up of the drama. For instance, this is Gallagher on how he and Sara finally decided to get married after 11 years together. “I was watching TV one Sunday night … Coast, I think, with that Scottish bloke with the hair [Neil Oliver]. I remember there was this interesting item about a silted-up bit of the Humber, and Sara came and stood in front of the screen and said, ‘Just so you know, I’m not getting married when I’m 40.’ I had to ask how old she was – 39. Then I said, ‘So are you asking me to ask you to marry me?’ We’d talked about it before but no one wanted to organise it. She’d say, ‘But I’ve got the kids to look after’ and I was like, ‘But I’ve got the band to look after’.”

Who had the tougher job, the one involving the most wailing? It would be a close-run thing. The sibling relationship at the heart of Oasis was never less than highly flammable, fascinating psychologists and tabloid editors alike. When I worked for a more excitable journal, one Liam walk-out triggered the setting up of a special investigative unit. Each morning we would be asked, “What’s the Oasis follow-up today?” Anyone with a point of view was interviewed, including Hue & Cry’s equally combustible Pat and Greg Kane. We lasted a week before the subject was exhausted. In the new century, the band became much less vital, but in 2009 the Gallaghers squared up for one last ding-dong involving smashed guitars and a flying prune. Oasis were no more. Well, until that big reunion tour, obviously.

This seems the right moment to ask: how are things with Liam? “I’d better not talk about him,” says big brother. Last year there were assorted spats played out across the front pages of the NME, culminating in threats of legal action. Are they speaking? “Well he has been round the world [with new band Beady Eye] and now I’m doing it. Through the wonders of modern technology, it’s possible to speak without actually speaking. Other than that, we communicate through our mum.”

Gallagher is Down Under with his High Flying Birds, less a group than a bunch of musicianly mates. Last year’s self-titled album, while not a giant leap for him, was well received and is still selling well. And yet he says he only made it because Sara was fed up of him hanging around the house. “That’s not a joke, by the way. I’ve never wanted my music to be like a real job; if you put out too much stuff, people get bored. After Oasis, I think they were definitely fed up with us, and I was very happy doing nothing for a year, no interviews for two years, because I’ve got a young family and as much as possible I want to see them grow up. But after a while I was like, ‘This shit ain’t going to pay for itself.’”

His remark about needing to earn some money sounds like a joke; surely not even Oasis could have blown the proceeds from, all told, 55 million albums on mansions, cars and cocaine? Nevertheless, is he surprised by the success of High Flying Birds? “Well, part of me is like, ‘Wow, this is incredible’ but there has always been this voice which goes, ‘F*** off, you’re the bollocks.’ Apart from the first two albums, Oasis were never a critics’ band – they loathed us. But the people’s faith never wavered.” Still flaunting his bollocks then, but now with added humility – this seems to be Gallagher in 2012. Yes, he lived the rock ’n’ roll lifestyle to the fullest, and why not? There’s a lock-up in Buckinghamshire that houses, “without guilt”, half a million quid’s worth of art. This isn’t the spoils from some lottery splash – he wrote those songs and played those shows. But then he tells you about the Lifetime Achievement Award bestowed on him by Q magazine. “I found that slightly embarrassing, to be honest – but in a good way.” Suddenly, after all that sneering about being too obviously influenced by the Beatles, he had the respect of his peers. “The guys from U2 and Queen gave me a standing ovation. I’d never had one before, not even at my own wedding.”

Gallagher grew up in Burnage, Manchester, the middle son of Irish immigrants, and his violent and abusive father told him he’d never amount to anything. Of the journey from obscurity to omnipotence, he says, “You start off as a kid in an Adidas top and you end this guy in a fur coat and two pairs of f***in’ sunglasses.”

He insists he was at his happiest before fame, as a roadie for the Inspiral Carpets, earning £300 a week to set up the drums, a “normal lad” in a great city pulsating with the fab new sounds of Madchester. And he also talks wistfully about his decade on the dole. “My mate Paul Kelly did such a noble thing: he was the first of our gang to get his own flat and he set it up to be a drugs den where we could smoke weed, watch the kind of telly that’s been on today and listen to Simon & Garfunkel. I’m forever indebted.”

