In this episode of "South Beach Sessions," musician Noel Gallagher shares his thoughts on the end of Oasis, bands that he doesn't like, being famous and more.
With a title like "Chasing Yesterday" you would think that Oasis mastermind Noel Gallagher would be trying to recapture the youthful blare of classic Oasis, but you would only be half-right.
The album finds Noel in top-notch songwriting form. Some of these melodies are so undeniable it would be a shame if the album doesn't take Noel to a place where he is finally recognized outside of his band.
With his two solo albums he has decided to market them under the band name "Noel Gallagher's High Flying Birds," instead of taking full, unadulterated credit. However, listening to this set of songs hardly gives the impression of the High Flying Birds as a living, breathing "band." Instead, this sounds exactly what you would expect from a Noel Gallagher solo album. Tight songwriting, understated vocals, musicianship and psychedelic production work.
What is missing is Liam's brash, heathen-like personality bending up to sing into the mic with his hands behind his back. But later-day Oasis albums were also bogged down by Liam's basic and repetitive songwriting style. Noel seemed fine stepping back and letting his brother and other bandmates give songwriting a try, but part of it felt like a big brother pushing his little brother on the bike and letting the little brother glide for a bit before crashing into a bush. With Chasing Yesterday you get ten top-drawer Noel Gallagher compositions.
You know an album is strong when the first single is good but completely overshadowed by a handful of album tracks. "In The Heat Of The Moment" (Not the song by Asia) announced a new, hungry sounding Noel with its huge chorus and nearly funky backbeat. "The Dying Of The Light" finds Noel in a dreary mood, with it's world-weary lyrics, but its grunge-meets-Smiths vibe is totally radio-ready. The usually non-experimental Noel tries something completely new with "The Right Stuff" dueting with a chanteuse over a jammy jazz loop. The result is surprisingly sexy and an unexpected left-turn.
Gallagher has always been unafraid to wear his influences on his sleeve, sometimes even coming close to plagiarism and Chasing Yesterday continues this streak. "The Girl With X-Ray Eyes" pillages "Stairway To Heaven", making it the one misstep on the album. The song title "While The Song Remains The Same" also conjures images of Led Zeppelin but with its driving beat and super-catchy melody all can be forgiven. Opener "Riverman" also is a weird image for Noel, who has never portrayed himself as a back-to-nature type gent. Fear not: Noel hasn't gown a grizzly-man beard nor is he wearing a straw hat. It is simply a metaphor of getting back to the basics and the track revels in its psychedelic textures not unlike a jam band.
Noel has always ended his albums on a high note. This time it's "You Know We Can't Go Back" a pummeling, inspiring coming-of-age anthem. If this does not become a world-wide hit, somebody at the record label needs to get fired. It's got everything we loved with Oasis: affirmation, danger, rebellion and hope. Then album closer "Ballad Of The Mighty I" ends the set with a cameo by Noel's hero Johnny Marr and a winding, convoluted song structure that pays off in the end.
Most were unimpressed with Noel Gallagher's first outing with the High Flying Birds. It stuck a little too close to the script and left little to imagination. With Chasing Yesterday he ironically finds his own future. By mixing psychedelic experimentalism with his ear for classic songwriting, Noel could live forever like this and it even makes you wonder if he even needs his brother.
I give Chasing Yesterday by Noel Gallagher's High Flying Birds 4 and 1/2 Empty Lighthouses out of 5.
Pre-order any of the 'Chasing Yesterday' formats and you could win 1 of 5 SIGNED deluxe copies of the album!
Chasing Yesterday is the upcoming second studio album by Noel Gallagher's High Flying Birds, scheduled to be released on 2 March 2015.
The album was self-produced after Gallagher's regular producer, Dave Sardy, was unavailable to work on the record. "I enjoyed the freedom of it but not the responsibility," Noel said.