But it doesn’t take a genius to work out he has never been more content than right now. “I’m glad I lived through the madness – the fur coats and the crocodile-skin shoes and the women.” Here he’s talking about Supernova Heights, the house in London’s Primrose Hill he shared with Meg Matthews, and to which he returned from tour in 1988 to find it full of people who’d transformed his home into a nightclub.

He resolved, “I’m not having that – I need to get a f***in’ life” and never touched cocaine again. “The day I left Oasis I was offered the chance to write my memoirs. but I’ll never do a ‘My drugs hell’,” he adds. “I absolutely loved being famous. It was all great, up until the point when it wasn’t.”

But contrast Supernova Heights with his present abode in Maida Vale. The big attraction for him and Sara moving there was a garden for their sons, Donovan, four, and Sonny, 16 months, although Paul Weller has just bought a flat across the road – “He can see right into our kitchen and he’ll often text: ‘Milk and two, mate’” – and he likes this connection to his old life.

He’s a full-on dad – nappies, bedtime stories, trips to the park. No qualms about private schooling – he wants his boys to have a better education than he had. And this is his parenting philosophy: “You have to make the effort with children. You can’t have them thinking that I reckon I’m special otherwise they’ll start thinking they’re special. I want them to feel normal for as long as possible because God knows they’ll reach an age when they’ll be told they’re not.”

Normal Noel and his normal boys, and he was “playing at pirates” with them – that attention to story detail again – when Simon Cowell phoned up to offer Gallagher a job as a judge on The X Factor. “I love the show but could you have imagined the ‘judges’ houses’ week: all those checkout girls from Rochdale trampling on my daffs and scaring the cat? I wasn’t having that.” At least one girl was devastated that the gig went to Gary Barlow: Anais, his 12-year-old daughter by Matthews. “She was raging when I turned it down and still hasn’t forgiven me.”

He met Sara in a nightclub on Ibiza, not believing in love at first sight – but that was what it was. He loves visiting Edinburgh, her favourite restaurants, can’t remember their names, but is just happy being part of someone else’s world. His all-time favourite night out – “Imagine how many I’ve had” – was in the city on Hogmanay, when he and his friends in Kasabian started a conga outside the Balmoral Hotel. “I turned round and there must have been 300 people tagged on the end.”

And Sara’s parents, did they want to lock up their daughter after finding out who she was dating? “I think they had enough faith in her judgment to realise I wasn’t Pete Doherty. If you meet me, I’m obviously not a dickhead. I mean I was once, and quite proud of it too. But, you know, they were smitten with me right away.”

You’ll have noticed by now that Gallagher has mellowed. Once a firebrand on politics and class, it’s difficult to get him going now. He says he has lost faith in politics since the MPs’ expenses scandal, is mildly dischuffed to find himself governed by a coalition when that wasn’t on the last election’s voting slips, but in any case had put his cross next to “this guy standing as a pirate”.

Meanwhile, about posh rockers and the charts being 60 per cent privately educated, his response is considered rather than angry. “There doesn’t seem to be any working-class heroes now – guys like Ian Brown, Shaun Ryder, Richard Ashcroft, Bobby Gillespie and Liam who were knowledgable, proud, looked good and made something of themselves. Instead of being a way out, music is now a career move. A lot of the stuff I hear is utterly forgettable. You wouldn’t stand in the rain to hear these guys. You don’t want to dress like them and you don’t want to be them – they’re squares.”

He used to say he could never imagine Oasis splitting up because his little brother was the one who could always make him laugh. “My wife can do that now,” he says, “and so can our four-year-old.”

But surely Oasis will get back together one day? “We’re not reforming before The Smiths – or The Kinks. If I thought getting back with our kid would make me happy then I’d do it. But until that day, I don’t even think about it.” He’s just not having it.

Source: www.scotsman.com

Setlist: Noel Gallagher's High Flying Birds In Sheffield

Below is the setlist for Noel Gallagher's High Flying Birds concert at the Motorpoint Arena in Sheffield yesterday.

(It’s Good) To Be Free
Mucky Fingers
Everybody’s On The Run
Dream On
If I Had A Gun
The Good Rebal
The Death Of You And Me
Freaky Teeth
Supersonic
(I Wanna Live In A Dream In My) Record Machine
AKA... What A Life!
Talk Tonight
AKA... Broken Arrow
Half The World Away
Solder Boys And Jesus Freaks
(Stranded On) The Wrong Beach
Whatever
Little By Little
The Importance Of Being Idle
Don’t Look Back In Anger

A number of pictures from the gig can be found on our twitter page here.

On This Day In Oasis History...

"Don't Look Back in Anger" is a song by the British rock band Oasis, written by the band's guitarist, Noel Gallagher. Released as the fourth single from their hit second album (What's the Story) Morning Glory?, on February 19th 1996.

The song became the band's second single to reach #1 in the United Kingdom charts, where it also went platinum. "Don't Look Back in Anger" was also the first Oasis single to feature Noel on lead vocals instead of his brother, Liam Gallagher. The title is perhaps a play on the song "Look Back in Anger", from David Bowie's Lodger album or on the play, Look Back in Anger by John Osborne, from which Bowie's song took inspiration.



Music video

The video for the song, directed by Nigel Dick, features Patrick Macnee, the actor who played John Steed in the 1960s television series The Avengers, apparently a favourite of the band. While filming the video, drummer Alan White met future wife Liz Atkins. They were married 13 August 1997 at Studley Priory Hotel, Oxfordshire but later divorced. Macnee has no recollection of the filming of the video.

History

Noel said of the song, "[It] reminds me of a cross between All the Young Dudes and summat the Beatles might've done." Of the character "Sally" referred to in the song he commented, "I don't actually know anybody called Sally. It's just a word that fitted, y'know, might as well throw a girl's name in there. It's gotta guarantee somebody a shag off a bird called Sally, hasn't it?". Noel claims that the character "Lyla", from Oasis' 2005 single is the sister of Sally. In the interview on the DVD released with the special edition of Stop the Clocks, Noel also revealed that a girl approached him and asked him if Sally was the same girl as in The Stone Roses' track "Sally Cinnamon". Noel replied that he'd never thought of that, but thought it was good anyway.



















Noel admits that certain lines from the song are lifted from John Lennon: "I got this tape in the United States that had apparently been burgled from the Dakota Hotel and someone had found these cassettes. Lennon was starting to record his memoirs on tape. He's going on about 'trying to start a revolution from me bed, because they said the brains I had went to my head.' I thought 'Thank you, I'll take that'!" "Revolution from me bed" most likely refers to Lennon's infamous bed-ins in 1969, both in the quote and in the song. The piano during the intro of the song highly resembles Lennon's "Imagine". Like many other popular songs,the chord progression for both the verse and the chorus are based on the classical piece Canon in D by Johann Pachelbel. The songs only differ slightly at the end of each phrase. Gallagher also admits that he was under the influence of substances when he wrote the song, and to this day he claims he does not know what it means.

The song has become a favourite at Oasis' live performances. Noel encourages the crowd to sing along and often keeps quiet during the chorus, allowing the fans instead to sing along while he focuses on his guitar playing. The volume of crowd noise that usually descends on the chorus at concerts is easily audible on the rendition of "Don't Look Back in Anger" on Familiar to Millions. During the Dig Out Your Soul Tour the song has been played acoustically at a slower rate by Noel. Which surprised some fans, but it is still sung by all the fans.