Available On CD, limited edition 2CD and gatefold Vinyl LP
"Don't Go Away" is a song by English rock band Oasis from their third album, Be Here Now (1997), written by the band's lead guitarist Noel Gallagher. The song was released as a single only in Japan on February 19th 1998, peaking at number 48 on the Oricon chart. It was also a success in the United States, where it hit #5 on the Billboard Hot Modern Rock Tracks chart in late 1997.
History
In a 1997 interview promoting Be Here Now, Noel Gallagher had the following to say about the song: "It's a very sad song about not wanting to lose someone you're close to. The middle eight I made up on the spot -- I never had that lyric until the day we recorded it: 'Me and you, what's going on?/ All we seem to know is how to show/ The feelings that are wrong.' It's after a row. Quite bleak."
"We put Burt Bacharach horns on because he was the master of break-up songs. I did all the string arrangements. I tried to keep them as simple as possible. I like the way Marc Bolan used them on Children Of The Revolution. People do remember string parts as separate hooklines, you know. You just don't want to use them slushily."
Artwork
The cover of the single features the old Liverpool Speke Airport building. The airport is famous as the scene at which thousands of hysterical fans greeted The Beatles on their return to Liverpool at the height of Beatlemania. Derelict at the time, it has now been turned into an exclusive hotel.
B-sides
The live version of "Cigarettes & Alcohol" was recorded 14 December 1997 at the G-MEX Exhibition Centre in Oasis' home town of Manchester.
"Sad Song" originally appeared as a bonus track on the vinyl release of the first Oasis album, Definitely Maybe. It also appeared on the Japanese CD edition of Definitely Maybe.
The 'Warchild' version of "Fade Away" is from the 'HELP' album recorded in September 1995. It features Noel on vocals, and guests Johnny Depp on guitar, Kate Moss on tambourine and Liam and Lisa Moorish on backing vocals.
All proceeds from that track went to Warchild Charities.
Track listing
CD: Epic/Sony Music / ESCA-6948 Japan
"Don't Go Away" - 4:43
"Cigarettes & Alcohol" (Live from GMEX, Manchester, December 14, 1997) - 4:58
"Sad Song" - 4:16
"Fade Away" [Warchild version] - 4:08
(featuring Johnny Depp on guitar & Lisa Moorish on additional vocals)
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"Don't Look Back in Anger" is a song by the British rock band Oasis, written by the band's guitarist, Noel Gallagher. Released as the fourth single from their hit second album (What's the Story) Morning Glory?, on February 19th 1996.
The song became the band's second single to reach #1 in the United Kingdom charts, where it also went platinum. "Don't Look Back in Anger" was also the first Oasis single to feature Noel on lead vocals instead of his brother, Liam Gallagher. The title is perhaps a play on the song "Look Back in Anger", from David Bowie's Lodger album or on the play, Look Back in Anger by John Osborne, from which Bowie's song took inspiration.
Music video
The video for the song, directed by Nigel Dick, features Patrick Macnee, the actor who played John Steed in the 1960s television series The Avengers, apparently a favourite of the band. While filming the video, drummer Alan White met future wife Liz Atkins. They were married 13 August 1997 at Studley Priory Hotel, Oxfordshire but later divorced. Macnee has no recollection of the filming of the video.
History
Noel said of the song, "[It] reminds me of a cross between All the Young Dudes and summat the Beatles might've done." Of the character "Sally" referred to in the song he commented, "I don't actually know anybody called Sally. It's just a word that fitted, y'know, might as well throw a girl's name in there. It's gotta guarantee somebody a shag off a bird called Sally, hasn't it?". Noel claims that the character "Lyla", from Oasis' 2005 single is the sister of Sally. In the interview on the DVD released with the special edition of Stop the Clocks, Noel also revealed that a girl approached him and asked him if Sally was the same girl as in The Stone Roses' track "Sally Cinnamon". Noel replied that he'd never thought of that, but thought it was good anyway.