In a 2006 radio interview, Liam Gallagher said that it was he who came up with the line "so Sally can wait" as Noel was struggling with that particular line at the time. Noel confirms this on the bonus DVD, entitled Lock the Box, released with the Stop the Clocks retrospective album. In the interview with Colin Murray, Noel admits, "I was doing it in the sound check and the so Sally bit, I wasn't singing that...and he [Liam] says, 'Are you singing so Sally can wait?' and I said, 'No.' and he said, 'Well you should do.'"

Noel was so excited of the potential of the song when he first wrote it, he used an acoustic set to perform a work-in progress version, without the second verse and a few other slight lyrical differences to the finished version, at an Oasis concert at the Sheffield Arena on April 22, 1995, saying before playing that he'd only written it the previous Tuesday (April 18, 1995) and that he didn't even have a title for it.

Track listing
CD CRESCD 221 (re-issued as RKISCD 018)
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
"Underneath the Sky" - 3:20
"Cum on Feel the Noize" - 5:09

7" CRE 221
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40

12" CRE 221T
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
"Underneath the Sky" - 3:20

Cassette CRECS 221
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40

CD re-issue (US) 34K78356
"Don't Look Back in Anger" - 4:48
"Cum On Feel The Noize" - 5:09

Get up to 70% off selected items from Liam Gallagher's 'Pretty Green' here.

On This Day In Oasis History...

The videos below are from the 20th February 1998, Oasis played a third night at the Budokan, Tokyo, Japan.

Above are a few videos from the gig.

Tickets to all three shows sold out within days of going on sale, with over ninety percent selling on the first day.

During the afternoon of the second show, Liam was forced to cut short a shopping trip when he was mobbed by an enthusiastic crowd of over two hundred fans, in Shibuya in central Tokyo.

Noel Gallagher's Tales From The Middle Of Nowhere (Vol.2) Part Thirty Nine

From Noel Gallagher's 'Tales From The Middle Of Nowhere' tour diary.

Yes…

Well, so the gig in Dublin was somewhat predictably supermegadoubletop!!!!

Another great, great crowd. They've done that venue up, and all… I really, really like it… Well done!!!!

Some girl flashed me too!! (Which was nice.) TWICE!! Just in case I hadn't noticed the first time, which of course I had. Thanks anyway. Much obliged.

Flew into Manchester airport yesterday and guess who I saw? Go on, guess… You'll never guess… MARADONA!!!! MARA-FUCKIN'-DONA!!!! I've met him before, but still… Maradona? Wonder what he's doing here in Manchester? Visiting Agüero, maybe? Or hopefully come to give Tévez a clip round the ear and tell him to sort his head out!!

Off to Sheffield tonight. Playing the big arena. Always a bit special for me this gig as it was Oasis' first ever arena gig, and also where 'Don't Look Back In Anger' was aired for the first time! Good times…

Gotta scarper back to London straight after though. Got rehearsals for them Brits tomorrow. Is that a major pain in the arse I can feel forming? I think it bloody well is!!

ONWARDS.

GD.

Source: www.noelgallagher.com

Keep up to date with Noel's award-winning tour diary by signing up to Noel's Official Website's Inbox here.

Yet Another On This Day In Oasis History...

The video below is from the Brit Awards on February 9th 1996 that took place at Earls Court in London.

Oasis won Best British Video for Wonderwall, (What's the Story) Morning Glory? won Best British Album and Oasis won Best British Group.

Another On This Day In Oasis History...

"Don't Go Away" is a song by English rock band Oasis from their third album, Be Here Now (1997), written by the band's lead guitarist Noel Gallagher. The song was released as a single only in Japan on February 19th 1998, peaking at number 48 on the Oricon chart. It was also a success in the United States, where it hit #5 on the Billboard Hot Modern Rock Tracks chart in late 1997.



History

In a 1997 interview promoting Be Here Now, Noel Gallagher had the following to say about the song: "It's a very sad song about not wanting to lose someone you're close to. The middle eight I made up on the spot -- I never had that lyric until the day we recorded it: 'Me and you, what's going on?/ All we seem to know is how to show/ The feelings that are wrong.' It's after a row. Quite bleak."

"We put Burt Bacharach horns on because he was the master of break-up songs. I did all the string arrangements. I tried to keep them as simple as possible. I like the way Marc Bolan used them on Children Of The Revolution. People do remember string parts as separate hooklines, you know. You just don't want to use them slushily."























Artwork

The cover of the single features the old Liverpool Speke Airport building. The airport is famous as the scene at which thousands of hysterical fans greeted The Beatles on their return to Liverpool at the height of Beatlemania. Derelict at the time, it has now been turned into an exclusive hotel.

B-sides

The live version of "Cigarettes & Alcohol" was recorded 14 December 1997 at the G-MEX Exhibition Centre in Oasis' home town of Manchester.

"Sad Song" originally appeared as a bonus track on the vinyl release of the first Oasis album, Definitely Maybe. It also appeared on the Japanese CD edition of Definitely Maybe.

The 'Warchild' version of "Fade Away" is from the 'HELP' album recorded in September 1995. It features Noel on vocals, and guests Johnny Depp on guitar, Kate Moss on tambourine and Liam and Lisa Moorish on backing vocals.

All proceeds from that track went to Warchild Charities.

Track listing

CD: Epic/Sony Music / ESCA-6948 Japan
"Don't Go Away" - 4:43
"Cigarettes & Alcohol" (Live from GMEX, Manchester, December 14, 1997) - 4:58
"Sad Song" - 4:16
"Fade Away" [Warchild version] - 4:08
(featuring Johnny Depp on guitar & Lisa Moorish on additional vocals)

Noel Gallagher's High Flying Bird's Land In Sheffield

Noel Gallagher's High Flying Birds will play at the Motorpoint Arena in Sheffield, England later today (February 19th).

If you are going to the show, and you are able to scan your ticket or send in pictures email them to us @ scyhodotcom@gmail.com.

You can also tweet us pictures and updates @scyhodotcom

Noel Gallagher 'Sure I Played In Croker Too Lads'

Noel Gallagher proudly held a Dubs jersey and recalled his childhood games at Croke Park as he charmed the Late Late audience with tales of his sporting prowess as a youngster.

The former Oasis member was thrilled when three members of the All Ireland winning squad handed him his own Dublin football jersey.

Noel was presented with a shirt by Eamonn Fennell, Michael Fitzsimons and Declan Lally.

In his first interview on the RTE programme in 15 years, the singer-songwriter recalled his days as a GAA player growing up and playing at Croke Park.

"I used to play ... with a team from Manchester. We were the under 14, 16 and 18 champions," the star revealed.

"I have no idea what position but we were called Oisins and we came to Dublin to play exhibition games against some Dublin teams in Croke Park. We were hammered though, but I scored a point and there is even a photograph of me somewhere scoring the point," he added.

The chart-topper (44), who has been announced as a special guest for the highly anticipated Red Hot Chili Peppers gig in Croker this summer, opened up about his days with Oasis and admitted that he misses performing in front of thousands in huge stadiums.

"There's not a lot of people who get to stand in front of 70,000 people, it's hard to describe, to see a sea of people is indescribable.

"I don't look back on those days and think I'd like to be doing that. I like to look to the the future.

"Liam asked me to manage Oasis at one point and I told him to go f*** himself. I'm not manager material. I didn't particularly want to join the band in the first place. I really fell into it."

The musician, who has an Irish background, also spoke of the band's famous break up and going out on his own.

"I was sad about the way that ended. It ended with shouting and swearing, fruit being thrown around the dressing room.

"There was chaos in the dressing room like it was the end of the world."

The dad-of-three added that his wife Sara McDonald pushed him into recording his solo album, after announcing the news that she was pregnant.

Source: www.herald.ie

Listen Again To Noel Gallagher On Rock 'n' Roll Football

Noel Gallagher joins Ian Wright and talks about his new band, Manchester City's run to win Premier League title and his opinion on Balotelli.



Thanks to frjdoasisfan