Noel admits that certain lines from the song are lifted from John Lennon: "I got this tape in the United States that had apparently been burgled from the Dakota Hotel and someone had found these cassettes. Lennon was starting to record his memoirs on tape. He's going on about 'trying to start a revolution from me bed, because they said the brains I had went to my head.' I thought 'Thank you, I'll take that'!" "Revolution from me bed" most likely refers to Lennon's infamous bed-ins in 1969, both in the quote and in the song. The piano during the intro of the song highly resembles Lennon's "Imagine". Like many other popular songs,the chord progression for both the verse and the chorus are based on the classical piece Canon in D by Johann Pachelbel. The songs only differ slightly at the end of each phrase. Gallagher also admits that he was under the influence of substances when he wrote the song, and to this day he claims he does not know what it means.
The song has become a favourite at Oasis' live performances. Noel encourages the crowd to sing along and often keeps quiet during the chorus, allowing the fans instead to sing along while he focuses on his guitar playing. The volume of crowd noise that usually descends on the chorus at concerts is easily audible on the rendition of "Don't Look Back in Anger" on Familiar to Millions. During the Dig Out Your Soul Tour the song has been played acoustically at a slower rate by Noel. Which surprised some fans, but it is still sung by all the fans.
In a 2006 radio interview, Liam Gallagher said that it was he who came up with the line "so Sally can wait" as Noel was struggling with that particular line at the time. Noel confirms this on the bonus DVD, entitled Lock the Box, released with the Stop the Clocks retrospective album. In the interview with Colin Murray, Noel admits, "I was doing it in the sound check and the so Sally bit, I wasn't singing that...and he [Liam] says, 'Are you singing so Sally can wait?' and I said, 'No.' and he said, 'Well you should do.'"
Noel was so excited of the potential of the song when he first wrote it, he used an acoustic set to perform a work-in progress version, without the second verse and a few other slight lyrical differences to the finished version, at an Oasis concert at the Sheffield Arena on April 22, 1995, saying before playing that he'd only written it the previous Tuesday (April 18, 1995) and that he didn't even have a title for it.
Track listing
CD CRESCD 221 (re-issued as RKISCD 018)
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
"Underneath the Sky" - 3:20
"Cum on Feel the Noize" - 5:09
7" CRE 221
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
12" CRE 221T
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
"Underneath the Sky" - 3:20
Cassette CRECS 221
"Don't Look Back In Anger" - 4:48
"Step Out" - 3:40
CD re-issue (US) 34K78356
"Don't Look Back in Anger" - 4:48
"Cum On Feel The Noize" - 5:09
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A limited number of tickets are still available for Noel Gallagher's High Flying Birds UK and Irish tour, click here for tickets for Belfast, Dublin and London.
Tickets are still available for a number of other dates around the world also.
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Johnnie Walker's Long-Players
Wednesday 18th February at 22:00 (UK Time) on BBC Radio 2.
Johnnie and David Hepworth discuss two releases from 1994 that are defining albums of Britpop - Blur's Parklife and Oasis's debut Definitely Maybe.
Featuring contributions by Blur and their producer Stephen Street, while fan Johnny Depp and Creation label boss Alan McGee chat about Definitely Maybe.
Pretty Green's inspiration for this season's collection came straight from the British seaside and the thrill of 60's bank holiday mayhem.
Shot in Margate, one of the original Mod strongholds and scene of the classic Mods and Rocker seafront clashes of the early 1960s, this is signature Pretty Green territory. Taking soul music infused Mod heritage and reinterpreting it using modern styling, against a backdrop of long hazy summer days.
Noel Gallagher, the ever-talented (although often mouthy) Oasis co-conspirator, returns to the world in a few weeks with his 2nd solo album Chasing Yesterday from Noel Gallagher’s High Flying Birds. We won’t lie, this one has been at the top of our radar since it was announced last year… especially since the “only ok” release from Foo Fighters last Fall.
So, how is it? I’m still trying to figure out exactly how to write a review about something that’s this good.
The 2011 self-titled Noel Gallagher’s High Flying Birds was nearly flawless, and came out of the gate with a strut and a wry smile, saying “…Oasis who?” Sort of like the attitude you’d have when you walk into your local bar and everyone knows you. Here, Chasing Yesterday walks into that same bar… but now you own the joint.
Noels’ new record sails through at an even pace, like a convertible cruising down a desert highway at about 80 miles per hour. It never quite gives you an adrenaline rush, but it has no interest in slowing down either. Tracks like the gritty/driving “The Mexican” demonstrate this, as it jams the crunchy guitar and cowbell until you bob your head so much it falls off.
“The Dying of the Light” is one of the most striking songs I’ve ever heard from Gallagher, Oasis included. It’s a little haunting, a little atmospheric, with melodies falling perfectly into place as they start stacking and congealing.
A new addition to the sound is the placement of a few smooth saxophone solos, which are set to some 1970’s psychadelic jams in “The Right Stuff” and “Riverman”. Other tracks are filled with guitar solos, interesting tones, instantly-recognizeable melodies, and prominent groovy beats.
If you’re looking for some of that early Oasis-y rock sound, you’ll find it in the fist-pumping “Lock all the Doors”, which definitely maybe harkens back to the familiar sound of 1994’s Definitely Maybe.
It seems that Noel Gallagher has reached a point in his songwriting career where he can just crank out tunes at a level that most artists never quite achieve. Obviously, you need to enjoy (or at least tolerate) the Brit-Alternative genre in order to appreciate his work, but this new collection is full of really well-written songs. It might take a few more listens to evaluate properly, but Gallagher may have just outdone himself. In the few years he has been solo, he certainly has outdone much of the Oasis body of work.
I’m giving Chasing Yesterday a rating of 9.5. I’d love to give it a perfect 10, but that would imply that it’s a perfect album… and no, perfect albums do not exist.
But if this isn’t a perfect album (by my own logic above), I’m still having a hell of a time finding the flaws.
Rating: 9.5/10
Tracks to check out: “In the Heat of the Moment”, “The Dying of the Light”, “The Mexican”
Noel Gallagher has told Q he might release a remix EP of tracks taken from new album Chasing Yesterday.
The former Oasis man releases his second album Chasing Yesterday on 2 March, and he’s already earmarked several tracks from the record to under go some tinkering.
“Andy Weatherall has done one already, a guy who used to be in the Psychonauts called Pablo who goes under the name of Toy Drum, he’s done one,” Gallagher explained.
“Beyond The Wizard’s Sleeve have done something and I’m speaking to Massive Attack. There are a few things going on. There might be a remix EP coming out sooner or later. It’s all up in the air at the moment.”
Q suggested Rudimental might be an option too as when we recently spoke to the band in the studio the quartet said they were keen to get Noel to lend his vocals to a future track.
“Really? That’s amazing! I’m flattered they’ve even heard of me,” explained Gallagher of the offer. “Well give them my office number.”
Noel Gallagher will be meeting fans and signing copies of his new Noel Gallagher's High Flying Birds album 'Chasing Yesterday' at HMV Glasgow Argyle on March 7th.
250 wristbands will be available with the new album, pre-ordered in advance or purchased from release in the hmv Glasgow Argyle St. store, one per person, in person only.
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HMV in the UK will be stocking an exclusive, numbered 10" vinyl edition of 'The Dying Of The Light', a demo version of a new track from Noel Gallagher's High Flying Birds.
The record is available in store now and is £5.99. Each record will contain a voucher to receive £2 off the cost of Gallagher's new album Chasing Yesterday.
You can see the exclusive artwork for the vinyl below.
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On February 16th 2010, Oasis' album '(What's The Story) Morning Glory?' won the award for the best album of the past 30 years at the Brit Award ceremony at Earl's Court in London.
Check out the current collection and offers from Pretty Green here.